Article: On 17 March 1883, she fell down some stairs at Windsor, which left her lame until July; she never fully recovered and was plagued with rheumatism thereafter. Brown died 10 days after her accident, and to the consternation of her private secretary, Sir Henry Ponsonby, Victoria began work on a eulogistic biography of Brown. Ponsonby and Randall Davidson, Dean of Windsor, who had both seen early drafts, advised Victoria against publication, on the grounds that it would stoke the rumours of a love affair. The manuscript was destroyed. In early 1884, Victoria did publish More Leaves from a Journal of a Life in the Highlands, a sequel to her earlier book, which she dedicated to her "devoted personal attendant and faithful friend John Brown". On the day after the first anniversary of Brown's death, Victoria was informed by telegram that her youngest son, Leopold, had died in Cannes. He was "the dearest of my dear sons", she lamented. The following month, Victoria's youngest child, Beatrice, met and fell in love with Prince Henry of Battenberg at the wedding of Victoria's granddaughter Princess Victoria of Hesse and by Rhine to Henry's brother Prince Louis of Battenberg. Beatrice and Henry planned to marry, but Victoria opposed the match at first, wishing to keep Beatrice at home to act as her companion. After a year, she was won around to the marriage by Henry and Beatrice's promise to remain living with and attending her.

Question: Who was Victorias private secretary during the years following her accident at Windsor?
Ans: Sir Henry Ponsonby


Article: In The New Yorker music critic Jody Rosen described Beyoncé as "the most important and compelling popular musician of the twenty-first century..... the result, the logical end point, of a century-plus of pop." When The Guardian named her Artist of the Decade, Llewyn-Smith wrote, "Why Beyoncé? [...] Because she made not one but two of the decade's greatest singles, with Crazy in Love and Single Ladies (Put a Ring on It), not to mention her hits with Destiny's Child; and this was the decade when singles – particularly R&B singles – regained their status as pop's favourite medium. [...] [She] and not any superannuated rock star was arguably the greatest live performer of the past 10 years." In 2013, Beyoncé made the Time 100 list, Baz Luhrmann writing "no one has that voice, no one moves the way she moves, no one can hold an audience the way she does... When Beyoncé does an album, when Beyoncé sings a song, when Beyoncé does anything, it's an event, and it's broadly influential. Right now, she is the heir-apparent diva of the USA — the reigning national voice." In 2014, Beyoncé was listed again on the Time 100 and also featured on the cover of the issue.

Question: Which publication named Beyoncé the Artist of the Decade?
Ans: The Guardian


Article: Madonna Louise Ciccone (/tʃɪˈkoʊni/; Italian: [tʃikˈkoːne]; born August 16, 1958) is an American singer, songwriter, actress, and businesswoman. She achieved popularity by pushing the boundaries of lyrical content in mainstream popular music and imagery in her music videos, which became a fixture on MTV. Madonna is known for reinventing both her music and image, and for maintaining her autonomy within the recording industry. Music critics have acclaimed her musical productions, which have generated some controversy. Often referred to as the "Queen of Pop", she is often cited as an influence by other artists.

Question: When was Madonna born?
Ans: August 16, 1958


Article: In a book called Science Versus Crime, Houck writes that Popper's falsificationism can be questioned logically: it is not clear how Popper would deal with a statement like "for every metal, there is a temperature at which it will melt." The hypothesis cannot be falsified by any possible observation, for there will always be a higher temperature than tested at which the metal may in fact melt, yet it seems to be a valid scientific hypothesis. These examples were pointed out by Carl Gustav Hempel. Hempel came to acknowledge that Logical Positivism's verificationism was untenable, but argued that falsificationism was equally untenable on logical grounds alone. The simplest response to this is that, because Popper describes how theories attain, maintain and lose scientific status, individual consequences of currently accepted scientific theories are scientific in the sense of being part of tentative scientific knowledge, and both of Hempel's examples fall under this category. For instance, atomic theory implies that all metals melt at some temperature.

Question: Who wrote the book Science Versus Crime which challenged the logic of falsificationism?
Ans:
Houck