Input: Article: Common energy forms include the kinetic energy of a moving object, the potential energy stored by an object's position in a force field (gravitational, electric or magnetic), the elastic energy stored by stretching solid objects, the chemical energy released when a fuel burns, the radiant energy carried by light, and the thermal energy due to an object's temperature. All of the many forms of energy are convertible to other kinds of energy. In Newtonian physics, there is a universal law of conservation of energy which says that energy can be neither created nor be destroyed; however, it can change from one form to another.

Now answer this question: In Newtonian physics, there is a universal law that says energy can be neither created nor what?

Output: destroyed

Input: Article: Interstate 10, which runs southeast to northwest through town, connects Tucson to Phoenix to the northwest on the way to its western terminus in Santa Monica, California, and to Las Cruces, New Mexico and El Paso, Texas toward its eastern terminus in Jacksonville, Florida. I-19 runs south from Tucson toward Nogales and the U.S.-Mexico border. I-19 is the only Interstate highway that uses "kilometer posts" instead of "mileposts", although the speed limits are marked in miles per hour instead of kilometers per hour.

Now answer this question: What is unusual about I-19?

Output: the only Interstate highway that uses "kilometer posts" instead of "mileposts"

Input: Article: Almost all of the composers who are described in music textbooks on classical music and whose works are widely performed as part of the standard concert repertoire are male composers, even though there has been a large number of women composers throughout the classical music period. Musicologist Marcia Citron has asked "[w]hy is music composed by women so marginal to the standard 'classical' repertoire?" Citron "examines the practices and attitudes that have led to the exclusion of women composers from the received 'canon' of performed musical works." She argues that in the 1800s, women composers typically wrote art songs for performance in small recitals rather than symphonies intended for performance with an orchestra in a large hall, with the latter works being seen as the most important genre for composers; since women composers did not write many symphonies, they were deemed to be not notable as composers. In the "...Concise Oxford History of Music, Clara Shumann  [sic] is one of the only  [sic] female composers mentioned." Abbey Philips states that "[d]uring the 20th century the women who were composing/playing gained far less attention than their male counterparts."

Now answer this question: What gender are most composers described in music textbooks?

Output:
male