Problem: Greeks:

In the religious sphere, this was a period of profound change. The spiritual revolution that took place, saw a waning of the old Greek religion, whose decline beginning in the 3rd century BC continued with the introduction of new religious movements from the East. The cults of deities like Isis and Mithra were introduced into the Greek world. Greek-speaking communities of the Hellenized East were instrumental in the spread of early Christianity in the 2nd and 3rd centuries, and Christianity's early leaders and writers (notably St Paul) were generally Greek-speaking, though none were from Greece. However, Greece itself had a tendency to cling to paganism and was not one of the influential centers of early Christianity: in fact, some ancient Greek religious practices remained in vogue until the end of the 4th century, with some areas such as the southeastern Peloponnese remaining pagan until well into the 10th century AD.

What religions form of worship came from the Eastern sects ?
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A: The cults of deities like Isis and Mithra were introduced into the Greek world.


Problem: Queen (band):

Queen drew artistic influence from British rock acts of the 1960s and early 1970s, such as the Beatles, the Kinks, Cream, Led Zeppelin, Pink Floyd, the Who, Black Sabbath, Slade, Deep Purple, David Bowie, Genesis and Yes, in addition to American guitarist Jimi Hendrix, with Mercury also inspired by the gospel singer Aretha Franklin. May referred to the Beatles as being "our bible in the way they used the studio and they painted pictures and this wonderful instinctive use of harmonies." At their outset in the early 1970s, Queen's music has been characterised as "Led Zeppelin meets Yes" due to its combination of "acoustic/electric guitar extremes and fantasy-inspired multi-part song epics".

Queen's sound has been described as a mix of Led Zeppelin and what other band?
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A: Yes


Problem: Mosaic:

In the Iconoclastic era, figural mosaics were also condemned as idolatry. The Iconoclastic churches were embellished with plain gold mosaics with only one great cross in the apse like the Hagia Irene in Constantinople (after 740). There were similar crosses in the apses of the Hagia Sophia Church in Thessaloniki and in the Church of the Dormition in Nicaea. The crosses were substituted with the image of the Theotokos in both churches after the victory of the Iconodules (787–797 and in 8th–9th centuries respectively, the Dormition church was totally destroyed in 1922).

When did the Hagia Irene adapt the iconoclastic era mosaics?
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A: after 740


Problem: Post-punk:

Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic".

What references did post-punk artists specifically reject of the 1960s rock artists?
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A:
high cultural