Input: Gothic architecture
From the 10th to the 13th century, Romanesque architecture had become a pan-European style and manner of construction, affecting buildings in countries as far apart as Ireland, Croatia, Sweden and Sicily. The same wide geographic area was then affected by the development of Gothic architecture, but the acceptance of the Gothic style and methods of construction differed from place to place, as did the expressions of Gothic taste. The proximity of some regions meant that modern country borders do not define divisions of style. On the other hand, some regions such as England and Spain produced defining characteristics rarely seen elsewhere, except where they have been carried by itinerant craftsmen, or the transfer of bishops. Regional differences that are apparent in the great abbey churches and cathedrals of the Romanesque period often become even more apparent in the Gothic.

Why did country borders not affect differences in style within Gothic architecture?
Output: proximity of some regions

Input: New Haven, Connecticut
New Haven was the subject of Who Governs? Democracy and Power in An American City, a very influential book in political science by preeminent Yale professor Robert A. Dahl, which includes an extensive history of the city and thorough description of its politics in the 1950s. New Haven's theocratic history is also mentioned several times by Alexis de Tocqueville in his classic volume on 19th-century American political life, Democracy in America. New Haven was the residence of conservative thinker William F. Buckley, Jr., in 1951, when he wrote his influential God and Man at Yale. William Lee Miller's The Fifteenth Ward and the Great Society (1966) similarly explores the relationship between local politics in New Haven and national political movements, focusing on Lyndon Johnson's Great Society and urban renewal.

What penultimate work by Alexis de Tocqueville makes mention of New Haven's original theocratic government?
Output: Democracy in America

Input: Letter case
Typographically, the basic difference between the majuscules and minuscules is not that the majuscules are big and minuscules small, but that the majuscules generally have the same height. The height of the minuscules varies, as some of them have parts higher or lower than the average, i.e. ascenders and descenders. In Times New Roman, for instance, b, d, f, h, k, l, t  are the letters with ascenders, and g, j, p, q, y are the ones with descenders. Further to this, with old-style numerals still used by some traditional or classical fonts—although most do have a set of alternative Lining Figures— 6 and 8 make up the ascender set, and 3, 4, 5, 7 and 9 the descender set.

In Time New Roman the letter "b" would be consider which type of letter based on whether it is above or below average height?
Output: ascenders

Input: Sanskrit
Sanskrit has also influenced Sino-Tibetan languages through the spread of Buddhist texts in translation. Buddhism was spread to China by Mahayana missionaries sent by Ashoka, mostly through translations of Buddhist Hybrid Sanskrit. Many terms were transliterated directly and added to the Chinese vocabulary. Chinese words like 剎那 chànà (Devanagari: क्षण kṣaṇa 'instantaneous period') were borrowed from Sanskrit. Many Sanskrit texts survive only in Tibetan collections of commentaries to the Buddhist teachings, the Tengyur.

Where do many Sanskrit texts survive?
Output:
Tibetan collections