Problem: The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a very fine crimson, though it had a tendency to change color if not used carefully. It was used by almost all the great painters of the 15th and 16th centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velázquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner.
What did Renaissance painters call the pigment made from cochineal?
The answer is the following: carmine


In 1899, the local postage stamps were overprinted "Guam" as was done for the other former Spanish colonies, but this was discontinued shortly thereafter and regular U.S. postage stamps have been used ever since. Because Guam is also part of the U.S. Postal System (postal abbreviation: GU, ZIP code range: 96910–96932), mail to Guam from the U.S. mainland is considered domestic and no additional charges are required. Private shipping companies, such as FedEx, UPS, and DHL, however, have no obligation to do so, and do not regard Guam as domestic.
In what year was the local postage stamp overprinted and has since been replaced?
1899


Input: Gothic architecture
The eastern arm shows considerable diversity. In England it is generally long and may have two distinct sections, both choir and presbytery. It is often square ended or has a projecting Lady Chapel, dedicated to the Virgin Mary. In France the eastern end is often polygonal and surrounded by a walkway called an ambulatory and sometimes a ring of chapels called a "chevet". While German churches are often similar to those of France, in Italy, the eastern projection beyond the transept is usually just a shallow apsidal chapel containing the sanctuary, as at Florence Cathedral.

What is the ring of chapels found in the eastern end of French chapels known as?
Output: chevet


Input: Article: Criminal justice agencies in England and Wales use at least two separate racial/ethnic classification systems when reporting crime, as of 2010. One is the system used in the 2001 Census when individuals identify themselves as belonging to a particular ethnic group: W1 (White-British), W2 (White-Irish), W9 (Any other white background); M1 (White and black Caribbean), M2 (White and black African), M3 (White and Asian), M9 (Any other mixed background); A1 (Asian-Indian), A2 (Asian-Pakistani), A3 (Asian-Bangladeshi), A9 (Any other Asian background); B1 (Black Caribbean), B2 (Black African), B3 (Any other black background); O1 (Chinese), O9 (Any other). The other is categories used by the police when they visually identify someone as belonging to an ethnic group, e.g. at the time of a stop and search or an arrest: White – North European (IC1), White – South European (IC2), Black (IC3), Asian (IC4), Chinese, Japanese, or South East Asian (IC5), Middle Eastern (IC6), and Unknown (IC0). "IC" stands for "Identification Code;" these items are also referred to as Phoenix classifications. Officers are instructed to "record the response that has been given" even if the person gives an answer which may be incorrect; their own perception of the person's ethnic background is recorded separately. Comparability of the information being recorded by officers was brought into question by the Office for National Statistics (ONS) in September 2007, as part of its Equality Data Review; one problem cited was the number of reports that contained an ethnicity of "Not Stated."

Now answer this question: How many separate classification systems do agencies in England and Wales use?

Output: at least two


Article: In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.

Question: What garage rock classic was recorded by The Kingsmen?
Ans: "Louie Louie"


Input: Late Middle Ages
The period saw several important technical innovations, like the principle of linear perspective found in the work of Masaccio, and later described by Brunelleschi. Greater realism was also achieved through the scientific study of anatomy, championed by artists like Donatello. This can be seen particularly well in his sculptures, inspired by the study of classical models. As the centre of the movement shifted to Rome, the period culminated in the High Renaissance masters da Vinci, Michelangelo and Raphael.

Along with da Vinci, who were two other artists regarded as masters of the High Renaissance?
Output:
Michelangelo and Raphael