Problem: Qing dynasty:

Literature grew to new heights in the Qing period. Poetry continued as a mark of the cultivated gentleman, but women wrote in larger and larger numbers and poets came from all walks of life. The poetry of the Qing dynasty is a lively field of research, being studied (along with the poetry of the Ming dynasty) for its association with Chinese opera, developmental trends of Classical Chinese poetry, the transition to a greater role for vernacular language, and for poetry by women in Chinese culture. The Qing dynasty was a period of much literary collection and criticism, and many of the modern popular versions of Classical Chinese poems were transmitted through Qing dynasty anthologies, such as the Quantangshi and the Three Hundred Tang Poems. Pu Songling brought the short story form to a new level in his Strange Stories from a Chinese Studio, published in the mid-18th century, and Shen Fu demonstrated the charm of the informal memoir in Six Chapters of a Floating Life, written in the early 19th century but published only in 1877. The art of the novel reached a pinnacle in Cao Xueqin's Dream of the Red Chamber, but its combination of social commentary and psychological insight were echoed in highly skilled novels such as Wu Jingzi's The Scholars (1750) and Li Ruzhen's Flowers in the Mirror (1827).

Who started writing poety during the Qing dynasty?
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A: women


Problem: Barbara Harff and Ted Gurr defined genocide as "the promotion and execution of policies by a state or its agents which result in the deaths of a substantial portion of a group ...[when] the victimized groups are defined primarily in terms of their communal characteristics, i.e., ethnicity, religion or nationality." Harff and Gurr also differentiate between genocides and politicides by the characteristics by which members of a group are identified by the state. In genocides, the victimized groups are defined primarily in terms of their communal characteristics, i.e., ethnicity, religion or nationality. In politicides the victim groups are defined primarily in terms of their hierarchical position or political opposition to the regime and dominant groups. Daniel D. Polsby and Don B. Kates, Jr. state that "... we follow Harff's distinction between genocides and 'pogroms,' which she describes as 'short-lived outbursts by mobs, which, although often condoned by authorities, rarely persist.' If the violence persists for long enough, however, Harff argues, the distinction between condonation and complicity collapses."
Haff and Gurr's definition of opposition included the promotion and execution of what by a state or its agents?
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Answer: unanswerable


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
This meant that nearly one-third of the U.S. lending mechanism was frozen and continued to be frozen into June 2009. According to the Brookings Institution, the traditional banking system does not have the capital to close this gap as of June 2009: "It would take a number of years of strong profits to generate sufficient capital to support that additional lending volume". The authors also indicate that some forms of securitization are "likely to vanish forever, having been an artifact of excessively loose credit conditions". While traditional banks have raised their lending standards, it was the collapse of the shadow banking system that is the primary cause of the reduction in funds available for borrowing.
What is likely to vanish forever, as a result of excessively loose credit conditions?
A: some forms of securitization


Context and question: The most extreme forms of Cubism were not those practiced by Picasso and Braque, who resisted total abstraction. Other Cubists, by contrast, especially František Kupka, and those considered Orphists by Apollinaire (Delaunay, Léger, Picabia and Duchamp), accepted abstraction by removing visible subject matter entirely. Kupka’s two entries at the 1912 Salon d'Automne, Amorpha-Fugue à deux couleurs and Amorpha chromatique chaude, were highly abstract (or nonrepresentational) and metaphysical in orientation. Both Duchamp in 1912 and Picabia from 1912 to 1914 developed an expressive and allusive abstraction dedicated to complex emotional and sexual themes. Beginning in 1912 Delaunay painted a series of paintings entitled Simultaneous Windows, followed by a series entitled Formes Circulaires, in which he combined planar structures with bright prismatic hues; based on the optical characteristics of juxtaposed colors his departure from reality in the depiction of imagery was quasi-complete. In 1913–14 Léger produced a series entitled Contrasts of Forms, giving a similar stress to color, line and form. His Cubism, despite its abstract qualities, was associated with themes of mechanization and modern life. Apollinaire supported these early developments of abstract Cubism in Les Peintres cubistes (1913), writing of a new "pure" painting in which the subject was vacated. But in spite of his use of the term Orphism these works were so different that they defy attempts to place them in a single category.
Who produced the series called Non-contrast of Forms?
Answer: unanswerable


Question: Outdoor events and festivals are held including the annual British Firework Championships in August, which attracts tens of thousands of people across the waterfront. In August 2006 the world record for the most amount of simultaneous fireworks was surpassed, by Roy Lowry of the University of Plymouth, over Plymouth Sound. Since 1992 the Music of the Night has been performed in the Royal Citadel by the 29 Commando Regiment and local performers to raise money for local and military charities.
Is there an answer to this question: In what year did the Music of the Night begin?

Answer: 1992


Question: Musée Territorial de St.-Barthélemy is a historical museum known as the "St. Barts Municipal Museum" also called the "Wall House" (musée – bibliothèque) in Gustavia, which is located on the far end of La Pointe. The museum is housed in an old stone house, a two-storey building which has been refurbished. The island’s history relating to French, Swedish and British period of occupation is well presented in the museum with photographs, maps and paintings. Also on display are the ancestral costumes, antique tools, models of Creole houses and ancient fishing boats. It also houses a library.
Is there an answer to this question: Which people used the ancient tools?

Answer:
unanswerable