Article: In its metaphysics, Nyāya school is closer to the Vaiśeṣika school than others. It holds that human suffering results from mistakes/defects produced by activity under wrong knowledge (notions and ignorance). Moksha (liberation), it states, is gained through right knowledge. This premise led Nyāya to concern itself with epistemology, that is the reliable means to gain correct knowledge and to remove wrong notions. False knowledge is not merely ignorance to Naiyayikas, it includes delusion. Correct knowledge is discovering and overcoming one's delusions, and understanding true nature of soul, self and reality. The Nyāya Sūtras begin:

Question: What is moksha in Hindu philosophy?
Ans: liberation


Article: The New Haven Green is the site of many free music concerts, especially during the summer months. These have included the New Haven Symphony Orchestra, the July Free Concerts on the Green in July, and the New Haven Jazz Festival in August. The Jazz Festival, which began in 1982, is one of the longest-running free outdoor festivals in the U.S., until it was canceled for 2007. Headliners such as The Breakfast, Dave Brubeck, Ray Charles and Celia Cruz have historically drawn 30,000 to 50,000 fans, filling up the New Haven Green to capacity. The New Haven Jazz Festival was revived in 2008 and has been sponsored since by Jazz Haven.

Question: What musical festival was initiated in 1982 in New Haven?
Ans: New Haven Jazz Festival


Article: A format called quiet storm is often included in urban adult contemporary, and is often played during the evening, blending the urban AC and soft AC styles of music. The music that is played is strictly ballads and slow jams, mostly but not limited to Black and Latino artists. Popular artists in the quiet storm format are Teena Marie, Freddie Jackson, Johnny Gill, Lalah Hathaway, Vanessa L. Williams, Toni Braxton, and En Vogue among others.

Question: What is the typical ethnicity of artists played on quiet storm stations?
Ans: Black and Latino


Article: The book has also been adapted as a play by Christopher Sergel. It debuted in 1990 in Monroeville, a town that labels itself "The Literary Capital of Alabama". The play runs every May on the county courthouse grounds and townspeople make up the cast. White male audience members are chosen at the intermission to make up the jury. During the courtroom scene the production moves into the Monroe County Courthouse and the audience is racially segregated. Author Albert Murray said of the relationship of the town to the novel (and the annual performance): "It becomes part of the town ritual, like the religious underpinning of Mardi Gras. With the whole town crowded around the actual courthouse, it's part of a central, civic education—what Monroeville aspires to be."

Question: During the courtroom scene, what happens to the audience?
Ans:
racially segregated