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Antarctic explorers Robert Falcon Scott and Frank Bickerton both lived in the city. Artists include Beryl Cook whose paintings depict the culture of Plymouth and Robert Lenkiewicz, whose paintings investigated themes of vagrancy, sexual behaviour and suicide, lived in the city from the 1960s until his death in 2002. Illustrator and creator of children's series Mr Benn and King Rollo, David McKee, was born and brought up in South Devon and trained at Plymouth College of Art. Jazz musician John Surman, born in nearby Tavistock, has close connections to the area, evidenced by his 2012 album Saltash Bells. The avant garde prepared guitarist Keith Rowe was born in the city before establishing the jazz free improvisation band AMM in London in 1965 and MIMEO in 1997. The musician and film director Cosmo Jarvis has lived in several towns in South Devon and has filmed videos in and around Plymouth. In addition, actors Sir Donald Sinden and Judi Trott. George Passmore of Turner Prize winning duo Gilbert and George was born in the city, as was Labour politician Michael Foot whose family reside at nearby Trematon Castle.

Where did the creator of Mr Benn and King Rollo study?
Answer: Plymouth College of Art
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Archaeological evidence shows that Homo erectus lived in the region now known as Myanmar as early as 400,000 years ago. The first evidence of Homo sapiens is dated to about 11,000 BC, in a Stone Age culture called the Anyathian with discoveries of stone tools in central Myanmar. Evidence of neolithic age domestication of plants and animals and the use of polished stone tools dating to sometime between 10,000 and 6,000 BC has been discovered in the form of cave paintings near the city of Taunggyi.

What is the name of the civilization that is believed to be one of the oldest. 
Answer: Anyathian
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The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.

To whom is the "standard complement" attributed to?
Answer:
Beethoven