Input: Read this: Residents of Saint-Barthélemy (Saint-Barthélemoise people) are French citizens and work at establishments on the island. Most of them are descendants of the first settlers, of Breton, Norman, Poitevin, Saintongeais and Angevin lineage. French is the native tongue of the population. English is understood in hotels and restaurants, and a small population of Anglophones have been resident in Gustavia for many years. The St. Barthélemy French patois is spoken by some 500–700 people in the leeward portion of the island and is superficially related to Quebec French, whereas Créole French is limited to the windward side. Unlike other populations in the Caribbean, language preference between the Créole and Patois is geographically, and not racially, determined.[page needed]
Question: On what side of the island do the Anglophone community live?

Output: unanswerable


QUES: In the mid 1970s, various American groups (some with ties to Downtown Manhattan's punk scene, including Television and Suicide) had begun expanding on the vocabulary of punk music. Midwestern groups such as Pere Ubu and Devo drew inspiration from the region's derelict industrial environments, employing conceptual art techniques, musique concrète and unconventional verbal styles that would presage the post-punk movement by several years. A variety of subsequent groups, including New York-based Talking Heads and Boston-based Mission of Burma, combined elements of punk with art school sensibilities. In 1978, the former band began a series of collaborations with British ambient pioneer and ex-Roxy Music member Brian Eno, experimenting with Dada-influenced lyrical techniques, dance music, and African polyrhythms. San Francisco's vibrant post-punk scene was centered around such groups as Chrome, the Residents and Tuxedomoon, who incorporated multimedia experimentation, film and ideas from Antonin Artaud's Theater of Cruelty.

What nationality began birthing groups who expanded the vocabulary of punk music?
What is the answer?
ANS: American


QUES: A major feature is the calypso competition. Calypso music, originating in Trinidad, uses syncopated rhythm and topical lyrics. It offers a medium in which to satirise local politics, amidst the general bacchanal. Calypso tents, also originating in Trinidad, feature cadres of musicians who perform biting social commentaries, political exposés or rousing exhortations to "wuk dah waistline" and "roll dat bumper". The groups compete for the Calypso Monarch Award, while the air is redolent with the smells of Bajan cooking during the Bridgetown Market Street Fair. The Cohobblopot Festival blends dance, drama and music with the crowning of the King and Queen of costume bands. Every evening the "Pic-o-de-Crop" Show is performed after the King of Calypso is finally crowned. The climax of the festival is Kadooment Day celebrated with a national holiday when costume bands fill the streets with pulsating Barbadian rhythms and fireworks.
What do the musical groups compete for?

ANS: the Calypso Monarch Award


On February 20, 1863, Kansas Governor Thomas Carney signed into law a bill creating the state university in Lawrence. The law was conditioned upon a gift from Lawrence of a $15,000 endowment fund and a site for the university, in or near the town, of not less than forty acres (16 ha) of land. If Lawrence failed to meet these conditions, Emporia instead of Lawrence would get the university.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): How much money did Lawrence have to contribute to the University as terms of its charter?
Ah, so.. $15,000


Question: The original Latin word "universitas" refers in general to "a number of persons associated into one body, a society, company, community, guild, corporation, etc." At the time of the emergence of urban town life and medieval guilds, specialised "associations of students and teachers with collective legal rights usually guaranteed by charters issued by princes, prelates, or the towns in which they were located" came to be denominated by this general term. Like other guilds, they were self-regulating and determined the qualifications of their members.
Try to answer this question if possible: Who issued charters to guilds?
Answer: unanswerable


QUES: Until the 19th century, Ottoman prose did not develop to the extent that contemporary Divan poetry did. A large part of the reason for this was that much prose was expected to adhere to the rules of sec (سجع, also transliterated as seci), or rhymed prose, a type of writing descended from the Arabic saj' and which prescribed that between each adjective and noun in a string of words, such as a sentence, there must be a rhyme. Nevertheless, there was a tradition of prose in the literature of the time, though exclusively non-fictional in nature. One apparent exception was Muhayyelât ("Fancies") by Giritli Ali Aziz Efendi, a collection of stories of the fantastic written in 1796, though not published until 1867. The first novel published in the Ottoman Empire was by an Armenian named Vartan Pasha. Published in 1851, the novel was entitled The Story of Akabi (Turkish: Akabi Hikyayesi) and was written in Turkish but with Armenian script.
What did the rules of sec require?

ANS:
between each adjective and noun in a string of words, such as a sentence, there must be a rhyme