The "standard complement" of double winds and brass in the orchestra from the first half of the 19th century is generally attributed to Beethoven. The exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No. 4, which each specify a single flute. The composer's instrumentation usually included paired flutes, oboes, clarinets, bassoons, horns and trumpets. Beethoven carefully calculated the expansion of this particular timbral "palette" in Symphonies 3, 5, 6, and 9 for an innovative effect. The third horn in the "Eroica" Symphony arrives to provide not only some harmonic flexibility, but also the effect of "choral" brass in the Trio. Piccolo, contrabassoon, and trombones add to the triumphal finale of his Symphony No. 5. A piccolo and a pair of trombones help deliver "storm" and "sunshine" in the Sixth. The Ninth asks for a second pair of horns, for reasons similar to the "Eroica" (four horns has since become standard); Beethoven's use of piccolo, contrabassoon, trombones, and untuned percussion—plus chorus and vocal soloists—in his finale, are his earliest suggestion that the timbral boundaries of symphony should be expanded. For several decades after he died, symphonic instrumentation was faithful to Beethoven's well-established model, with few exceptions.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What did Beethoven expand in his Symphonies, 3, 5, 6 and 9?
Ah, so.. timbral "palette"

A large number of international institutions have their seats in Switzerland, in part because of its policy of neutrality. Geneva is the birthplace of the Red Cross and Red Crescent Movement and the Geneva Conventions and, since 2006, hosts the United Nations Human Rights Council. Even though Switzerland is one of the most recent countries to have joined the United Nations, the Palace of Nations in Geneva is the second biggest centre for the United Nations after New York, and Switzerland was a founding member and home to the League of Nations.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Where did the Red Crescent Movement begin?
Ah, so.. Geneva

Beyoncé participated in George Clooney and Wyclef Jean's Hope for Haiti Now: A Global Benefit for Earthquake Relief telethon and was named the official face of the limited edition CFDA "Fashion For Haiti" T-shirt, made by Theory which raised a total of $1 million. On March 5, 2010, Beyoncé and her mother Tina opened the Beyoncé Cosmetology Center at the Brooklyn Phoenix House, offering a seven-month cosmetology training course for men and women. In April 2011, Beyoncé joined forces with US First Lady Michelle Obama and the National Association of Broadcasters Education Foundation, to help boost the latter's campaign against child obesity by reworking her single "Get Me Bodied". Following the death of Osama bin Laden, Beyoncé released her cover of the Lee Greenwood song "God Bless the USA", as a charity single to help raise funds for the New York Police and Fire Widows' and Children's Benefit Fund.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What did Beyoncé open at the Brooklyn Phoenix House in 2010?
Ah, so..
Beyoncé Cosmetology Center