The two volume biography of Whitehead by Victor Lowe is the most definitive presentation of the life of Whitehead. However, many details of Whitehead's life remain obscure because he left no Nachlass; his family carried out his instructions that all of his papers be destroyed after his death. Additionally, Whitehead was known for his "almost fanatical belief in the right to privacy", and for writing very few personal letters of the kind that would help to gain insight on his life. This led to Lowe himself remarking on the first page of Whitehead's biography, "No professional biographer in his right mind would touch him."
What did the author of Whitehead's biography comment on the first page regarding the difficulty of obtaining information about Whitehead?
"No professional biographer in his right mind would touch him."

Pius XII asked Archbishop Montini to Rome October 1957, where he gave the main presentation to the Second World Congress of Lay Apostolate. Previously as Pro-Secretary, he had worked hard to unify a worldwide organization of lay people of 58 nations, representing 42 national organizations. He presented them to Pius XII in Rome in 1951. The second meeting in 1957 gave Montini an opportunity to express the lay apostolate in modern terms: "Apostolate means love. We will love all, but especially those, who need help... We will love our time, our technology, our art, our sports, our world."
How many nations did Montini hope to unify as Pro-secretary?
58

Until recently, in most critical writing the post-punk era was "often dismissed as an awkward period in which punk's gleeful ructions petered out into the vacuity of the Eighties". Contemporary scholars have argued to the contrary, asserting that the period produced significant innovations and music on its own. Simon Reynolds described the period as "a fair match for the sixties in terms of the sheer amount of great music created, the spirit of adventure and idealism that infused it, and the way that the music seemed inextricably connected to the political and social turbulence of its era". Nicholas Lezard wrote that the music of the period "was avant-garde, open to any musical possibilities that suggested themselves, united only in the sense that it was very often cerebral, concocted by brainy young men and women interested as much in disturbing the audience, or making them think, as in making a pop song".
What era was usually dismissed as merely an awkward phase of music?
post-punk