Article: Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb) and opposition (تضاد tezâd) were more or less prescribed. Divan poetry was composed through the constant juxtaposition of many such images within a strict metrical framework, thus allowing numerous potential meanings to emerge. The vast majority of Divan poetry was lyric in nature: either gazels (which make up the greatest part of the repertoire of the tradition), or kasîdes. There were, however, other common genres, most particularly the mesnevî, a kind of verse romance and thus a variety of narrative poetry; the two most notable examples of this form are the Leyli and Majnun of Fuzûlî and the Hüsn ü Aşk of Şeyh Gâlib.

Question: What make up the largest portion of Divan poetry?
Ans: gazels (which make up the greatest part of the repertoire of the tradition), or kasîdes.


Article: The responsibility for military command remained with the British Crown-in-Council, with a commander-in-chief for North America stationed at Halifax until the final withdrawal of British Army and Royal Navy units from that city in 1906. Thereafter, the Royal Canadian Navy was formed, and, with the advent of military aviation, the Royal Canadian Air Force. These forces were organised under the Department of Militia and Defence, and split into the Permanent and Non-Permanent Active Militias—frequently shortened to simply The Militia. By 1923, the department was merged into the Department of National Defence, but land forces in Canada were not referred to as the Canadian Army until November 1940.

Question: Who initially had military command?
Ans: the British Crown-in-Council


Article: In general, Hokkien dialects have 5 to 7 phonemic tones. According to the traditional Chinese system, however, there are 7 to 9 "tones",[citation needed] more correctly termed tone classes since two of them are non-phonemic "entering tones" (see the discussion on Chinese tone). Tone sandhi is extensive. There are minor variations between the Quanzhou and Zhangzhou tone systems. Taiwanese tones follow the patterns of Amoy or Quanzhou, depending on the area of Taiwan. Many dialects have an additional phonemic tone ("tone 9" according to the traditional reckoning), used only in special or foreign loan words.

Question: What type of variations are there between the Quanznou and Zhangzhou tone system?
Ans: minor


Article: Canada has the world's largest deposit of natural bitumen in the Athabasca oil sands and Canadian First Nations along the Athabasca River had long used it to waterproof their canoes. In 1719, a Cree Indian named Wa-Pa-Su brought a sample for trade to Henry Kelsey of the Hudson’s Bay Company, who was the first recorded European to see it. However, it wasn't until 1787 that fur trader and explorer Alexander MacKenzie saw the Athabasca oil sands and said, "At about 24 miles from the fork (of the Athabasca and Clearwater Rivers) are some bituminous fountains into which a pole of 20 feet long may be inserted without the least resistance."

Question:  For what trading company did Kelsey work?
Ans:
Hudson’s Bay Company