Problem: Frédéric Chopin:

At the age of 21 he settled in Paris. Thereafter, during the last 18 years of his life, he gave only some 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and teaching piano, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his musical contemporaries, including Robert Schumann. In 1835 he obtained French citizenship. After a failed engagement to Maria Wodzińska, from 1837 to 1847 he maintained an often troubled relationship with the French writer George Sand. A brief and unhappy visit to Majorca with Sand in 1838–39 was one of his most productive periods of composition. In his last years, he was financially supported by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. Through most of his life, Chopin suffered from poor health. He died in Paris in 1849, probably of tuberculosis.

At what age did Frédéric move to Paris?
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A: 21


Problem: Since these problems surfaced, Microsoft has attempted to modify the console to improve its reliability. Modifications include a reduction in the number, size, and placement of components, the addition of dabs of epoxy on the corners and edges of the CPU and GPU as glue to prevent movement relative to the board during heat expansion, and a second GPU heatsink to dissipate more heat. With the release of the redesigned Xbox 360 S, the warranty for the newer models does not include the three-year extended coverage for "General Hardware Failures". The newer Xbox 360 S model indicates system overheating when the console's power button begins to flash red, unlike previous models where the first and third quadrant of the ring would light up red around the power button if overheating occurred. The system will then warn the user of imminent system shutdown until the system has cooled, whereas a flashing power button that alternates between green and red is an indication of a "General Hardware Failure" unlike older models where three of the quadrants would light up red.
The second what was removed because of heating issues?
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Answer: unanswerable


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
On 1 May, The Sun claimed to have 'sponsored' a British missile. Under the headline "Stick This Up Your Junta: A Sun missile for Galtieri’s gauchos", the newspaper published a photograph of a missile, (actually a Polaris missile stock shot from the Ministry of Defence) which had a large Sun logo printed on its side with the caption "Here It Comes, Senors..." underneath. The paper explained that it was 'sponsoring' the missile by contributing to the eventual victory party on HMS Invincible when the war ended. In copy written by Wendy Henry, the paper said that the missile would shortly be used against Argentinian forces. Despite this, it was not well received by the troops and copies of The Sun were soon burnt. Tony Snow, The Sun journalist on HMS Invincible who had 'signed' the missile, reported a few days later that it had hit an Argentinian target.
How did troops react to the missile?
A: it was not well received


Context and question: Bushi was the name given to the ancient Japanese soldiers from traditional warrior families. The bushi class was developed mainly in the north of Japan. They formed powerful clans, which in the 12th century were against the noble families who were grouping themselves to support the imperial family who lived in Kyoto. Samurai was a word used by the Kuge aristocratic class with warriors themselves preferring the word bushi. The term Bushidō, the "way of the warrior", is derived from this term and the mansion of a warrior was called bukeyashiki.
Where did the imperial family live?
Answer: Kyoto


Question: The polyphony of Christian a cappella music began to develop in Europe around the late 15th century, with compositions by Josquin des Prez. The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms. 16th century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Recent evidence has shown that some of the early pieces by Palestrina, such as what was written for the Sistine Chapel was intended to be accompanied by an organ "doubling" some or all of the voices. Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor. Other composers that utilized the a cappella style, if only for the occasional piece, were Claudio Monteverdi and his masterpiece, Lagrime d'amante al sepolcro dell'amata (A lover's tears at his beloved's grave), which was composed in 1610, and Andrea Gabrieli when upon his death it was discovered many choral pieces, one of which was in the unaccompanied style. Learning from the preceding two composeres, Heinrich Schütz utilized the a cappella style in numerous pieces, chief among these were the pieces in the oratorio style, which were traditionally performed during the Easter week and dealt with the religious subject matter of that week, such as Christ's suffering and the Passion. Five of Schutz's Historien were Easter pieces, and of these the latter three, which dealt with the passion from three different viewpoints, those of Matthew, Luke and John, were all done a cappella style. This was a near requirement for this type of piece, and the parts of the crowd were sung while the solo parts which were the quoted parts from either Christ or the authors were performed in a plainchant.
Is there an answer to this question: Some compositions were found after which composer's death?

Answer: Andrea Gabrieli


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
Prior to King Henry's departure for the Battle of Agincourt in 1415, the ringleaders of the "Southampton Plot"—Richard, Earl of Cambridge, Henry Scrope, 3rd Baron Scrope of Masham, and Sir Thomas Grey of Heton—were accused of high treason and tried at what is now the Red Lion public house in the High Street. They were found guilty and summarily executed outside the Bargate.
Outside of what structure did the execution of the Southampton Plot leaders take place?
A:
the Bargate