Article: The most famous passage in Burke's Reflections was his description of the events of 5–6 October 1789 and the part of Marie-Antoinette in them. Burke's account differs little from modern historians who have used primary sources. His use of flowery language to describe it, however, provoked both praise and criticism. Philip Francis wrote to Burke saying that what he wrote of Marie-Antoinette was "pure foppery". Edward Gibbon, however, reacted differently: "I adore his chivalry". Burke was informed by an Englishman who had talked with the Duchesse de Biron, that when Marie-Antoinette was reading the passage, she burst into tears and took considerable time to finish reading it. Price had rejoiced that the French king had been "led in triumph" during the October Days, but to Burke this symbolised the opposing revolutionary sentiment of the Jacobins and the natural sentiments of those who shared his own view with horror—that the ungallant assault on Marie-Antoinette—was a cowardly attack on a defenceless woman.

Question: How did Marie-Antoinette react to Burke's writing about her?
Ans: she burst into tears


Article: Frederick Lynch, the author of Invisible Victims: White Males and the Crisis of Affirmative Action, did a study on white males that said they were victims of reverse discrimination. Lynch explains that these white men felt frustrated and unfairly victimized by affirmative action. Shelby Steele, another author against affirmative action, wanted to see affirmative action go back to its original meaning of enforcing equal opportunity. He argued that blacks had to take full responsibility in their education and in maintaining a job. Steele believes that there is still a long way to go in America to reach our goals of eradicating discrimination.

Question: What did white males feel was happening to them as a result of affirmative action?
Ans: reverse discrimination


Article: The period saw the growth of a distinct and trained architectural profession; before the mid-century "the high-sounding title, 'architect' was adopted by anyone who could get away with it". But most buildings were still designed by builders and landlords together, and the wide spread of Georgian architecture, and the Georgian styles of design more generally, came from dissemination through pattern books and inexpensive suites of engravings. This contrasted with earlier styles, which were primarily disseminated among craftsmen through the direct experience of the apprenticeship system. Authors such as the prolific William Halfpenny (active 1723–1755) received editions in America as well as Britain. From the mid-18th century, Georgian styles were assimilated into an architectural vernacular that became part and parcel of the training of every architect, designer, builder, carpenter, mason and plasterer, from Edinburgh to Maryland.

Question: How did styles disseminate before Georgian architecture?
Ans: the apprenticeship system


Article: By the late 1960s, many of the resort's once great hotels were suffering from embarrassing vacancy rates. Most of them were either shut down, converted to cheap apartments, or converted to nursing home facilities by the end of the decade. Prior to and during the advent of legalized gaming, many of these hotels were demolished. The Breakers, the Chelsea, the Brighton, the Shelburne, the Mayflower, the Traymore, and the Marlborough-Blenheim were demolished in the 1970s and 1980s. Of the many pre-casino resorts that bordered the boardwalk, only the Claridge, the Dennis, the Ritz-Carlton, and the Haddon Hall survive to this day as parts of Bally's Atlantic City, a condo complex, and Resorts Atlantic City. The old Ambassador Hotel was purchased by Ramada in 1978 and was gutted to become the Tropicana Casino and Resort Atlantic City, only reusing the steelwork of the original building. Smaller hotels off the boardwalk, such as the Madison also survived.

Question: Who purchased the old Ambassador Hotel in 1978?
Ans:
Ramada