Input: Read this: Though Decca would continue to keep picture budgets lean, it was favored by changing circumstances in the film business, as other studios let their contract actors go in the wake of the 1948 U.S. vs. Paramount Pictures, et al. decision. Leading actors were increasingly free to work where and when they chose, and in 1950 MCA agent Lew Wasserman made a deal with Universal for his client James Stewart that would change the rules of the business. Wasserman's deal gave Stewart a share in the profits of three pictures in lieu of a large salary. When one of those films, Winchester '73, proved to be a hit, the arrangement would become the rule for many future productions at Universal, and eventually at other studios as well.
Question: What star did Lew Wasserman represent?

Output: James Stewart


QUES: It is possible that other distinct dialect groups were already in existence during this period. Good candidates are the hypothethical ancestor languages of Alanian/Scytho-Sarmatian subgroup of Scythian in the far northwest; and the hypothetical "Old Parthian" (the Old Iranian ancestor of Parthian) in the near northwest, where original *dw > *b (paralleling the development of *ćw).

What possible predecessor of Pathian is thought to have existed?
What is the answer?
ANS: Old Parthian


QUES: This technique of representing simultaneity, multiple viewpoints (or relative motion) is pushed to a high degree of complexity in Gleizes' monumental Le Dépiquage des Moissons (Harvest Threshing), exhibited at the 1912 Salon de la Section d'Or, Le Fauconnier’s Abundance shown at the Indépendants of 1911, and Delaunay's City of Paris, shown at the Indépendants in 1912. These ambitious works are some of the largest paintings in the history of Cubism. Léger’s The Wedding, also shown at the Salon des Indépendants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force. The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà; themselves made in response to early Cubism.
What did the technique in Gliezes' piece Le Depiquage represent?

ANS: relative motion)


Much of the early paper made from wood pulp contained significant amounts of alum, a variety of aluminium sulfate salts that is significantly acidic. Alum was added to paper to assist in sizing, making it somewhat water resistant so that inks did not "run" or spread uncontrollably. Early papermakers did not realize that the alum they added liberally to cure almost every problem encountered in making their product would eventually be detrimental. The cellulose fibres that make up paper are hydrolyzed by acid, and the presence of alum would eventually degrade the fibres until the paper disintegrated in a process that has come to be known as "slow fire". Documents written on rag paper were significantly more stable. The use of non-acidic additives to make paper is becoming more prevalent, and the stability of these papers is less of an issue.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is becoming less prevalent when making paper?
Ah, so.. unanswerable


Question: Robots.txt is used as part of the Robots Exclusion Standard, a voluntary protocol the Internet Archive respects that disallows bots from indexing certain pages delineated by its creator as off-limits. As a result, the Internet Archive has rendered unavailable a number of web sites that now are inaccessible through the Wayback Machine. Currently, the Internet Archive applies robots.txt rules retroactively; if a site blocks the Internet Archive, such as Healthcare Advocates, any previously archived pages from the domain are rendered unavailable as well. In cases of blocked sites, only the robots.txt file is archived.
Try to answer this question if possible: What kind of protocol is the Internet Archive?
Answer: unanswerable


Question: Philadelphia has more public art than any other American city. In 1872, the Association for Public Art (formerly the Fairmount Park Art Association) was created, the first private association in the United States dedicated to integrating public art and urban planning. In 1959, lobbying by the Artists Equity Association helped create the Percent for Art ordinance, the first for a U.S. city. The program, which has funded more than 200 pieces of public art, is administered by the Philadelphia Office of Arts and Culture, the city's art agency.
Try to answer this question if possible: What was the Assoc. for Public Art called in the past?
Answer:
Fairmount Park Art Association