Question: Read this and answer the question

Richard Hurd believed that Burke's imitation was near-perfect and that this defeated his purpose: an ironist "should take care by a constant exaggeration to make the ridicule shine through the Imitation. Whereas this Vindication is everywhere enforc'd, not only in the language, and on the principles of L. Bol., but with so apparent, or rather so real an earnestness, that half his purpose is sacrificed to the other". A minority of scholars have taken the position that, in fact, Burke did write the Vindication in earnest, later disowning it only for political reasons.

Why did a few scholars think Burke hadn't intended his book as a satire yet later claimed it was a satire?
Answer: political reasons


Problem: The Palacio Taranco is located in front of the Plaza Zabala, in the heart of Ciudad Vieja. It was erected in the early 20th century as the residence of the Ortiz Taranco brothers on the ruins of Montevideo's first theatre (of 1793), during a period in which the architectural style was influenced by French architecture. The palace was designed by French architects Charles Louis Girault and Jules Chifflot León who also designed the Petit Palais and the Arc de Triomphe in Paris. It passed to the city from the heirs of the Tarancos in 1943, along with its precious collection of Uruguayan furniture and draperies and was deemed by the city as an ideal place for a museum; in 1972 it became the Museum of Decorative Arts of Montevideo and in 1975 it became a National Heritage Site. The Decorative Arts Museum has an important collection of European paintings and decorative arts, ancient Greek and Roman art and Islamic ceramics of the 10th–18th century from the area of present-day Iran. The palace is often used as a meeting place by the Uruguayan government.
The Palacio Taranco was erected to be the residence for whom?
The answer is the following: Ortiz Taranco brothers


Vegetation of the state includes lodgepole pine, ponderosa pine; Douglas fir, larch, spruce; aspen, birch, red cedar, hemlock, ash, alder; rocky mountain maple and cottonwood trees. Forests cover approximately 25 percent of the state. Flowers native to Montana include asters, bitterroots, daisies, lupins, poppies, primroses, columbine, lilies, orchids, and dryads. Several species of sagebrush and cactus and many species of grasses are common. Many species of mushrooms and lichens are also found in the state.
About how much area do forests cover the state?
approximately 25 percent


Input: Adult contemporary music
Modern adult contemporary can be a variation of hot AC, and includes modern rock titles in its presentation. In 1997, Mike Marino of KMXB in Las Vegas described the format as reaching "an audience that has outgrown the edgier hip-hop or alternative music but hasn't gotten old and sappy enough for the soft ACs." The format's artists included Alanis Morissette, Counting Crows, Gin Blossoms, Bon Jovi, Train, No Doubt, The Script, The Cranberries, Lifehouse, Sarah McLachlan, Sara Bareilles, John Mayer, Jewel, and Ingrid Michaelson. Unlike modern rock, which went after 18-34 men, this format appealed to women.

What station did Mike Marino work for in 1997?
Output: KMXB


Input: Article: Another important building is the falekaupule or maneapa the traditional island meeting hall, where important matters are discussed and which is also used for wedding celebrations and community activities such as a fatele involving music, singing and dancing. Falekaupule is also used as the name of the council of elders – the traditional decision making body on each island. Under the Falekaupule Act, Falekaupule means "traditional assembly in each island...composed in accordance with the Aganu of each island". Aganu means traditional customs and culture.

Now answer this question: What is the traditional use of the falekaupule?

Output: decision making body


Problem: After the Council, Paul VI contributed in two ways to the continued growth of ecumenical dialogue. The separated brothers and sisters, as he called them, were not able to contribute to the Council as invited observers. After the Council, many of them took initiative to seek out their Catholic counterparts and the Pope in Rome, who welcomed such visits. But the Catholic Church itself recognized from the many previous ecumenical encounters, that much needed to be done within, to be an open partner for ecumenism. To those who are entrusted the highest and deepest truth and therefore, so Paul VI, believed that he had the most difficult part to communicate. Ecumenical dialogue, in the view of Paul VI, requires from a Catholic the whole person: one's entire reason, will, and heart. Paul VI, like Pius XII before him, was reluctant to give in on a lowest possible point. And yet, Paul felt compelled to admit his ardent Gospel-based desire to be everything to everybody and to help all people Being the successor of Peter, he felt the words of Christ, "Do you love me more" like a sharp knife penetrating to the marrow of his soul. These words meant to Paul VI love without limits, and they underscore the Church's fundamental approach to ecumenism.
In how many ways did Paul VI contribute to an ecumenical dialogue between Catholics?
The answer is the following:
two