Article: Ranked below the Three Councillors of State were the Nine Ministers, who each headed a specialized ministry. The Minister of Ceremonies was the chief official in charge of religious rites, rituals, prayers and the maintenance of ancestral temples and altars. The Minister of the Household was in charge of the emperor's security within the palace grounds, external imperial parks and wherever the emperor made an outing by chariot. The Minister of the Guards was responsible for securing and patrolling the walls, towers, and gates of the imperial palaces. The Minister Coachman was responsible for the maintenance of imperial stables, horses, carriages and coach-houses for the emperor and his palace attendants, as well as the supply of horses for the armed forces. The Minister of Justice was the chief official in charge of upholding, administering, and interpreting the law. The Minister Herald was the chief official in charge of receiving honored guests at the imperial court, such as nobles and foreign ambassadors. The Minister of the Imperial Clan oversaw the imperial court's interactions with the empire's nobility and extended imperial family, such as granting fiefs and titles. The Minister of Finance was the treasurer for the official bureaucracy and the armed forces who handled tax revenues and set standards for units of measurement. The Minister Steward served the emperor exclusively, providing him with entertainment and amusements, proper food and clothing, medicine and physical care, valuables and equipment.

Question: Which individual had a duty to maintain the imperial stables?
Ans: The Minister Coachman


Article: The working memory model explains many practical observations, such as why it is easier to do two different tasks (one verbal and one visual) than two similar tasks (e.g., two visual), and the aforementioned word-length effect. However, the concept of a central executive as noted here has been criticised as inadequate and vague.[citation needed] Working memory is also the premise for what allows us to do everyday activities involving thought. It is the section of memory where we carry out thought processes and use them to learn and reason about topics.

Question: Which concept is criticised for being unworthy and too broad?
Ans: concept of a central executive


Article: The gender of God may be viewed as either a literal or an allegorical aspect of a deity who, in classical western philosophy, transcends bodily form. Polytheistic religions commonly attribute to each of the gods a gender, allowing each to interact with any of the others, and perhaps with humans, sexually. In most monotheistic religions, God has no counterpart with which to relate sexually. Thus, in classical western philosophy the gender of this one-and-only deity is most likely to be an analogical statement of how humans and God address, and relate to, each other. Namely, God is seen as begetter of the world and revelation which corresponds to the active (as opposed to the receptive) role in sexual intercourse.

Question: In which type of religion does God have no sexual partner?
Ans: monotheistic


Article: The inventor Nicéphore Niépce produced the first permanent photograph on a polished pewter plate in Paris in 1825, and then developed the process with Louis Daguerre. The work of Étienne-Jules Marey in the 1880s contributed considerably to the development of modern photography. Photography came to occupy a central role in Parisian Surrealist activity, in the works of Man Ray and Maurice Tabard. Numerous photographers achieved renown for their photography of Paris, including Eugène Atget, noted for his depictions of street scenes, Robert Doisneau, noted for his playful pictures of people and market scenes (among which Le baiser de l'hôtel de ville has became iconic of the romantic vision of Paris), Marcel Bovis, noted for his night scenes, and others such as Jacques-Henri Lartigue and Cartier-Bresson. Poster art also became an important art form in Paris in the late nineteenth century, through the work of Henri de Toulouse-Lautrec, Jules Chéret, Eugène Grasset, Adolphe Willette, Pierre Bonnard, Georges de Feure, Henri-Gabriel Ibels, Gavarni, and Alphonse Mucha.

Question: In what year was the first permanent photograph produced?
Ans:
1825