Input: Read this: In general, Hokkien dialects have 5 to 7 phonemic tones. According to the traditional Chinese system, however, there are 7 to 9 "tones",[citation needed] more correctly termed tone classes since two of them are non-phonemic "entering tones" (see the discussion on Chinese tone). Tone sandhi is extensive. There are minor variations between the Quanzhou and Zhangzhou tone systems. Taiwanese tones follow the patterns of Amoy or Quanzhou, depending on the area of Taiwan. Many dialects have an additional phonemic tone ("tone 9" according to the traditional reckoning), used only in special or foreign loan words.
Question: What system has major variations from Quanznou tone system?

Output: unanswerable


Input: Read this: On 9 December 2010, The Sun published a front-page story claiming that terrorist group Al-Qaeda had threatened a terrorist attack on Granada Television in Manchester to disrupt the episode of the soap opera Coronation Street to be transmitted live that evening. The paper cited unnamed sources, claiming "cops are throwing a ring of steel around tonight's live episode of Coronation Street over fears it has been targeted by Al-Qaeda." Later that morning, however, Greater Manchester Police categorically denied having "been made aware of any threat from Al-Qaeda or any other proscribed organisation." The Sun published a small correction on 28 December, admitting "that while cast and crew were subject to full body searches, there was no specific threat from Al-Qaeda as we reported." The apology had been negotiated by the Press Complaints Commission. For the day following the 2011 Norway attacks The Sun produced an early edition blaming the massacre on al-Qaeda. Later the perpetrator was revealed to be Anders Behring Breivik, a Norwegian nationalist.
Question: What was the claimed target of a terrorist attack according to a late 2010 Sun front page story?

Output: Granada Television in Manchester


Input: Read this: Beginning in the late 1950s and 1960s, architectural phenomenology emerged as an important movement in the early reaction against modernism, with architects like Charles Moore in the USA, Christian Norberg-Schulz in Norway, and Ernesto Nathan Rogers and Vittorio Gregotti in Italy, who collectively popularized an interest in a new contemporary architecture aimed at expanding human experience using historical buildings as models and precedents. Postmodernism produced a style that combined contemporary building technology and cheap materials, with the aesthetics of older pre-modern and non-modern styles, from high classical architecture to popular or vernacular regional building styles. Robert Venturi famously defined postmodern architecture as a "decorated shed" (an ordinary building which is functionally designed inside and embellished on the outside), and upheld it against modernist and brutalist "ducks" (buildings with unnecessarily expressive tectonic forms).
Question:  What was architectural phenomenology not reacting to?

Output: unanswerable


Input: Read this: Groove recordings, first designed in the final quarter of the 19th century, held a predominant position for nearly a century—withstanding competition from reel-to-reel tape, the 8-track cartridge, and the compact cassette. In 1988, the compact disc surpassed the gramophone record in unit sales. Vinyl records experienced a sudden decline in popularity between 1988 and 1991, when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular titles. First the distributors began charging retailers more for new product if they returned unsold vinyl, and then they stopped providing any credit at all for returns. Retailers, fearing they would be stuck with anything they ordered, only ordered proven, popular titles that they knew would sell, and devoted more shelf space to CDs and cassettes. Record companies also deleted many vinyl titles from production and distribution, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and is seen by some as a deliberate ploy to make consumers switch to CDs, which were more profitable for the record companies.
Question: What was a major cause of declined vinyl sales?

Output:
major label distributors restricted their return policies