Question: Originally, every electronic component had wire leads, and the PCB had holes drilled for each wire of each component. The components' leads were then passed through the holes and soldered to the PCB trace. This method of assembly is called through-hole construction. In 1949, Moe Abramson and Stanislaus F. Danko of the United States Army Signal Corps developed the Auto-Sembly process in which component leads were inserted into a copper foil interconnection pattern and dip soldered. The patent they obtained in 1956 was assigned to the U.S. Army. With the development of board lamination and etching techniques, this concept evolved into the standard printed circuit board fabrication process in use today. Soldering could be done automatically by passing the board over a ripple, or wave, of molten solder in a wave-soldering machine. However, the wires and holes are wasteful since drilling holes is expensive and the protruding wires are merely cut off.
Is there an answer to this question: What year was the patent for the Auto-Sembly process granted?

Answer: 1956


Question: The Cork School of Music and the Crawford College of Art and Design provide a throughput of new blood, as do the active theatre components of several courses at University College Cork (UCC). Highlights include: Corcadorca Theatre Company, of which Cillian Murphy was a troupe member prior to Hollywood fame; the Institute for Choreography and Dance, a national contemporary dance resource;[citation needed] the Triskel Arts Centre (capacity c.90), which includes the Triskel Christchurch independent cinema; dance venue the Firkin Crane (capacity c.240); the Cork Academy of Dramatic Art (CADA) and Graffiti Theatre Company; and the Cork Jazz Festival, Cork Film Festival, and Live at the Marquee events. The Everyman Palace Theatre (capacity c.650) and the Granary Theatre (capacity c.150) both play host to dramatic plays throughout the year.
Is there an answer to this question: Where is a good place to find dramatic plays all year in Cork?

Answer: The Everyman Palace Theatre (capacity c.650) and the Granary Theatre (capacity c.150)


Question: Various music journalists, critical theorists, and authors have deemed Madonna the most influential female recording artist of all time. Author Carol Clerk wrote that "during her career, Madonna has transcended the term 'pop star' to become a global cultural icon." Rolling Stone of Spain wrote that "She became the first viral Master of Pop in history, years before the Internet was massively used. Madonna was everywhere; in the almighty music television channels, 'radio formulas', magazine covers and even in bookshops. A pop dialectic, never seen since The Beatles's reign, which allowed her to keep on the edge of tendency and commerciality." Laura Barcella in her book Madonna and Me: Women Writers on the Queen of Pop (2012) wrote that "really, Madonna changed everything the musical landscape, the '80s look du jour, and most significantly, what a mainstream female pop star could (and couldn't) say, do, or accomplish in the public eye." William Langley from The Daily Telegraph felt that "Madonna has changed the world's social history, has done more things as more different people than anyone else is ever likely to." Alan McGee from The Guardian felt that Madonna is a post-modern art, the likes of which we will never see again. He further asserted that Madonna and Michael Jackson invented the terms Queen and King of Pop.
Is there an answer to this question: Who said that Madonna changed the world social history?

Answer: William Langley from The Daily Telegraph


Question: Nintendo staff members reported that demo users complained about the difficulty of the control scheme. Aonuma realized that his team had implemented Wii controls under the mindset of "forcing" users to adapt, instead of making the system intuitive and easy to use. He began rethinking the controls with Miyamoto to focus on comfort and ease.[q] The camera movement was reworked and item controls were changed to avoid accidental button presses.[r] In addition, the new item system required use of the button that had previously been used for the sword. To solve this, sword controls were transferred back to gestures—something E3 attendees had commented they would like to see. This reintroduced the problem of using a right-handed swing to control a left-handed sword attack. The team did not have enough time before release to rework Link's character model, so they instead flipped the entire game—everything was made a mirror image.[s] Link was now right-handed, and references to "east" and "west" were switched around. The GameCube version, however, was left with the original orientation. The Twilight Princess player's guide focuses on the Wii version, but has a section in the back with mirror-image maps for GameCube users.[t]
Is there an answer to this question: What features did Aonuma work to improve after Miyamoto's complaints?

Answer:
unanswerable