Problem: In his role as god of prophecy and truth, Apollo had the epithets Manticus (/ˈmæntᵻkəs/ MAN-ti-kəs; Μαντικός, Mantikos, literally "prophetic"), Leschenorius (/ˌlɛskᵻˈnɔəriəs/ LES-ki-NOHR-ee-əs; Λεσχηνόριος, Leskhēnorios, from λεσχήνωρ, "converser"), and Loxias (/ˈlɒksiəs/ LOK-see-əs; Λοξίας, Loxias, from λέγειν, "to say"). The epithet "Loxias" has historically been associated with λοξός, "ambiguous". In this respect, the Romans called him Coelispex (/ˈsɛlᵻspɛks/ SEL-i-speks; from Latin coelum, "sky", and specere, "to look at"). The epithet Iatromantis (/aɪˌætrəˈmæntɪs/ eye-AT-rə-MAN-tis; Ἰατρομάντις, Iātromantis, from ἰατρός, "physician", and μάντις, "prophet") refers to both his role as a god of healing and of prophecy. As god of music and arts, Apollo had the epithet Musagetes (/mjuːˈsædʒᵻtiːz/ mew-SAJ-i-teez; Doric Μουσαγέτας, Mousāgetās) or Musegetes (/mjuːˈsɛdʒᵻtiːz/ mew-SEJ-i-teez; Μουσηγέτης, Mousēgetēs, from Μούσα, "Muse", and ἡγέτης, "leader").
Which epithet did Apollo have as god of prophecy and truth?
The answer is the following: Manticus

Problem: Popular representations of John first began to emerge during the Tudor period, mirroring the revisionist histories of the time. The anonymous play The Troublesome Reign of King John portrayed the king as a "proto-Protestant martyr", similar to that shown in John Bale's morality play Kynge Johan, in which John attempts to save England from the "evil agents of the Roman Church". By contrast, Shakespeare's King John, a relatively anti-Catholic play that draws on The Troublesome Reign for its source material, offers a more "balanced, dual view of a complex monarch as both a proto-Protestant victim of Rome's machinations and as a weak, selfishly motivated ruler". Anthony Munday's play The Downfall and The Death of Robert Earl of Huntington portrays many of John's negative traits, but adopts a positive interpretation of the king's stand against the Roman Catholic Church, in line with the contemporary views of the Tudor monarchs. By the middle of the 17th century, plays such as Robert Davenport's King John and Matilda, although based largely on the earlier Elizabethan works, were transferring the role of Protestant champion to the barons and focusing more on the tyrannical aspects of John's behaviour.
What was Anthony Munday's play?
The answer is the following: The Downfall and The Death of Robert Earl of Huntington

Problem: Municipalities (Gemeinden): Every rural district and every Amt is subdivided into municipalities, while every urban district is a municipality in its own right. There are (as of 6 March 2009[update]) 12,141 municipalities, which are the smallest administrative units in Germany. Cities and towns are municipalities as well, also having city rights or town rights (Stadtrechte). Nowadays, this is mostly just the right to be called a city or town. However, in former times there were many other privileges, including the right to impose local taxes or to allow industry only within city limits.
What is the smallest administrative unit in Germany?
The answer is the following: a municipality

Problem: In response to the pressure on Hot AC, a new kind of AC format cropped up among American radio recently. The urban adult contemporary format (a term coined by Barry Mayo) usually attracts a large number of African Americans and sometimes Caucasian listeners through playing a great deal of R&B (without any form of rapping), gospel music, classic soul and dance music (including disco).
Along with R&B, gospel and dance music, what type of music is represented on urban adult contemporary stations?
The answer is the following:
classic soul