The problem: Answer a question about this article:
The state has a great diversity due to the large number of microclimates found and dramatic varying terrain. The flora throughout the Sierra Madre Occidental mountain range varies with elevation. Pine (Pinus) and oak (Quercus) species are usually found at an elevation of 2,000 m (6,560 ft) above sea level. The most common species of flora found in the mountains are: Pinus, Quercus, Abies, Ficus, Vachellia, Ipomoea, Acacia, Lysiloma, Bursera, Vitex, Tabebuia, Sideroxylon, Cordia, Fouquieria, Pithecellobium. The state is home to one of the largest variation species of the genus Pinus in the world. The lower elevations have a steppe vegetation with a variety of grasses and small bushes. Several species of Juniperus dot the steppe and the transition zone.
The state is home to one of the largest variation species of which genus?
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The answer: Pinus


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A traveller in the early Middle Ages could obtain overnight accommodation in monasteries, but later a demand for hostelries grew with the popularity of pilgrimages and travel. The Hostellers of London were granted guild status in 1446 and in 1514 the guild became the Worshipful Company of Innholders.
What name was taken by the Hostellers in 1514?
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The answer: Worshipful Company of Innholders


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Between 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result, many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton Banqueting and Music Rooms with a large oriental chimney piece sculpted by Richard Westmacott. The Yellow Drawing Room has wallpaper supplied in 1817 for the Brighton Saloon, and a chimney piece which is a European vision of how the Chinese chimney piece may appear. It has nodding mandarins in niches and fearsome winged dragons, designed by Robert Jones.
Where did many of the fittings for the new east wing come from?
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The answer: Brighton Pavilion


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Paris was in its artistic prime in the 19th century and early 20th century, when it had a colony of artists established in the city and in art schools associated with some of the finest painters of the times: Manet, Monet, Berthe Morisot, Gauguin, Renoir and others. The French Revolution and political and social change in France had a profound influence on art in the capital. Paris was central to the development of Romanticism in art, with painters such as Gericault. Impressionism, Art Nouveau, Symbolism, Fauvism Cubism and Art Deco movements all evolved in Paris. In the late 19th century, many artists in the French provinces and worldwide flocked to Paris to exhibit their works in the numerous salons and expositions and make a name for themselves. Artists such as Pablo Picasso, Henri Matisse, Vincent van Gogh, Paul Cézanne, Jean Metzinger, Albert Gleizes, Henri Rousseau, Marc Chagall, Amedeo Modigliani and many others became associated with Paris. Picasso, living in Montmartre, painted his famous La Famille de Saltimbanques and Les Demoiselles d'Avignon between 1905 and 1907. Montmartre and Montparnasse became centres for artistic production.
What two towns were pinnacle for artistic production?
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The answer:
Montmartre and Montparnasse