Problem: Please answer a question about the following article about John von Neumann:
In a famous paper of 1936 with Garrett Birkhoff, the first work ever to introduce quantum logics, von Neumann and Birkhoff first proved that quantum mechanics requires a propositional calculus substantially different from all classical logics and rigorously isolated a new algebraic structure for quantum logics. The concept of creating a propositional calculus for quantum logic was first outlined in a short section in von Neumann's 1932 work, but in 1936, the need for the new propositional calculus was demonstrated through several proofs. For example, photons cannot pass through two successive filters that are polarized perpendicularly (e.g., one horizontally and the other vertically), and therefore, a fortiori, it cannot pass if a third filter polarized diagonally is added to the other two, either before or after them in the succession, but if the third filter is added in between the other two, the photons will, indeed, pass through. This experimental fact is translatable into logic as the non-commutativity of conjunction . It was also demonstrated that the laws of distribution of classical logic,  and , are not valid for quantum theory.
What is the difference of logic in quantum theory?
A: laws of distribution of classical logic,  and , are not valid for quantum theory


Question: Read this and answer the question

^9 Sub-groups of Croats include Bunjevci (in Bačka), Šokci (in Slavonia and Vojvodina), Janjevci (in Kosovo), Burgenland Croats (in Austria), Bosniaks (in Hungary), Molise Croats (in Italy), Krashovans (in Romania), Moravian Croats (in the Czech Republic)

Where are Janjevci located?
Answer: Kosovo


Problem: Electric recording which developed during the time that early radio was becoming popular (1925) benefited from the microphones and amplifiers used in radio studios. The early electric recordings were reminiscent tonally of acoustic recordings, except there was more recorded bass and treble as well as delicate sounds and overtones cut on the records. This was in spite of some carbon microphones used, which had resonances that colored the recorded tone. The double button carbon microphone with stretched diaphragm was a marked improvement. Alternatively, the Wente style condenser microphone used with the Western Electric licensed recording method had a brilliant midrange and was prone to overloading from sibilants in speech, but generally it gave more accurate reproduction than carbon microphones.
What type of microphones were losing popularity in the 1920s?
The answer is the following: carbon microphones used,


Western Catalan comprises the two dialects of Northwestern Catalan and Valencian; the Eastern block comprises four dialects: Central Catalan, Balearic, Rossellonese, and Alguerese. Each dialect can be further subdivided in several subdialects.
What two dialects does Western Catalan include?
Northwestern Catalan and Valencian


Input: The Times
The Times commissioned the serif typeface Times New Roman, created by Victor Lardent at the English branch of Monotype, in 1931. It was commissioned after Stanley Morison had written an article criticizing The Times for being badly printed and typographically antiquated. The font was supervised by Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older font named Plantin as the basis for his design, but made revisions for legibility and economy of space. Times New Roman made its debut in the issue of 3 October 1932. After one year, the design was released for commercial sale. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch font five times since 1972. However, all the new fonts have been variants of the original New Roman font:

Who commissioned the change of the typeface of The Times in 1931?
Output: Stanley Morison


Problem: Please answer a question about the following article about Gothic architecture:
The distinctive characteristic of English cathedrals is their extreme length, and their internal emphasis upon the horizontal, which may be emphasised visually as much or more than the vertical lines. Each English cathedral (with the exception of Salisbury) has an extraordinary degree of stylistic diversity, when compared with most French, German and Italian cathedrals. It is not unusual for every part of the building to have been built in a different century and in a different style, with no attempt at creating a stylistic unity. Unlike French cathedrals, English cathedrals sprawl across their sites, with double transepts projecting strongly and Lady Chapels tacked on at a later date, such as at Westminster Abbey. In the west front, the doors are not as significant as in France, the usual congregational entrance being through a side porch. The West window is very large and never a rose, which are reserved for the transept gables. The west front may have two towers like a French Cathedral, or none. There is nearly always a tower at the crossing and it may be very large and surmounted by a spire. The distinctive English east end is square, but it may take a completely different form. Both internally and externally, the stonework is often richly decorated with carvings, particularly the capitals.
Where are rose windows used on English cathedrals?
A:
the transept gables