Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The Statistics Portugal (Portuguese: INE - Instituto Nacional de Estatística) estimates that, according to the 2011 census, the population was 10,562,178 (of which 52% was female, 48% was male). This population has been relatively homogeneous for most of its history: a single religion (Catholicism) and a single language have contributed to this ethnic and national unity, namely after the expulsion of the Moors and Jews. A considerable number of Moors and Jews, nevertheless, stayed in Portugal, under the condition that they converted to Catholicism, and afterwards they were known as Mouriscos (former Muslims) and Cristãos Novos (New Christians or former Jews) some of whom may have continued to observe rabbinic Judaism in secret, as in the case of the secret Jews of Belmonte, who now observe the Jewish faith openly. After 1772 the distinction between Old and New Christians was abolished by decree. Some famous Portuguese New Christians were the mathematician Pedro Nunes and the physician and naturalist Garcia de Orta.
What was the Portuguese population in 2011?
A: 10,562,178

Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The scope of the term "post-punk" has been subject to controversy. While some critics, such as AllMusic's Stephen Thomas Erlewine, have employed the term "post-punk" to denote "a more adventurous and arty form of punk", others have suggested it pertains to a set of artistic sensibilities and approaches rather than any unifying style. Music journalist and post-punk scholar Simon Reynolds has advocated that post-punk be conceived as "less a genre of music than a space of possibility", suggesting that "what unites all this activity is a set of open-ended imperatives: innovation; willful oddness; the willful jettisoning of all things precedented or 'rock'n'roll'". Nicholas Lezard, problematizing the categorization of post-punk as a genre, described the movement as "so multifarious that only the broadest use of the term is possible".
What has the term "post-punk" never been the focus of?
A: unanswerable

Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
All versions of the SNES are predominantly gray, although the exact shade may differ. The original North American version, designed by Nintendo of America industrial designer Lance Barr (who previously redesigned the Famicom to become the NES), has a boxy design with purple sliding switches and a dark gray eject lever. The loading bay surface is curved, both to invite interaction and to prevent food or drinks from being placed on the console and spilling as had happened with the flat surfaced NES. The Japanese and European versions are more rounded, with darker gray accents and buttons. The North American SNS-101 model and the Japanese Super Famicom Jr. (the SHVC-101 model), all designed by Barr, are both smaller with a rounded contour; however, the SNS-101 buttons are purple where the Super Famicom Jr. buttons are gray. The European and American versions of the SNES controllers have much longer cables compared to the Japanese Super Famicom controllers.
What color are all versions of the Super Famicom Jr.?
A: unanswerable

Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
Voting results have been a consistent source of controversy. The mechanism of voting had also aroused considerable criticisms, most notably in season two when Ruben Studdard beat Clay Aiken in a close vote, and in season eight, when the massive increase in text votes (100 million more text votes than season 7) fueled the texting controversy. Concerns about power voting have been expressed from the very first season. Since 2004, votes also have been affected to a limited degree by online communities such as DialIdol, Vote for the Worst (closed in 2013), and Vote for the Girls (started 2010).
Which season had the biggest voting controversy?
A:
season two