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Since 1993, the Sodor and Man Diocesan Synod has had power to enact measures making provision "with respect to any matter concerning the Church of England in the Island". If approved by Tynwald, a measure "shall have the force and effect of an Act of Tynwald upon the Royal Assent thereto being announced to Tynwald". Between 1979 and 1993, the Synod had similar powers, but limited to the extension to the Isle of Man of measures of the General Synod. Before 1994, royal assent was granted by Order in Council, as for a bill, but the power to grant royal assent to measures has now been delegated to the lieutenant governor. A Measure does not require promulgation.

Since 1993, which body has had power to enact measures?
Answer: Sodor and Man Diocesan Synod
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The Association for Asian Studies states that there is no known written evidence to suggest that later leaders of the Gelug—Gendün Drup (1391–1474) and Gendün Gyatso (1475–1571)—had any contacts with Ming China. These two religious leaders were preoccupied with an overriding concern for dealing with the powerful secular Rinpungpa princes, who were patrons and protectors of the Karma Kargyu lamas. The Rinpungpa leaders were relatives of the Phagmodrupa, yet their authority shifted over time from simple governors to rulers in their own right over large areas of Ü-Tsang. The prince of Rinbung occupied Lhasa in 1498 and excluded the Gelug from attending New Years ceremonies and prayers, the most important event in the Gelug. While the task of New Years prayers in Lhasa was granted to the Karmapa and others, Gendün Gyatso traveled in exile looking for allies. However, it was not until 1518 that the secular Phagmodru ruler captured Lhasa from the Rinbung, and thereafter the Gelug was given rights to conduct the New Years prayer. When the Drikung Kagyu abbot of Drigung Monastery threatened Lhasa in 1537, Gendün Gyatso was forced to abandon the Drepung Monastery, although he eventually returned.

When did the the prince of Rinbung occupy Lhasa?
Answer: 1498
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After the Revolution of 1979, as the new government imposed new laws and standards, a new age in Iranian cinema emerged, starting with Viva... by Khosrow Sinai and followed by many other directors, such as Abbas Kiarostami and Jafar Panahi. Kiarostami, an admired Iranian director, planted Iran firmly on the map of world cinema when he won the Palme d'Or for Taste of Cherry in 1997. The continuous presence of Iranian films in prestigious international festivals, such as the Cannes Film Festival, the Venice Film Festival, and the Berlin International Film Festival, attracted world attention to Iranian masterpieces. In 2006, six Iranian films, of six different styles, represented Iranian cinema at the Berlin International Film Festival. Critics considered this a remarkable event in the history of Iranian cinema.

What was the name of Kiarostami's film which won the Palm d'Or at Cannes in 1997? 
Answer:
Taste of Cherry