There were serious scientific objections to the process of natural selection as the key mechanism of evolution, including Karl von Nägeli's insistence that a trivial characteristic with no adaptive advantage could not be developed by selection. Darwin conceded that these could be linked to adaptive characteristics. His estimate that the age of the Earth allowed gradual evolution was disputed by William Thomson (later awarded the title Lord Kelvin), who calculated that it had cooled in less than 100 million years. Darwin accepted blending inheritance, but Fleeming Jenkin calculated that as it mixed traits, natural selection could not accumulate useful traits. Darwin tried to meet these objections in the 5th edition. Mivart supported directed evolution, and compiled scientific and religious objections to natural selection. In response, Darwin made considerable changes to the sixth edition. The problems of the age of the Earth and heredity were only resolved in the 20th century.
When were the problems of the earth and heredity resolved?
in the 20th century


Input: John von Neumann
Von Neumann liked to eat and drink; his wife, Klara, said that he could count everything except calories. He enjoyed Yiddish and "off-color" humor (especially limericks). He was a non-smoker. At Princeton he received complaints for regularly playing extremely loud German march music on his gramophone, which distracted those in neighbouring offices, including Albert Einstein, from their work. Von Neumann did some of his best work blazingly fast in noisy, chaotic environments, and once admonished his wife for preparing a quiet study for him to work in. He never used it, preferring the couple's living room with its television playing loudly.

What famous neighbor did Von Neumann have that may have been distracted by the music Von Neumann played?
Output: Albert Einstein,


Input: Article: The use of the word "heresy" was given wide currency by Irenaeus in his 2nd century tract Contra Haereses (Against Heresies) to describe and discredit his opponents during the early centuries of the Christian community.[citation needed] He described the community's beliefs and doctrines as orthodox (from ὀρθός, orthos "straight" + δόξα, doxa "belief") and the Gnostics' teachings as heretical.[citation needed] He also pointed out the concept of apostolic succession to support his arguments.

Now answer this question: What term did Irenaeus use to describe the Christian community's ideologies?

Output: orthodox


Article: The Polish scholar Jan Baudouin de Courtenay (together with his former student Mikołaj Kruszewski) introduced the concept of the phoneme in 1876, and his work, though often unacknowledged, is considered to be the starting point of modern phonology. He also worked on the theory of phonetic alternations (what is now called allophony and morphophonology), and had a significant influence on the work of Ferdinand de Saussure.

Question: What was de Courtenay's profession?
Ans: scholar


Here is a question about this article: The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.
What is the answer to this question: Who styled the court in France for more modern design after 1771?
****
So... Marie Antoinette


Article: Early reviews were mixed in their assessment. Ken Tucker of Entertainment Weekly considered that "As TV, American Idol is crazily entertaining; as music, it's dust-mote inconsequential". Others, however, thought that "the most striking aspect of the series was the genuine talent it revealed". It was also described as a "sadistic musical bake-off", and "a romp in humiliation". Other aspects of the show have attracted criticisms. The product placement in the show in particular was noted, and some critics were harsh about what they perceived as its blatant commercial calculations – Karla Peterson of The San Diego Union-Tribune charged that American Idol is "a conniving multimedia monster" that has "absorbed the sin of our debauched culture and spit them out in a lump of reconstituted evil". The decision to send the season one winner to sing the national anthem at the Lincoln Memorial on the first anniversary of the September 11 attacks in 2002 was also poorly received by many. Lisa de Moraes of The Washington Post noted sarcastically that "The terrorists have won" and, with a sideswipe at the show's commercialism and voting process, that the decision as to who "gets to turn this important site into just another cog in the 'Great American Idol Marketing Mandala' is in the hands of the millions of girls who have made American Idol a hit. Them and a handful of phone-redialer geeks who have been clocking up to 10,000 calls each week for their contestant of choice (but who, according to Fox, are in absolutely no way skewing the outcome)."

Question: Which journalist felt Idol produced entertaining TV more than entertaining music?
Ans:
Ken Tucker