Problem: Franco-Prussian War:

A pre-war plan laid out by the late Marshal Niel called for a strong French offensive from Thionville towards Trier and into the Prussian Rhineland. This plan was discarded in favour of a defensive plan by Generals Charles Frossard and Bartélemy Lebrun, which called for the Army of the Rhine to remain in a defensive posture near the German border and repel any Prussian offensive. As Austria along with Bavaria, Württemberg and Baden were expected to join in a revenge war against Prussia, I Corps would invade the Bavarian Palatinate and proceed to "free" the South German states in concert with Austro-Hungarian forces. VI Corps would reinforce either army as needed.

Niel's plan was cast aside in favour of a plan by General Frossard and what other general??
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A: Bartélemy Lebrun


Problem: The biographical tradition asserts that Virgil began the hexameter Eclogues (or Bucolics) in 42 BC and it is thought that the collection was published around 39–38 BC, although this is controversial. The Eclogues (from the Greek for "selections") are a group of ten poems roughly modeled on the bucolic hexameter poetry ("pastoral poetry") of the Hellenistic poet Theocritus. After his victory in the Battle of Philippi in 42 BC, fought against the army led by the assassins of Julius Caesar, Octavian tried to pay off his veterans with land expropriated from towns in northern Italy, supposedly including, according to the tradition, an estate near Mantua belonging to Virgil. The loss of his family farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgil's motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues. In Eclogues 1 and 9, Virgil indeed dramatizes the contrasting feelings caused by the brutality of the land expropriations through pastoral idiom, but offers no indisputable evidence of the supposed biographic incident. While some readers have identified the poet himself with various characters and their vicissitudes, whether gratitude by an old rustic to a new god (Ecl. 1), frustrated love by a rustic singer for a distant boy (his master's pet, Ecl. 2), or a master singer's claim to have composed several eclogues (Ecl. 5), modern scholars largely reject such efforts to garner biographical details from works of fiction, preferring to interpret an author's characters and themes as illustrations of contemporary life and thought. The ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside. 2 and 3 are pastoral and erotic, discussing both homosexual love (Ecl. 2) and attraction toward people of any gender (Ecl. 3). Eclogue 4, addressed to Asinius Pollio, the so-called "Messianic Eclogue" uses the imagery of the golden age in connection with the birth of a child (who the child was meant to be has been subject to debate). 5 and 8 describe the myth of Daphnis in a song contest, 6, the cosmic and mythological song of Silenus; 7, a heated poetic contest, and 10 the sufferings of the contemporary elegiac poet Cornelius Gallus. Virgil is credited[by whom?] in the Eclogues with establishing Arcadia as a poetic ideal that still resonates in Western literature and visual arts and setting the stage for the development of Latin pastoral by Calpurnius Siculus, Nemesianus, and later writers.
Where did Octavian live?
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Answer: unanswerable


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
Beginning in the 1940s and continuing into the 1970s, the bureau investigated cases of espionage against the United States and its allies. Eight Nazi agents who had planned sabotage operations against American targets were arrested, and six were executed (Ex parte Quirin) under their sentences. Also during this time, a joint US/UK code-breaking effort (the Venona project)—with which the FBI was heavily involved—broke Soviet diplomatic and intelligence communications codes, allowing the US and British governments to read Soviet communications. This effort confirmed the existence of Americans working in the United States for Soviet intelligence. Hoover was administering this project but failed to notify the Central Intelligence Agency (CIA) until 1952. Another notable case is the arrest of Soviet spy Rudolf Abel in 1957. The discovery of Soviet spies operating in the US allowed Hoover to pursue his longstanding obsession with the threat he perceived from the American Left, ranging from Communist Party of the United States of America (CPUSA) union organizers to American liberals.
What project broke Soviet codes?
A: the Venona project


Context and question: These types of intermediaries do not host or transmit infringing content, themselves, but may be regarded in some courts as encouraging, enabling or facilitating infringement by users. These intermediaries may include the author, publishers and marketers of peer-to-peer networking software, and the websites that allow users to download such software. In the case of the BitTorrent protocol, intermediaries may include the torrent tracker and any websites or search engines which facilitate access to torrent files. Torrent files don't contain copyrighted content, but they may make reference to files that do, and they may point to trackers which coordinate the sharing of those files. Some torrent indexing and search sites, such as The Pirate Bay, now encourage the use of magnet links, instead of direct links to torrent files, creating another layer of indirection; using such links, torrent files are obtained from other peers, rather than from a particular website.
What do Torrent files contain?
Answer: unanswerable


Question: The main representatives of the new style, often referred to as ars nova as opposed to the ars antiqua, were the composers Philippe de Vitry and Guillaume de Machaut. In Italy, where the Provençal troubadours had also found refuge, the corresponding period goes under the name of trecento, and the leading composers were Giovanni da Cascia, Jacopo da Bologna and Francesco Landini. Prominent reformer of Orthodox Church music from the first half of 14th century was John Kukuzelis; he also introduced a system of notation widely used in the Balkans in the following centuries.
Is there an answer to this question: What was the name of the old musical style introduced in the Late Middle Ages?

Answer:
unanswerable