Problem: Utrecht's cityscape is dominated by the Dom Tower, the tallest belfry in the Netherlands and originally part of the Cathedral of Saint Martin. An ongoing debate is over whether any building in or near the centre of town should surpass the Dom Tower in height (112 m). Nevertheless, some tall buildings are now being constructed that will become part of the skyline of Utrecht. The second tallest building of the city, the Rabobank-tower, was completed in 2010 and stands 105 m (344.49 ft) tall. Two antennas will increase that height to 120 m (393.70 ft). Two other buildings were constructed around the Nieuw Galgenwaard stadium (2007). These buildings, the 'Kantoortoren Galghenwert' and 'Apollo Residence', stand 85.5 and 64.5 metres high respectively.
What is the tallest building in the Netherlands?
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Answer: unanswerable


Problem: A significant modification of Cubism between 1914 and 1916 was signaled by a shift towards a strong emphasis on large overlapping geometric planes and flat surface activity. This grouping of styles of painting and sculpture, especially significant between 1917 and 1920, was practiced by several artists; particularly those under contract with the art dealer and collector Léonce Rosenberg. The tightening of the compositions, the clarity and sense of order reflected in these works, led to its being referred to by the critic Maurice Raynal (fr) as 'crystal' Cubism. Considerations manifested by Cubists prior to the outset of World War I—such as the fourth dimension, dynamism of modern life, the occult, and Henri Bergson's concept of duration—had now been vacated, replaced by a purely formal frame of reference.
What did the critic Maurice Raynal stop referring to Cubism in around 1917-1920?
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Answer: unanswerable


Problem: Early humanists saw no conflict between reason and their Christian faith (see Christian Humanism). They inveighed against the abuses of the Church, but not against the Church itself, much less against religion. For them, the word "secular" carried no connotations of disbelief – that would come later, in the nineteenth century. In the Renaissance to be secular meant simply to be in the world rather than in a monastery. Petrarch frequently admitted that his brother Gherardo's life as a Carthusian monk was superior to his own (although Petrarch himself was in Minor Orders and was employed by the Church all his life). He hoped that he could do some good by winning earthly glory and praising virtue, inferior though that might be to a life devoted solely to prayer. By embracing a non-theistic philosophic base, however, the methods of the humanists, combined with their eloquence, would ultimately have a corrosive effect on established authority.
Petrarch felt that although he tried to do his own form of good whose life may have more meaning?
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Answer:
Gherardo