Input: Read this: A month after having decreed the reform, the pope with a brief of 3 April 1582 granted to Antonio Lilio, the brother of Luigi Lilio, the exclusive right to publish the calendar for a period of ten years. The Lunario Novo secondo la nuova riforma printed by Vincenzo Accolti, one of the first calendars printed in Rome after the reform, notes at the bottom that it was signed with papal authorization and by Lilio (Con licentia delli Superiori... et permissu Ant(onii) Lilij). The papal brief was later revoked, on 20 September 1582, because Antonio Lilio proved unable to keep up with the demand for copies.
Question: What problem caused the papal brief granting the right to publish to be withdrawn?

Output: demand for copies


QUES: Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7).

How many books did Dante write?
What is the answer?
ANS: unanswerable


QUES: Kanye West began his early production career in the mid-1990s, making beats primarily for burgeoning local artists, eventually developing a style that involved speeding up vocal samples from classic soul records. His first official production credits came at the age of nineteen when he produced eight tracks on Down to Earth, the 1996 debut album of a Chicago rapper named Grav. For a time, West acted as a ghost producer for Deric "D-Dot" Angelettie. Because of his association with D-Dot, West wasn't able to release a solo album, so he formed and became a member and producer of the Go-Getters, a late-1990s Chicago rap group composed of him, GLC, Timmy G, Really Doe, and Arrowstar. His group was managed by John "Monopoly" Johnson, Don Crowley, and Happy Lewis under the management firm Hustle Period. After attending a series of promotional photo shoots and making some radio appearances, The Go-Getters released their first and only studio album World Record Holders in 1999. The album featured other Chicago-based rappers such as Rhymefest, Mikkey Halsted, Miss Criss, and Shayla G. Meanwhile, the production was handled by West, Arrowstar, Boogz, and Brian "All Day" Miller.
What late 1990s Chicago rap group was Kanye West a member of?

ANS: Go-Getters


The cloth or fiber material used, resin material, and the cloth to resin ratio determine the laminate's type designation (FR-4, CEM-1, G-10, etc.) and therefore the characteristics of the laminate produced. Important characteristics are the level to which the laminate is fire retardant, the dielectric constant (er), the loss factor (tδ), the tensile strength, the shear strength, the glass transition temperature (Tg), and the Z-axis expansion coefficient (how much the thickness changes with temperature).
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): The shear sector is one of the important what?
Ah, so.. unanswerable


Question: Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
Try to answer this question if possible: what did Frankie Knuckles use to create his compositions?
Answer: samplers, synthesizers, sequencers, and drum machines


Question: In the early 1980s, Downtown Manhattan's no wave scene transitioned from its abrasive origins into a more dance-oriented sound, with compilations such as ZE's Mutant Disco (1981) highlighting a newly playful sensibility borne out of the city's clash of hip hop, disco and punk styles, as well as dub reggae and world music influences. Artists such as Liquid Liquid, the B-52s, Cristina, Arthur Russell, James White and the Blacks and Lizzy Mercier Descloux pursued a formula described by Luc Sante as "anything at all + disco bottom". The decadent parties and art installations of venues such as Club 57 and the Mudd Club became cultural hubs for musicians and visual artists alike, with figures such as Jean-Michel Basquiat, Keith Haring and Michael Holman frequenting the scene. Other no wave-indebted groups such as Swans, Glenn Branca, the Lounge Lizards, Bush Tetras and Sonic Youth instead continued exploring the early scene's forays into noise and more abrasive territory.
Try to answer this question if possible: Who did the venues because cultural hubs for?
Answer:
musicians and visual artists alike