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Witnesses believe that a "little flock" go to heaven, but that the hope for life after death for the majority of "other sheep" involves being resurrected by God to a cleansed earth after Armageddon. They interpret Revelation 14:1–5 to mean that the number of Christians going to heaven is limited to exactly 144,000, who will rule with Jesus as kings and priests over earth. Jehovah's Witnesses teach that only they meet scriptural requirements for surviving Armageddon, but that God is the final judge. During Christ's millennial reign, most people who died prior to Armageddon will be resurrected with the prospect of living forever; they will be taught the proper way to worship God to prepare them for their final test at the end of the millennium.
What do most Protestant religions believe in regards to how many people get to go to heaven?
A: unanswerable

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English Freemasonry spread to France in the 1720s, first as lodges of expatriates and exiled Jacobites, and then as distinctively French lodges which still follow the ritual of the Moderns. From France and England, Freemasonry spread to most of Continental Europe during the course of the 18th century. The Grande Loge de France formed under the Grand Mastership of the Duke of Clermont, who exercised only nominal authority. His successor, the Duke of Orléans, reconstituted the central body as the Grand Orient de France in 1773. Briefly eclipsed during the French Revolution, French Freemasonry continued to grow in the next century.
Who destroyed the Grand Loge de France?
A: unanswerable

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The dates are generalizations, since the periods and eras overlap and the categories are somewhat arbitrary, to the point that some authorities reverse terminologies and refer to a common practice "era" comprising baroque, classical, and romantic "periods". For example, the use of counterpoint and fugue, which is considered characteristic of the Baroque era (or period), was continued by Haydn, who is classified as typical of the Classical era. Beethoven, who is often described as a founder of the Romantic era, and Brahms, who is classified as Romantic, also used counterpoint and fugue, but other characteristics of their music define their era.
Some authorities reverse terminologies to refer to the common practice period as a what?
A: era

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The senate's ultimate authority derived from the esteem and prestige of the senators. This esteem and prestige was based on both precedent and custom, as well as the caliber and reputation of the senators. The senate passed decrees, which were called senatus consulta. These were officially "advice" from the senate to a magistrate. In practice, however, they were usually followed by the magistrates. The focus of the Roman senate was usually directed towards foreign policy. Though it technically had no official role in the management of military conflict, the senate ultimately was the force that oversaw such affairs. The power of the senate expanded over time as the power of the legislative assemblies declined, and the senate took a greater role in ordinary law-making. Its members were usually appointed by Roman Censors, who ordinarily selected newly elected magistrates for membership in the senate, making the senate a partially elected body. During times of military emergency, such as the civil wars of the 1st century BC, this practice became less prevalent, as the Roman Dictator, Triumvir or the senate itself would select its members.
What was a motion that was enacted by the senate called?
A:
senatus consulta