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The implications are multiple as various research traditions are now[when?] heavily utilizing the lens of identity to examine phenomena.[citation needed] One implication of identity and of identity construction can be seen in occupational settings. This becomes increasing challenging in stigmatized jobs or "dirty work" (Hughes, 1951). Tracy and Trethewey (2005) state that "individuals gravitate toward and turn away from particular jobs depending in part, on the extent to which they validate a "preferred organizational self" (Tracy & Tretheway 2005, p. 169). Some jobs carry different stigmas or acclaims. In her analysis Tracy uses the example of correctional officers trying to shake the stigma of "glorified maids" (Tracy & Tretheway 2005). "The process by which people arrive at justifications of and values for various occupational choices." Among these are workplace satisfaction and overall quality of life (Tracy & Scott 2006, p. 33). People in these types of jobs are forced to find ways in order to create an identity they can live with. "Crafting a positive sense of self at work is more challenging when one's work is considered "dirty" by societal standards" (Tracy & Scott 2006, p. 7). "In other words, doing taint management is not just about allowing the employee to feel good in that job. "If employees must navigate discourses that question the viability of their work, and/ or experience obstacles in managing taint through transforming dirty work into a badge of honor, it is likely they will find blaming the client to be an efficacious route in affirming their identity" (Tracy & Scott 2006, p. 33).

The implications of identity and identity construction are discussed in what settings?
Answer: occupational settings
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The winner receives a record deal with a major label, which may be for up to six albums, and secures a management contract with American Idol-affiliated 19 Management (which has the right of first refusal to sign all contestants), as well as various lucrative contracts. All winners prior to season nine reportedly earned at least $1 million in their first year as winner. All the runners-up of the first ten seasons, as well as some of other finalists, have also received record deals with major labels. However, starting in season 11, the runner-up may only be guaranteed a single-only deal. BMG/Sony (seasons 1–9) and UMG (season 10–) had the right of first refusal to sign contestants for three months after the season's finale. Starting in the fourteenth season, the winner was signed with Big Machine Records. Prominent music mogul Clive Davis also produced some of the selected contestants' albums, such as Kelly Clarkson, Clay Aiken, Fantasia Barrino and Diana DeGarmo. All top 10 (11 in seasons 10 and 12) finalists earn the privilege of going on a tour, where the participants may each earn a six-figure sum.

How long does the record company have the right of first refusal for contestants on American Idol?
Answer: three months
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John, the youngest of five sons of King Henry II of England and Eleanor of Aquitaine, was at first not expected to inherit significant lands. Following the failed rebellion of his elder brothers between 1173 and 1174, however, John became Henry's favourite child. He was appointed the Lord of Ireland in 1177 and given lands in England and on the continent. John's elder brothers William, Henry and Geoffrey died young; by the time Richard I became king in 1189, John was a potential heir to the throne. John unsuccessfully attempted a rebellion against Richard's royal administrators whilst his brother was participating in the Third Crusade. Despite this, after Richard died in 1199, John was proclaimed King of England, and came to an agreement with Philip II of France to recognise John's possession of the continental Angevin lands at the peace treaty of Le Goulet in 1200.

When was John appointed the Lord of Ireland?
Answer:
1177