Input: Read this: A few hard rock bands from the 1970s and 1980s managed to sustain highly successful recording careers. Bon Jovi were still able to achieve a commercial hit with "It's My Life" from their double platinum-certified album Crush (2000). and AC/DC released the platinum-certified Stiff Upper Lip (2000) Aerosmith released a number two platinum album, Just Push Play (2001), which saw the band foray further into pop with the Top 10 hit "Jaded", and a blues cover album, Honkin' on Bobo, which reached number five in 2004. Heart achieved their first Top 10 album since the early 90s with Red Velvet Car in 2010, becoming the first female-led hard rock band to earn Top 10 albums spanning five decades. There were reunions and subsequent tours from Van Halen (with Hagar in 2004 and then Roth in 2007), The Who (delayed in 2002 by the death of bassist John Entwistle until 2006) and Black Sabbath (with Osbourne 1997–2006 and Dio 2006–2010) and even a one off performance by Led Zeppelin (2007), renewing the interest in previous eras. Additionally, hard rock supergroups, such as Audioslave (with former members of Rage Against the Machine and Soundgarden) and Velvet Revolver (with former members of Guns N' Roses, punk band Wasted Youth and Stone Temple Pilots singer Scott Weiland), emerged and experienced some success. However, these bands were short-lived, ending in 2007 and 2008, respectively. The long awaited Guns N' Roses album Chinese Democracy was finally released in 2008, but only went platinum and failed to come close to the success of the band's late 1980s and early 1990s material. More successfully, AC/DC released the double platinum-certified Black Ice (2008). Bon Jovi continued to enjoy success, branching into country music with "Who Says You Can't Go Home", which reached number one on the Hot Country Singles chart in 2006, and the rock/country album Lost Highway, which reached number one in 2007. In 2009, Bon Jovi released another number one album, The Circle, which marked a return to their hard rock sound.
Question: What Guns N' Roses album that was released in 2008 was there most successful album to date?

Output: unanswerable


QUES: In the wake of the discovery, there was much nationalistic rivalry between the French and the British over who deserved credit for the discovery. Eventually, an international consensus emerged that both Le Verrier and Adams jointly deserved credit. Since 1966, Dennis Rawlins has questioned the credibility of Adams's claim to co-discovery, and the issue was re-evaluated by historians with the return in 1998 of the "Neptune papers" (historical documents) to the Royal Observatory, Greenwich. After reviewing the documents, they suggest that "Adams does not deserve equal credit with Le Verrier for the discovery of Neptune. That credit belongs only to the person who succeeded both in predicting the planet's place and in convincing astronomers to search for it."

What two countries developed friendship after the discovery of Neptune?
What is the answer?
ANS: unanswerable


QUES: In late 1977, music writers for Sounds first used the terms "New Musick" and "post punk" to describe British acts such as Siouxsie and the Banshees and Wire, who began experimenting with sounds, lyrics and aesthetics that differed significantly from their punk contemporaries. Writer Jon Savage described some of these early developments as exploring "harsh urban scrapings [,] controlled white noise" and "massively accented drumming". In January 1978, singer John Lydon (then known as Johnny Rotten) announced the break-up of his pioneering punk band the Sex Pistols, citing his disillusionment with punk's musical predictability and cooption by commercial interests, as well as his desire to explore more diverse interests.
Which British acts never experimented with sounds?

ANS: unanswerable


Comparsas are held throughout the week, consisting of large groups "of dancers dancing and traveling on the streets, followed by a Carrosa (carriage) where the musicians play. The Comparsa is a development of African processions where groups of devotees follow a given saint or deity during a particular religious celebration". One of the most popular comparsas of Fiesta de Carnaval is the male group comparsa, usually composed of notable men from the community who dress up in outlandish costumes or cross-dress and dance to compete for money and prizes. Other popular activities include body painting and flour fighting. "On the last day of Carnival painters flood the street to paint each other. This simply means that a mixture of water paint and water or raw eggs is used to paint people on the streets, the goal being to paint as many people as you can".
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is the goal of the Carnival painters?
Ah, so.. to paint as many people as you can


Question: Copyright holders frequently refer to copyright infringement as theft. In copyright law, infringement does not refer to theft of physical objects that take away the owner's possession, but an instance where a person exercises one of the exclusive rights of the copyright holder without authorization. Courts have distinguished between copyright infringement and theft. For instance, the United States Supreme Court held in Dowling v. United States (1985) that bootleg phonorecords did not constitute stolen property. Instead, "interference with copyright does not easily equate with theft, conversion, or fraud. The Copyright Act even employs a separate term of art to define one who misappropriates a copyright: '[...] an infringer of the copyright.'" The court said that in the case of copyright infringement, the province guaranteed to the copyright holder by copyright law – certain exclusive rights – is invaded, but no control, physical or otherwise, is taken over the copyright, nor is the copyright holder wholly deprived of using the copyrighted work or exercising the exclusive rights held.
Try to answer this question if possible: When you are accused theft as it relates to copyright law, you are exercising exclusive rights with what?
Answer: unanswerable


Problem: The tour in March 1987[citation needed] of Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour boosted house in the UK. Following the number-one success of MARRS' "Pump Up The Volume" in October, the years 1987 to 1989 also saw UK acts such as The Beatmasters, Krush, Coldcut, Yazz, Bomb The Bass, S-Express, and Italy's Black Box opening the doors to a house music onslaught on the UK charts. Early British house music quickly set itself apart from the original Chicago house sound;[citation needed] many of the early hits were based on sample montage, rap was often used for vocals (far more than in the US),[citation needed] and humor was frequently an important element.
what tour boosted house in the UK in the late 80s?
---
Answer:
Knuckles, Jefferson, Fingers Inc. (Heard) and Adonis as the DJ International Tour