Input: Read this: Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Question: What culture did journalists not participate in?

Output: unanswerable


QUES: On the whole, Eisenhower's support of the nation's fledgling space program was officially modest until the Soviet launch of Sputnik in 1957, gaining the Cold War enemy enormous prestige around the world. He then launched a national campaign that funded not just space exploration but a major strengthening of science and higher education. His Open Skies Policy attempted to legitimize illegal Lockheed U-2 flyovers and Project Genetrix while paving the way for spy satellite technology to orbit over sovereign territory, created NASA as a civilian space agency, signed a landmark science education law, and fostered improved relations with American scientists.

With whom did Eisenhower try to improve relations?
What is the answer?
ANS: American scientists


QUES: Melbourne is experiencing high population growth, generating high demand for housing. This housing boom has increased house prices and rents, as well as the availability of all types of housing. Subdivision regularly occurs in the outer areas of Melbourne, with numerous developers offering house and land packages. However, after 10 years[when?] of planning policies to encourage medium-density and high-density development in existing areas with greater access to public transport and other services, Melbourne's middle and outer-ring suburbs have seen significant brownfields redevelopment.
What types of surburban development did Melbourne policies promote?

ANS: medium-density and high-density


The '98 season would begin on a somber note with the death of legendary broadcaster Harry Caray. After the retirement of Sandberg and the trade of Dunston, the Cubs had holes to fill and the signing of Henry Rodríguez, known affectionately as "H-Rod" to bat cleanup provided protection for Sammy Sosa in the lineup, as Rodriguez slugged 31 round-trippers in his first season in Chicago. Kevin Tapani led the club with a career high 19 wins, Rod Beck anchored a strong bullpen and Mark Grace turned in one of his best seasons. The Cubs were swamped by media attention in 1998, and the team's two biggest headliners were Sosa and rookie flamethrower Kerry Wood. Wood's signature performance was one-hitting the Houston Astros, a game in which he tied the major league record of 20 strikeouts in nine innings. His torrid strikeout numbers earned Wood the nickname "Kid K," and ultimately earned him the 1998 NL Rookie of the Year award. Sosa caught fire in June, hitting a major league record 20 home runs in the month, and his home run race with Cardinals slugger Mark McGwire transformed the pair into international superstars in a matter of weeks. McGwire finished the season with a new major league record of 70 home runs, but Sosa's .308 average and 66 homers earned him the National League MVP Award. After a down-to-the-wire Wild Card chase with the San Francisco Giants, Chicago and San Francisco ended the regular season tied, and thus squared off in a one-game playoff at Wrigley Field in which third baseman Gary Gaetti hit the eventual game winning homer. The win propelled the Cubs into the postseason once again with a 90–73 regular season tally. Unfortunately, the bats went cold in October, as manager Jim Riggleman's club batted .183 and scored only four runs en route to being swept by Atlanta. On a positive note, the home run chase between Sosa, McGwire and Ken Griffey, Jr. helped professional baseball to bring in a new crop of fans as well as bringing back some fans who had been disillusioned by the 1994 strike. The Cubs retained many players who experienced career years in '98, and after a fast start in 1999, they collapsed again (starting with being swept at the hands of the cross-town White Sox in mid-June) and finished in the bottom of the division for the next two seasons.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What legendary broadcaster died in the '98 season?
Ah, so.. Harry Caray


Question: This method involves coating LEDs of one color (mostly blue LEDs made of InGaN) with phosphors of different colors to form white light; the resultant LEDs are called phosphor-based or phosphor-converted white LEDs (pcLEDs). A fraction of the blue light undergoes the Stokes shift being transformed from shorter wavelengths to longer. Depending on the color of the original LED, phosphors of different colors can be employed. If several phosphor layers of distinct colors are applied, the emitted spectrum is broadened, effectively raising the color rendering index (CRI) value of a given LED.
Try to answer this question if possible: What method involves coating LEDs of one color with phosphors of different colors?
Answer: phosphor-converted white LEDs (pcLEDs)


Problem: The Times commissioned the serif typeface Times New Roman, created by Victor Lardent at the English branch of Monotype, in 1931. It was commissioned after Stanley Morison had written an article criticizing The Times for being badly printed and typographically antiquated. The font was supervised by Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older font named Plantin as the basis for his design, but made revisions for legibility and economy of space. Times New Roman made its debut in the issue of 3 October 1932. After one year, the design was released for commercial sale. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch font five times since 1972. However, all the new fonts have been variants of the original New Roman font:
The Times commissioned what serif typeface in 1931?
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Answer:
Times New Roman