Input: Hunting
From early Christian times, hunting has been forbidden to Roman Catholic Church clerics. Thus the Corpus Juris Canonici (C. ii, X, De cleric. venat.) says, "We forbid to all servants of God hunting and expeditions through the woods with hounds; and we also forbid them to keep hawks or falcons." The Fourth Council of the Lateran, held under Pope Innocent III, decreed (canon xv): "We interdict hunting or hawking to all clerics." The decree of the Council of Trent is worded more mildly: "Let clerics abstain from illicit hunting and hawking" (Sess. XXIV, De reform., c. xii), which seems to imply that not all hunting is illicit, and canonists generally make a distinction declaring noisy (clamorosa) hunting unlawful, but not quiet (quieta) hunting.

What forbid hunting in the woods with hounds and keeping hawks or falcons?
Output: Corpus Juris Canonici

Input: Beyoncé
Beyoncé's first solo recording was a feature on Jay Z's "'03 Bonnie & Clyde" that was released in October 2002, peaking at number four on the U.S. Billboard Hot 100 chart. Her first solo album Dangerously in Love was released on June 24, 2003, after Michelle Williams and Kelly Rowland had released their solo efforts. The album sold 317,000 copies in its first week, debuted atop the Billboard 200, and has since sold 11 million copies worldwide. The album's lead single, "Crazy in Love", featuring Jay Z, became Beyoncé's first number-one single as a solo artist in the US. The single "Baby Boy" also reached number one, and singles, "Me, Myself and I" and "Naughty Girl", both reached the top-five. The album earned Beyoncé a then record-tying five awards at the 46th Annual Grammy Awards; Best Contemporary R&B Album, Best Female R&B Vocal Performance for "Dangerously in Love 2", Best R&B Song and Best Rap/Sung Collaboration for "Crazy in Love", and Best R&B Performance by a Duo or Group with Vocals for "The Closer I Get to You" with Luther Vandross.

Beyonce's first album by herself was called what?
Output: Dangerously in Love

Input: Germans
In the midst of the European sovereign-debt crisis, Radek Sikorski, Poland's Foreign Minister, stated in November 2011, "I will probably be the first Polish foreign minister in history to say so, but here it is: I fear German power less than I am beginning to fear German inactivity. You have become Europe's indispensable nation." According to Jacob Heilbrunn, a senior editor at The National Interest, such a statement is unprecedented when taking into consideration Germany's history. "This was an extraordinary statement from a top official of a nation that was ravaged by Germany during World War II. And it reflects a profound shift taking place throughout Germany and Europe about Berlin's position at the center of the Continent." Heilbrunn believes that the adage, "what was good for Germany was bad for the European Union" has been supplanted by a new mentality—what is in the interest of Germany is also in the interest of its neighbors. The evolution in Germany's national identity stems from focusing less on its Nazi past and more on its Prussian history, which many Germans believe was betrayed—and not represented—by Nazism. The evolution is further precipitated by Germany's conspicuous position as Europe's strongest economy. Indeed, this German sphere of influence has been welcomed by the countries that border it, as demonstrated by Polish foreign minister Radek Sikorski's effusive praise for his country's western neighbor. This shift in thinking is boosted by a newer generation of Germans who see World War II as a distant memory.

Who was Poland's foreign minister in 2011?
Output: Radek Sikorski

Input: Armenians
Art historian Hravard Hakobyan notes that "Artsakh carpets occupy a special place in the history of Armenian carpet-making." Common themes and patterns found on Armenian carpets were the depiction of dragons and eagles. They were diverse in style, rich in color and ornamental motifs, and were even separated in categories depending on what sort of animals were depicted on them, such as artsvagorgs (eagle-carpets), vishapagorgs (dragon-carpets) and otsagorgs (serpent-carpets). The rug mentioned in the Kaptavan inscriptions is composed of three arches, "covered with vegatative ornaments", and bears an artistic resemblance to the illuminated manuscripts produced in Artsakh.

What is Hakobyan's career?
Output:
Art historian