More importantly, the contests were open to all, and the enforced anonymity of each submission guaranteed that neither gender nor social rank would determine the judging. Indeed, although the "vast majority" of participants belonged to the wealthier strata of society ("the liberal arts, the clergy, the judiciary, and the medical profession"), there were some cases of the popular classes submitting essays, and even winning. Similarly, a significant number of women participated – and won – the competitions. Of a total of 2300 prize competitions offered in France, women won 49 – perhaps a small number by modern standards, but very significant in an age in which most women did not have any academic training. Indeed, the majority of the winning entries were for poetry competitions, a genre commonly stressed in women's education.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Were the vast majority of contest participants from the wealthier strata of society or the popular classes?
Ah, so.. wealthier strata of society

As one of their first acts after end of the War of the Castilian Succession in 1479, Ferdinand and Isabella established the centrally organized and efficient Holy Brotherhood (Santa Hermandad) as a national police force. They adapted an existing brotherhood to the purpose of a general police acting under officials appointed by themselves, and endowed with great powers of summary jurisdiction even in capital cases. The original brotherhoods continued to serve as modest local police-units until their final suppression in 1835.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What was Spain's second national police force called, in Spanish?
Ah, so.. unanswerable

The 20th century saw the arrival of Modernism, and along with it came the most prominent Portuguese painters: Amadeo de Souza-Cardoso, who was heavily influenced by French painters, particularly by the Delaunays. Among his best-known works is Canção Popular a Russa e o Fígaro. Another great modernist painters/writers were Carlos Botelho and Almada Negreiros, friend to the poet Fernando Pessoa, who painted his (Pessoa's) portrait. He was deeply influenced by both Cubist and Futurist trends. Prominent international figures in visual arts nowadays include painters Vieira da Silva, Júlio Pomar, Helena Almeida, Joana Vasconcelos, Julião Sarmento and Paula Rego.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is one of Amadeo de Souza-Cardoso's best known works?
Ah, so..
Canção Popular a Russa e o Fígaro