Question: Since 1972, International Telecommunication Union's radio telecommunications sector (ITU-R) had been working on creating a global recommendation for Analog HDTV. These recommendations, however, did not fit in the broadcasting bands which could reach home users. The standardization of MPEG-1 in 1993 also led to the acceptance of recommendations ITU-R BT.709. In anticipation of these standards the Digital Video Broadcasting (DVB) organisation was formed, an alliance of broadcasters, consumer electronics manufacturers and regulatory bodies. The DVB develops and agrees upon specifications which are formally standardised by ETSI.
Try to answer this question if possible:  What is the DVD?
Answer: unanswerable
Question: Meanwhile, Le Verrier by letter urged Berlin Observatory astronomer Johann Gottfried Galle to search with the observatory's refractor. Heinrich d'Arrest, a student at the observatory, suggested to Galle that they could compare a recently drawn chart of the sky in the region of Le Verrier's predicted location with the current sky to seek the displacement characteristic of a planet, as opposed to a fixed star. On the evening of 23 September 1846, the day Galle received the letter, he discovered Neptune within 1° of where Le Verrier had predicted it to be, about 12° from Adams' prediction. Challis later realised that he had observed the planet twice, on 4 and 12 August, but did not recognise it as a planet because he lacked an up-to-date star map and was distracted by his concurrent work on comet observations.
Try to answer this question if possible: Who urged Le Verrier to search with the observatory refractor?
Answer: unanswerable
Question: At the Salon d'Automne of the same year, in addition to the Indépendants group of Salle 41, were exhibited works by André Lhote, Marcel Duchamp, Jacques Villon, Roger de La Fresnaye, André Dunoyer de Segonzac and František Kupka. The exhibition was reviewed in the October 8, 1911 issue of The New York Times. This article was published a year after Gelett Burgess' The Wild Men of Paris, and two years prior to the Armory Show, which introduced astonished Americans, accustomed to realistic art, to the experimental styles of the European avant garde, including Fauvism, Cubism, and Futurism. The 1911 New York Times article portrayed works by Picasso, Matisse, Derain, Metzinger and others dated before 1909; not exhibited at the 1911 Salon. The article was titled The "Cubists" Dominate Paris' Fall Salon and subtitled Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition - What Its Followers Attempt to Do.
Try to answer this question if possible: What was the subtitle of the article not published in 1911 in New York TImes about Cubism?
Answer: unanswerable
Question: Barbara Harff and Ted Gurr defined genocide as "the promotion and execution of policies by a state or its agents which result in the deaths of a substantial portion of a group ...[when] the victimized groups are defined primarily in terms of their communal characteristics, i.e., ethnicity, religion or nationality." Harff and Gurr also differentiate between genocides and politicides by the characteristics by which members of a group are identified by the state. In genocides, the victimized groups are defined primarily in terms of their communal characteristics, i.e., ethnicity, religion or nationality. In politicides the victim groups are defined primarily in terms of their hierarchical position or political opposition to the regime and dominant groups. Daniel D. Polsby and Don B. Kates, Jr. state that "... we follow Harff's distinction between genocides and 'pogroms,' which she describes as 'short-lived outbursts by mobs, which, although often condoned by authorities, rarely persist.' If the violence persists for long enough, however, Harff argues, the distinction between condonation and complicity collapses."
Try to answer this question if possible: What was important to Harff and Gurr to distinguish from genocides?
Answer:
politicides