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Madonna's use of sexual imagery has benefited her career and catalyzed public discourse on sexuality and feminism. As Roger Chapman documents in Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices, Volume 1 (2010), she has drawn frequent condemnation from religious organizations, social conservatives and parental watchdog groups for her use of explicit, sexual imagery and lyrics, religious symbolism, and otherwise "irreverent" behavior in her live performances. The Times wrote that she had "started a revolution amongst women in music ... Her attitudes and opinions on sex, nudity, style and sexuality forced the public to sit up and take notice." Professor John Fiske noted that the sense of empowerment that Madonna offers is inextricably connected with the pleasure of exerting some control over the meanings of self, of sexuality, and of one's social relations. In Doing Gender in Media, Art and Culture (2009), the authors noted that Madonna, as a female celebrity, performer, and pop icon, is able to unsettle standing feminist reflections and debates. According to lesbian feminist Sheila Jeffreys, Madonna represents woman's occupancy of what Monique Wittig calls the category of sex, as powerful, and appears to gleefully embrace the performance of the sexual corvée allotted to women. Professor Sut Jhally has referred to Madonna as "an almost sacred feminist icon."
Who is regarded as a feminist during her time?
A: Madonna

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In 1960, non-Hispanic whites represented 80% of Miami-Dade county's population. In 1970, the Census Bureau reported Miami's population as 45.3% Hispanic, 32.9% non-Hispanic White, and 22.7% Black. Miami's explosive population growth has been driven by internal migration from other parts of the country, primarily up until the 1980s, as well as by immigration, primarily from the 1960s to the 1990s. Today, immigration to Miami has slowed significantly and Miami's growth today is attributed greatly to its fast urbanization and high-rise construction, which has increased its inner city neighborhood population densities, such as in Downtown, Brickell, and Edgewater, where one area in Downtown alone saw a 2,069% increase in population in the 2010 Census. Miami is regarded as more of a multicultural mosaic, than it is a melting pot, with residents still maintaining much of, or some of their cultural traits. The overall culture of Miami is heavily influenced by its large population of Hispanics and blacks mainly from the Caribbean islands.
What was the largest ethnic group in 1870 Miami?
A: unanswerable

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While other companies were moving on to 32-bit systems, Rare and Nintendo proved that the SNES was still a strong contender in the market. In November 1994, Rare released Donkey Kong Country, a platform game featuring 3D models and textures pre-rendered on SGI workstations. With its detailed graphics, fluid animation and high-quality music, Donkey Kong Country rivaled the aesthetic quality of games that were being released on newer 32-bit CD-based consoles. In the last 45 days of 1994, the game sold 6.1 million units, making it the fastest-selling video game in history to that date. This game sent a message that early 32-bit systems had little to offer over the SNES, and helped make way for the more advanced consoles on the horizon.
Which company developed Donkey Kong Country?
A: Rare

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The context-sensitive button mechanic allows one button to serve a variety of functions, such as talking, opening doors, and pushing, pulling, and throwing objects.[e] The on-screen display shows what action, if any, the button will trigger, determined by the situation. For example, if Link is holding a rock, the context-sensitive button will cause Link to throw the rock if he is moving or targeting an object or enemy, or place the rock on the ground if he is standing still.[f]
What shows what action the button will trigger?
A:
on-screen display