Problem: Hong Taiji died suddenly in September 1643 without a designated heir. As the Jurchens had traditionally "elected" their leader through a council of nobles, the Qing state did not have in place a clear succession system until the reign of the Kangxi Emperor. The leading contenders for power at this time were Hong Taiji's oldest son Hooge and Hong Taiji' half brother Dorgon. A compromise candidate in the person of Hong Taiji's five-year-old son, Fulin, was installed as the Shunzhi Emperor, with Dorgon as regent and de facto leader of the Manchu nation.
When did Hong Taiji die?
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Answer: September 1643


Problem: In 1976, contemporaneously with Woodson and Roberts, the Court decided Gregg v. Georgia and upheld a procedure in which the trial of capital crimes was bifurcated into guilt-innocence and sentencing phases. At the first proceeding, the jury decides the defendant's guilt; if the defendant is innocent or otherwise not convicted of first-degree murder, the death penalty will not be imposed. At the second hearing, the jury determines whether certain statutory aggravating factors exist, whether any mitigating factors exist, and, in many jurisdictions, weigh the aggravating and mitigating factors in assessing the ultimate penalty – either death or life in prison, either with or without parole.
Along with aggravating factors, what other factors are considered at the second hearing?
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Answer: mitigating


Problem: The reemergence of Cubism coincided with the appearance from about 1917–24 of a coherent body of theoretical writing by Pierre Reverdy, Maurice Raynal and Daniel-Henry Kahnweiler and, among the artists, by Gris, Léger and Gleizes. The occasional return to classicism—figurative work either exclusively or alongside Cubist work—experienced by many artists during this period (called Neoclassicism) has been linked to the tendency to evade the realities of the war and also to the cultural dominance of a classical or Latin image of France during and immediately following the war. Cubism after 1918 can be seen as part of a wide ideological shift towards conservatism in both French society and culture. Yet, Cubism itself remained evolutionary both within the oeuvre of individual artists, such as Gris and Metzinger, and across the work of artists as different from each other as Braque, Léger and Gleizes. Cubism as a publicly debated movement became relatively unified and open to definition. Its theoretical purity made it a gauge against which such diverse tendencies as Realism or Naturalism, Dada, Surrealism and abstraction could be compared.
Name the three writers who were in part resonsible for the reemergence of Cubism between 1917 and 1924.
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Answer:
Pierre Reverdy, Maurice Raynal and Daniel-Henry Kahnweiler