Context and question: Israel maintains diplomatic relations with 158 countries and has 107 diplomatic missions around the world; countries with whom they have no diplomatic relations include most Muslim countries. Only three members of the Arab League have normalized relations with Israel: Egypt and Jordan signed peace treaties in 1979 and 1994, respectively, and Mauritania opted for full diplomatic relations with Israel in 1999. Despite the peace treaty between Israel and Egypt, Israel is still widely considered an enemy country among Egyptians. Under Israeli law, Lebanon, Syria, Saudi Arabia, Iraq, Iran, Sudan, and Yemen are enemy countries, and Israeli citizens may not visit them without permission from the Ministry of the Interior. Iran had diplomatic relations with Israel under the Pahlavi dynasty but withdrew its recognition of Israel during the Islamic Revolution. As a result of the 2008–09 Gaza War, Mauritania, Qatar, Bolivia, and Venezuela suspended political and economic ties with Israel.
How many diplomatic missions do they have?
Answer: 107
Context and question: On the assumption that intellectual property rights are actual rights Stallman argues that this claim does not live to the historical intentions behind these laws, which in the case of copyright served as a censorship system, and later on, a regulatory model for the printing press that may have benefited authors incidentally, but never interfered with the freedom of average readers. Still referring to copyright, he cites legal literature such as the United States Constitution and case law to demonstrate that it is meant to be an optional and experimental bargain that temporarily trades property rights and free speech for public, not private, benefit in the form of increased artistic production and knowledge. He mentions that "if copyright were a natural right nothing could justify terminating this right after a certain period of time".
What does Stallman think copyright served as a regulatory model for?
Answer: the printing press
Context and question: That said, the score does not provide complete and exact instructions on how to perform a historical work. Even if the tempo is written with an Italian instruction (e.g., Allegro), we do not know exactly how fast the piece should be played. As well, in the Baroque era, many works that were designed for basso continuo accompaniment do not specify which instruments should play the accompaniment or exactly how the chordal instrument (harpsichord, lute, etc.) should play the chords, which are not notated in the part (only a figured bass symbol beneath the bass part is used to guide the chord-playing performer). The performer and/or the conductor have a range of options for musical expression and interpretation of a scored piece, including the phrasing of melodies, the time taken during fermatas (held notes) or pauses, and the use (or choice not to use) of effects such as vibrato or glissando (these effects are possible on various stringed, brass and woodwind instruments and with the human voice).
What are fermatas?
Answer:
held notes