QUES: The public water supply network was completed in 1850, and in 1858 the architects Sebastián Monleón Estellés, Antonino Sancho, and Timoteo Calvo drafted a general expansion project for the city that included demolishing its ancient walls (a second version was printed in 1868). Neither proposed project received final approval, but they did serve as a guide, though not closely followed, for future growth. By 1860 the municipality had 140,416 inhabitants, and beginning in 1866 the ancient city walls were almost entirely demolished to facilitate urban expansion. Electricity was introduced to Valencia in 1882.
What was knocked down in 1866?

ANS: city walls

QUES: Many popular museums, such as the San Diego Museum of Art, the San Diego Natural History Museum, the San Diego Museum of Man, the Museum of Photographic Arts, and the San Diego Air & Space Museum are located in Balboa Park, which is also the location of the San Diego Zoo. The Museum of Contemporary Art San Diego (MCASD) is located in La Jolla and has a branch located at the Santa Fe Depot downtown. The downtown branch consists of two building on two opposite streets. The Columbia district downtown is home to historic ship exhibits belonging to the San Diego Maritime Museum, headlined by the Star of India, as well as the unrelated San Diego Aircraft Carrier Museum featuring the USS Midway aircraft carrier.
Where can one find the San Diego Zoo?

ANS: Balboa Park

QUES: Beginning in 1939, Dr. Peter Goldmark and his staff at Columbia Records and at CBS Laboratories undertook efforts to address problems of recording and playing back narrow grooves and developing an inexpensive, reliable consumer playback system. It took about eight years of study, except when it was suspended because of World War II. Finally, the 12-inch (30 cm) Long Play (LP) 33 1⁄3 rpm microgroove record album was introduced by the Columbia Record Company at a New York press conference on June 18, 1948.
How long did it take Columbia to produce a consumer friendly long play record?

ANS: about eight years

QUES: In higher organisms (like people), these two modes of perception combine into what Whitehead terms "symbolic reference", which links appearance with causation in a process that is so automatic that both people and animals have difficulty refraining from it. By way of illustration, Whitehead uses the example of a person's encounter with a chair. An ordinary person looks up, sees a colored shape, and immediately infers that it is a chair. However, an artist, Whitehead supposes, "might not have jumped to the notion of a chair", but instead "might have stopped at the mere contemplation of a beautiful color and a beautiful shape." This is not the normal human reaction; most people place objects in categories by habit and instinct, without even thinking about it. Moreover, animals do the same thing. Using the same example, Whitehead points out that a dog "would have acted immediately on the hypothesis of a chair and would have jumped onto it by way of using it as such." In this way symbolic reference is a fusion of pure sense perceptions on the one hand and causal relations on the other, and that it is in fact the causal relationships that dominate the more basic mentality (as the dog illustrates), while it is the sense perceptions which indicate a higher grade mentality (as the artist illustrates).
 How does Whitehead say a dog may not interpret the presence of a chair?

ANS:
unanswerable