Article: The growth continued into the next season, starting with a season premiere of 26.5 million. The season attracted an average of 21.7 million viewers, and was placed second overall amongst the 18–49 age group. The finale night when Ruben Studdard won over Clay Aiken was also the highest-rated ever American Idol episode at 38.1 million for the final hour. By season three, the show had become the top show in the 18–49 demographic a position it has held for all subsequent years up to and including season ten, and its competition stages ranked first in the nationwide overall ratings. By season four, American Idol had become the most watched series amongst all viewers on American TV for the first time, with an average viewership of 26.8 million. The show reached its peak in season five with numbers averaging 30.6 million per episode, and season five remains the highest-rated season of the series.

Question: During what season did American Idol become the highest rated show across all demographics? 
Ans: season four


Here is a question about this article: Unlike other domestic species which were primarily selected for production-related traits, dogs were initially selected for their behaviors. In 2016, a study found that there were only 11 fixed genes that showed variation between wolves and dogs. These gene variations were unlikely to have been the result of natural evolution, and indicate selection on both morphology and behavior during dog domestication. These genes have been shown to have an impact on the catecholamine synthesis pathway, with the majority of the genes affecting the fight-or-flight response (i.e. selection for tameness), and emotional processing. Dogs generally show reduced fear and aggression compared to wolves. Some of these genes have been associated with aggression in some dog breeds, indicating their importance in both the initial domestication and then later in breed formation.
What is the answer to this question: Why were dogs initially selected?
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So... for their behaviors.


The problem: Answer a question about this article:
In Commonwealth realms other than the UK, royal assent is granted or withheld either by the realm's sovereign or, more frequently, by the representative of the sovereign, the governor-general. In federated realms, assent in each state, province, or territory is granted or withheld by the representatives of the sovereign. In Australia, this is the governors of the states, administrators of the territories, or the governor-general in the Australian Capital Territory. For Canada, this is the lieutenant governors of the provinces. A lieutenant governor may defer assent to the governor general, and the governor general may defer assent to federal bills to the sovereign.
Who grants the royal assent in Commonwealth nations other than the UK?
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The answer: by the realm's sovereign or, more frequently, by the representative of the sovereign


Problem: Please answer a question about the following article about Bird:
In some species, both parents care for nestlings and fledglings; in others, such care is the responsibility of only one sex. In some species, other members of the same species—usually close relatives of the breeding pair, such as offspring from previous broods—will help with the raising of the young. Such alloparenting is particularly common among the Corvida, which includes such birds as the true crows, Australian magpie and fairy-wrens, but has been observed in species as different as the rifleman and red kite. Among most groups of animals, male parental care is rare. In birds, however, it is quite common—more so than in any other vertebrate class. Though territory and nest site defence, incubation, and chick feeding are often shared tasks, there is sometimes a division of labour in which one mate undertakes all or most of a particular duty.
Alloparenting is particulary common with what species?
A: Corvida


Question: Read this and answer the question

Heitaro Nakajima, who developed an early digital audio recorder within Japan's national public broadcasting organization NHK in 1970, became general manager of Sony's audio department in 1971. His team developed a digital PCM adaptor audio tape recorder using a Betamax video recorder in 1973. After this, in 1974 the leap to storing digital audio on an optical disc was easily made. Sony first publicly demonstrated an optical digital audio disc in September 1976. A year later, in September 1977, Sony showed the press a 30 cm disc that could play 60 minutes of digital audio (44,100 Hz sampling rate and 16-bit resolution) using MFM modulation. In September 1978, the company demonstrated an optical digital audio disc with a 150-minute playing time, 44,056 Hz sampling rate, 16-bit linear resolution, and cross-interleaved error correction code—specifications similar to those later settled upon for the standard Compact Disc format in 1980. Technical details of Sony's digital audio disc were presented during the 62nd AES Convention, held on 13–16 March 1979, in Brussels. Sony's AES technical paper was published on 1 March 1979. A week later, on 8 March, Philips publicly demonstrated a prototype of an optical digital audio disc at a press conference called "Philips Introduce Compact Disc" in Eindhoven, Netherlands.

What did Nakajima's team use to create a digital PCM adaptor audio tape recorder?
Answer: a Betamax video recorder


Back in America the scene had still not progressed beyond a small number of clubs in Chicago, Detroit, Newark and New York City. However, many independent Chicago-based record labels were making appearances on the Dance Chart with their releases. In the UK, any house song released by a Chicago-based label was routinely considered a must play at many clubs playing house music. Paradise Garage in New York City was still a top club. The emergence of Todd Terry, a pioneer of the genre, was important in America. His cover of Class Action's Larry Levan mixed "Weekend" demonstrated the continuum from the underground disco to a new house sound with hip-hop influences evident in the quicker sampling and the more rugged bass-line.
what was a top club for house music in new york city?
Paradise Garage