In addition to the true folded mountains, known as the ridge and valley province, the area of dissected plateau to the north and west of the mountains is usually grouped with the Appalachians. This includes the Catskill Mountains of southeastern New York, the Poconos in Pennsylvania, and the Allegheny Plateau of southwestern New York, western Pennsylvania, eastern Ohio and northern West Virginia. This same plateau is known as the Cumberland Plateau in southern West Virginia, eastern Kentucky, western Virginia, eastern Tennessee, and northern Alabama.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is the name of the plateau that is not the Allegheny?
Ah, so.. unanswerable

Coordinative definition has two major features. The first has to do with coordinating units of length with certain physical objects. This is motivated by the fact that we can never directly apprehend length. Instead we must choose some physical object, say the Standard Metre at the Bureau International des Poids et Mesures (International Bureau of Weights and Measures), or the wavelength of cadmium to stand in as our unit of length. The second feature deals with separated objects. Although we can, presumably, directly test the equality of length of two measuring rods when they are next to one another, we can not find out as much for two rods distant from one another. Even supposing that two rods, whenever brought near to one another are seen to be equal in length, we are not justified in stating that they are always equal in length. This impossibility undermines our ability to decide the equality of length of two distant objects. Sameness of length, to the contrary, must be set by definition.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Coordinative definition has how many major features?
Ah, so.. two

Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who produced longer arrangements of drum recordings?
Ah, so..
unanswerable