Question: Read this and answer the question

In 1901, 10-inch disc records were introduced, followed in 1903 by 12-inch records. These could play for more than three and four minutes respectively, while contemporary cylinders could only play for about two minutes. In an attempt to head off the disc advantage, Edison introduced the Amberol cylinder in 1909, with a maximum playing time of 4½ minutes (at 160 rpm), which in turn were superseded by Blue Amberol Records, which had a playing surface made of celluloid, a plastic, which was far less fragile. Despite these improvements, during the 1910s discs decisively won this early format war, although Edison continued to produce new Blue Amberol cylinders for an ever-dwindling customer base until late in 1929. By 1919 the basic patents for the manufacture of lateral-cut disc records had expired, opening the field for countless companies to produce them. Analog disc records would dominate the home entertainment market until they were outsold by the digital compact disc in the late 1980s (which was in turn supplanted by digital audio recordings distributed via online music stores and Internet file sharing).

What was the name of the discs Edison introduced in 1909?
Answer: Blue Amberol cylinders


Problem: In 1897, Victoria had written instructions for her funeral, which was to be military as befitting a soldier's daughter and the head of the army, and white instead of black. On 25 January, Edward VII, the Kaiser and Prince Arthur, Duke of Connaught, helped lift her body into the coffin. She was dressed in a white dress and her wedding veil. An array of mementos commemorating her extended family, friends and servants were laid in the coffin with her, at her request, by her doctor and dressers. One of Albert's dressing gowns was placed by her side, with a plaster cast of his hand, while a lock of John Brown's hair, along with a picture of him, was placed in her left hand concealed from the view of the family by a carefully positioned bunch of flowers. Items of jewellery placed on Victoria included the wedding ring of John Brown's mother, given to her by Brown in 1883. Her funeral was held on Saturday, 2 February, in St George's Chapel, Windsor Castle, and after two days of lying-in-state, she was interred beside Prince Albert in Frogmore Mausoleum at Windsor Great Park. As she was laid to rest at the mausoleum, it began to snow.
How was Victoria dressed for burial?
The answer is the following: a white dress and her wedding veil


At the 1912 Salon d'Automne an architectural installation was exhibited that quickly became known as Maison Cubiste (Cubist House), signed Raymond Duchamp-Villon and André Mare along with a group of collaborators. Metzinger and Gleizes in Du "Cubisme", written during the assemblage of the "Maison Cubiste", wrote about the autonomous nature of art, stressing the point that decorative considerations should not govern the spirit of art. Decorative work, to them, was the "antithesis of the picture". "The true picture" wrote Metzinger and Gleizes, "bears its raison d'être within itself. It can be moved from a church to a drawing-room, from a museum to a study. Essentially independent, necessarily complete, it need not immediately satisfy the mind: on the contrary, it should lead it, little by little, towards the fictitious depths in which the coordinative light resides. It does not harmonize with this or that ensemble; it harmonizes with things in general, with the universe: it is an organism...". "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", writes Christopher Green, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Léger and Roger La Fresnaye". La Maison Cubiste was a fully furnished house, with a staircase, wrought iron banisters, a living room—the Salon Bourgeois, where paintings by Marcel Duchamp, Metzinger (Woman with a Fan), Gleizes, Laurencin and Léger were hung—and a bedroom. It was an example of L'art décoratif, a home within which Cubist art could be displayed in the comfort and style of modern, bourgeois life. Spectators at the Salon d'Automne passed through the full-scale 10-by-3-meter plaster model of the ground floor of the facade, designed by Duchamp-Villon. This architectural installation was subsequently exhibited at the 1913 Armory Show, New York, Chicago and Boston, listed in the catalogue of the New York exhibit as Raymond Duchamp-Villon, number 609, and entitled "Facade architectural, plaster" (Façade architecturale).
How big was the model of La Maison Cubiste? 
10-by-3-meter


Input: A cappella
Those who subscribe to this interpretation believe that since the Christian scriptures never counter instrumental language with any negative judgment on instruments, opposition to instruments instead comes from an interpretation of history. There is no written opposition to musical instruments in any setting in the first century and a half of Christian churches (33 AD to 180AD). The use of instruments for Christian worship during this period is also undocumented. Toward the end of the 2nd century, Christians began condemning the instruments themselves. Those who oppose instruments today believe these Church Fathers had a better understanding of God's desire for the church,[citation needed] but there are significant differences between the teachings of these Church Fathers and Christian opposition to instruments today.

At what point did instruments begin to receive condemnation from Christians?
Output: the 2nd century


Input: Article: In May 1955, McCarthy threatened to issue subpoenas to White House personnel. Eisenhower was furious, and issued an order as follows: "It is essential to efficient and effective administration that employees of the Executive Branch be in a position to be completely candid in advising with each other on official matters ... it is not in the public interest that any of their conversations or communications, or any documents or reproductions, concerning such advice be disclosed." This was an unprecedented step by Eisenhower to protect communication beyond the confines of a cabinet meeting, and soon became a tradition known as executive privilege. Ike's denial of McCarthy's access to his staff reduced McCarthy's hearings to rants about trivial matters, and contributed to his ultimate downfall.

Now answer this question: What tradition was fostered by Eisenhower's reaction to McCarthy's subpoena threats?

Output: executive privilege


Problem: Despite the position of the official organizations, an opinion poll carried out between 2001 and 2004 showed that the majority of the Valencian people consider Valencian different from Catalan. This position is promoted by people who do not use Valencian regularly. Furthermore, the data indicates that younger generations educated in Valencian are much less likely to hold these views. A minority of Valencian scholars active in fields other than linguistics defends the position of the Royal Academy of Valencian Culture (Acadèmia de Cultura Valenciana, RACV), which uses for Valencian a standard independent from Catalan.
How many scholars outside of linguistics agree with the Royal Academy?
The answer is the following:
A minority