Question: Read this and answer the question

In the Iconoclastic era, figural mosaics were also condemned as idolatry. The Iconoclastic churches were embellished with plain gold mosaics with only one great cross in the apse like the Hagia Irene in Constantinople (after 740). There were similar crosses in the apses of the Hagia Sophia Church in Thessaloniki and in the Church of the Dormition in Nicaea. The crosses were substituted with the image of the Theotokos in both churches after the victory of the Iconodules (787–797 and in 8th–9th centuries respectively, the Dormition church was totally destroyed in 1922).

When did the Hagia Irene adapt the iconoclastic era mosaics?
Answer: after 740


Problem: Alternatives to pesticides are available and include methods of cultivation, use of biological pest controls (such as pheromones and microbial pesticides), genetic engineering, and methods of interfering with insect breeding. Application of composted yard waste has also been used as a way of controlling pests. These methods are becoming increasingly popular and often are safer than traditional chemical pesticides. In addition, EPA is registering reduced-risk conventional pesticides in increasing numbers.
What is one thing that can be used in place of pesticides?
The answer is the following: methods of cultivation


Sometimes circumstances such as a good breeding season followed by a food source failure the following year lead to irruptions in which large numbers of a species move far beyond the normal range. Bohemian waxwings Bombycilla garrulus well show this unpredictable variation in annual numbers, with five major arrivals in Britain during the nineteenth century, but 18 between the years 1937 and 2000. Red crossbills Loxia curvirostra too are irruptive, with widespread invasions across England noted in 1251, 1593, 1757, and 1791.
How many times did Bohemian waxwings come to Britain in the nineteeth century?
five


Input: Madonna (entertainer)
Madonna was criticized for her performance of "Like a Virgin" at the first 1984 MTV Video Music Awards (VMA). She appeared on stage atop a giant wedding cake, wearing a wedding dress and white gloves. The performance is noted by MTV as an iconic moment in VMA history. In later years, Madonna commented that she was terrified of the performance. The next hit was "Material Girl" promoted by her video, a mimicry of Marilyn Monroe's performance of the song "Diamonds Are a Girl's Best Friend" from the 1953 film Gentlemen Prefer Blondes. While filming this video, Madonna started dating actor Sean Penn. They married on her birthday in 1985. Like a Virgin was certified diamond by the Recording Industry Association of America and sold more than 25 million copies worldwide. In February 1984, according to the film director Sir Richard Attenborough, Madonna auditioned at the Royale Theatre on Broadway for a dance role in his movie version of A Chorus Line using her birth-name of Ciccone, but he rejected her.

When did Madonna married Sean Penn?
Output: on her birthday in 1985


Input: Article: Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée and Claude Nicolas Ledoux. The many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are links between Boullée's ideas and Edmund Burke's conception of the sublime. Ledoux addressed the concept of architectural character, maintaining that a building should immediately communicate its function to the viewer: taken literally such ideas give rise to "architecture parlante".

Now answer this question: What Edmund Burke concept is linked to Boullee's ideas?

Output: sublime


Problem: Returning World War II veterans created a post-war economic boom and the development of large housing tracts in eastern Queens. New York emerged from the war unscathed as the leading city of the world, with Wall Street leading America's place as the world's dominant economic power. The United Nations Headquarters was completed in 1952, solidifying New York's global geopolitical influence, and the rise of abstract expressionism in the city precipitated New York's displacement of Paris as the center of the art world.
Prior to New York, what city was the center of the world of art?
The answer is the following:
Paris