QUES: Cardinal Augustin Bea, the head of the Secretariat for Promoting Christian Unity, added at the end of the visit, "Let us move forward in Christ. God wants it. Humanity is waiting for it." Unmoved by a harsh condemnation by the Congregation of Faith on mixed marriages precisely at this time of the visit, Paul VI and Ramsey appointed a preparatory commission which was to put the common agenda into practice on such issues as mixed marriages. This resulted in a joint Malta declaration, the first joint agreement on the Creed since the Reformation. Paul VI was a good friend of the Anglican Church, which he described as "our beloved sister Church". This description was unique to Paul and not used by later popes.

Who described the Anglican church as "our beloved sister Church"?
What is the answer?
ANS: Paul VI
QUES: The Earth receives 174,000 terawatts (TW) of incoming solar radiation (insolation) at the upper atmosphere. Approximately 30% is reflected back to space while the rest is absorbed by clouds, oceans and land masses. The spectrum of solar light at the Earth's surface is mostly spread across the visible and near-infrared ranges with a small part in the near-ultraviolet. Most people around the world live in areas with insolation levels of 150 to 300 watts per square meter or 3.5 to 7.0 kWh/m2 per day.

How many terrawatts of radiation does the earth receive?
What is the answer?
ANS: 174,000
QUES: The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel-Henry Kahnweiler as early as 1920, but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg. Contemporary views of Cubism are complex, formed to some extent in response to the "Salle 41" Cubists, whose methods were too distinct from those of Picasso and Braque to be considered merely secondary to them. Alternative interpretations of Cubism have therefore developed. Wider views of Cubism include artists who were later associated with the "Salle 41" artists, e.g., Francis Picabia; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who beginning in late 1911 formed the core of the Section d'Or (or the Puteaux Group); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini (after 1916), María Blanchard (after 1916) and Georges Valmier (after 1918). More fundamentally, Christopher Green argues that Douglas Cooper's terms were "later undermined by interpretations of the work of Picasso, Braque, Gris and Léger that stress iconographic and ideological questions rather than methods of representation."

Who was the main opponent that began to agree that the flat canvas did not support Cubism?
What is the answer?
ANS:
unanswerable