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Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.

When did Chopin's relationship with Sand start to deteriorate?
Answer: 1846
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Many of the coinages that have been considered (often by Aavik himself) as words concocted ex nihilo could well have been influenced by foreign lexical items, for example words from Russian, German, French, Finnish, English and Swedish. Aavik had a broad classical education and knew Ancient Greek, Latin and French. Consider roim ‘crime’ versus English crime or taunima ‘to condemn, disapprove’ versus Finnish tuomita ‘to condemn, to judge’ (these Aavikisms appear in Aavik’s 1921 dictionary). These words might be better regarded as a peculiar manifestation of morpho-phonemic adaptation of a foreign lexical item.

What is another term for words created by Aavik?
Answer: Aavikisms
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Beginning as a self-help program in the mid-1960s, the Cotton Research and Promotion Program (CRPP) was organized by U.S. cotton producers in response to cotton's steady decline in market share. At that time, producers voted to set up a per-bale assessment system to fund the program, with built-in safeguards to protect their investments. With the passage of the Cotton Research and Promotion Act of 1966, the program joined forces and began battling synthetic competitors and re-establishing markets for cotton. Today, the success of this program has made cotton the best-selling fiber in the U.S. and one of the best-selling fibers in the world.[citation needed]

Where has the Cotton Research and Promotion Act made cotton the best selling fiber?
Answer:
U.S.