Problem: National Archives and Records Administration:

The National Historical Publications and Records Commission (NHPRC)—the agency's grant-making arm—awards funds to state and local governments, public and private archives, colleges and universities, and other nonprofit organizations to preserve and publish historical records. Since 1964, the NHPRC has awarded some 4,500 grants.

In what year did public and private archives begin taking grants?
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A: unanswerable


Problem: The northern supercontinent of Laurasia began to break up, as Europe, Greenland and North America drifted apart. In western North America, mountain building started in the Eocene, and huge lakes formed in the high flat basins among uplifts. In Europe, the Tethys Sea finally vanished, while the uplift of the Alps isolated its final remnant, the Mediterranean, and created another shallow sea with island archipelagos to the north. Though the North Atlantic was opening, a land connection appears to have remained between North America and Europe since the faunas of the two regions are very similar. India continued its journey away from Africa and began its collision with Asia, creating the Himalayan orogeny.
In the Eocene, in Europe, which sea ceased to be?
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Answer: Tethys Sea


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The Cubs had high expectations in 2002, but the squad played poorly. On July 5, 2002 the Cubs promoted assistant general manager and player personnel director Jim Hendry to the General Manager position. The club responded by hiring Dusty Baker and by making some major moves in '03. Most notably, they traded with the Pittsburgh Pirates for outfielder Kenny Lofton and third baseman Aramis Ramírez, and rode dominant pitching, led by Kerry Wood and Mark Prior, as the Cubs led the division down the stretch.
Who did the Cubs hire in response to Jim Hendry's promotion?
A: Dusty Baker


Context and question: Avicenna's psychology requires that connection between the body and soul be strong enough to ensure the soul's individuation, but weak enough to allow for its immortality. Avicenna grounds his psychology on physiology, which means his account of the soul is one that deals almost entirely with the natural science of the body and its abilities of perception. Thus, the philosopher's connection between the soul and body is explained almost entirely by his understanding of perception; in this way, bodily perception interrelates with the immaterial human intellect. In sense perception, the perceiver senses the form of the object; first, by perceiving features of the object by our external senses. This sensory information is supplied to the internal senses, which merge all the pieces into a whole, unified conscious experience. This process of perception and abstraction is the nexus of the soul and body, for the material body may only perceive material objects, while the immaterial soul may only receive the immaterial, universal forms. The way the soul and body interact in the final abstraction of the universal from the concrete particular is the key to their relationship and interaction, which takes place in the physical body.
According to Avicenna, the body and soul must be what in order to ensure the soul's individuation?
Answer: strong enough


Question: The word ale comes from Old English ealu (plural ealoþ), in turn from Proto-Germanic *alu (plural *aluþ), ultimately from the Proto-Indo-European base *h₂elut-, which holds connotations of "sorcery, magic, possession, intoxication". The word beer comes from Old English bēor, from Proto-Germanic *beuzą, probably from Proto-Indo-European *bʰeusóm, originally "brewer's yeast, beer dregs", although other theories have been provided connecting the word with Old English bēow, "barley", or Latin bibere, "to drink". On the currency of two words for the same thing in the Germanic languages, the 12th-century Old Icelandic poem Alvíssmál says, "Ale it is called among men, but among the gods, beer."
Is there an answer to this question: What 12th century poet once wrote "Ale it is called among men, but among the gods, beer."?

Answer: Alvíssmál


Though almost any variety of acoustic mandolin might be adequate for Irish traditional music, virtually all Irish players prefer flat-backed instruments with oval sound holes to the Italian-style bowl-back mandolins or the carved-top mandolins with f-holes favoured by bluegrass mandolinists. The former are often too soft-toned to hold their own in a session (as well as having a tendency to not stay in place on the player's lap), whilst the latter tend to sound harsh and overbearing to the traditional ear. The f-hole mandolin, however, does come into its own in a traditional session, where its brighter tone cuts through the sonic clutter of a pub. Greatly preferred for formal performance and recording are flat-topped "Irish-style" mandolins (reminiscent of the WWI-era Martin Army-Navy mandolin) and carved (arch) top mandolins with oval soundholes, such as the Gibson A-style of the 1920s.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What types of instruments do irish player prefer?
Ah, so..
might be adequate for Irish traditional music, virtually all Irish players prefer flat-backed instruments with oval sound holes