Question: Between 64 and 104 major aftershocks, ranging in magnitude from 4.0 to 6.1, were recorded within 72 hours of the main quake. According to Chinese official counts, "by 12:00 CST, November 6, 2008 there had been 42,719 total aftershocks, of which 246 ranged from 4.0 MS to 4.9 MS, 34 from 5.0 MS to 5.9 MS, and 8 from 6.0 Ms to 6.4 MS; the strongest aftershock measured 6.4 MS." The latest aftershock exceeding M6 occurred on August 5, 2008.
Try to answer this question if possible: How many shocks ranged from 4.0 MS to 4.9 MS?
Answer: 246
Question: In the United States, as part of the FCC's plug and play agreement, cable companies are required to provide customers who rent HD set-top boxes with a set-top box with "functional" FireWire (IEEE 1394) on request. None of the direct broadcast satellite providers have offered this feature on any of their supported boxes, but some cable TV companies have. As of July 2004[update], boxes are not included in the FCC mandate. This content is protected by encryption known as 5C. This encryption can prevent duplication of content or simply limit the number of copies permitted, thus effectively denying most if not all fair use of the content.
Try to answer this question if possible: When were boxes with "functional" FireWire included in the FCC mandate?
Answer: unanswerable
Question: Standing out in Clarke's (and Newton's) response to Leibniz's arguments is the bucket argument: Water in a bucket, hung from a rope and set to spin, will start with a flat surface. As the water begins to spin in the bucket, the surface of the water will become concave. If the bucket is stopped, the water will continue to spin, and while the spin continues, the surface will remain concave. The concave surface is apparently not the result of the interaction of the bucket and the water, since the surface is flat when the bucket first starts to spin, it becomes concave as the water starts to spin, and it remains concave as the bucket stops.
Try to answer this question if possible: What stood out in Clark's response to Leibniz?
Answer: the bucket argument
Question: Until recently, in most critical writing the post-punk era was "often dismissed as an awkward period in which punk's gleeful ructions petered out into the vacuity of the Eighties". Contemporary scholars have argued to the contrary, asserting that the period produced significant innovations and music on its own. Simon Reynolds described the period as "a fair match for the sixties in terms of the sheer amount of great music created, the spirit of adventure and idealism that infused it, and the way that the music seemed inextricably connected to the political and social turbulence of its era". Nicholas Lezard wrote that the music of the period "was avant-garde, open to any musical possibilities that suggested themselves, united only in the sense that it was very often cerebral, concocted by brainy young men and women interested as much in disturbing the audience, or making them think, as in making a pop song".
Try to answer this question if possible: Who didn't like to write about post-punk music?
Answer:
unanswerable