Problem: Although chartered as a university, for many years Washington University functioned primarily as a night school located on 17th Street and Washington Avenue in the heart of downtown St. Louis. Owing to limited financial resources, Washington University initially used public buildings. Classes began on October 22, 1854, at the Benton School building. At first the university paid for the evening classes, but as their popularity grew, their funding was transferred to the St. Louis Public Schools. Eventually the board secured funds for the construction of Academic Hall and a half dozen other buildings. Later the university divided into three departments: the Manual Training School, Smith Academy, and the Mary Institute.
When did classes first begin at Washington University?
The answer is the following: October 22, 1854

Problem: On 23 May 2001, the islands experienced an extratropical cyclone that generated winds up to 190 kilometres per hour (120 mph). A number of structures were severely damaged and a large number of cattle were killed, prompting emergency aid, provided by the British government.
Who provided aid for the extratropical cyclone?
The answer is the following: the British government

Problem: Miami is also the headquarters and main production city of many of the world's largest television networks, record label companies, broadcasting companies and production facilities, such as Telemundo, TeleFutura, Galavisión, Mega TV, Univisión, Univision Communications, Inc., Universal Music Latin Entertainment, RCTV International and Sunbeam Television. In 2009, Univisión announced plans to build a new production studio in Miami, dubbed 'Univisión Studios'. Univisión Studios is currently headquartered in Miami, and will produce programming for all of Univisión Communications' television networks.
Where will the programs made at Univisión Studios be broadcast?
The answer is the following: all of Univisión Communications' television networks

Problem: The Revolutionary War soldier Nathan Hale (Yale 1773) was the prototype of the Yale ideal in the early 19th century: a manly yet aristocratic scholar, equally well-versed in knowledge and sports, and a patriot who "regretted" that he "had but one life to lose" for his country. Western painter Frederic Remington (Yale 1900) was an artist whose heroes gloried in combat and tests of strength in the Wild West. The fictional, turn-of-the-20th-century Yale man Frank Merriwell embodied the heroic ideal without racial prejudice, and his fictional successor Frank Stover in the novel Stover at Yale (1911) questioned the business mentality that had become prevalent at the school. Increasingly the students turned to athletic stars as their heroes, especially since winning the big game became the goal of the student body, and the alumni, as well as the team itself.
What were the subjects of Frederic Remington's paintings?
The answer is the following:
heroes gloried in combat and tests of strength in the Wild West