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The Carnival of Vilanova i la Geltrú has documented history from 1790 and is one of the richest in the variety of its acts and rituals. It adopts an ancient style in which satire, the grotesque body (particularly cross-dressing and displays of exaggerated bellies, noses and phalli) and above all, active participation are valued over glamorous, media-friendly spectacles that Vilanovins mock as "thighs and feathers". It is best known for Les Comparses (held on Sunday), a tumultuous dance in which 12,000 or more dancers organized into rival groups throw 75 tons of hard candies at one other. The women protect their faces with Mantons de Manila (Manila shawls) but eye-patches and slings for broken arms are common the following week. Vilanovins organize an elaborate ritual for the arrival of King Carnival called l'Arrivo that changes every year. It includes a raucous procession of floats and dancers lampooning current events or public figures and a bitingly satiric sermon (el sermo) delivered by the King himself. On Dijous Gras, Vilanovin children are excused from school to participate in the Merengada, a day-long scene of eating and fighting with sticky, sweet meringue.
What do dancers lampoon in the ritual heralding the coming of King Carnival?
current events or public figures