Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who were Frankie Hardy and Ron Knuckles?
Ah, so.. unanswerable

The first major model for communication was introduced by Claude Shannon and Warren Weaver for Bell Laboratories in 1949 The original model was designed to mirror the functioning of radio and telephone technologies. Their initial model consisted of three primary parts: sender, channel, and receiver. The sender was the part of a telephone a person spoke into, the channel was the telephone itself, and the receiver was the part of the phone where one could hear the other person. Shannon and Weaver also recognized that often there is static that interferes with one listening to a telephone conversation, which they deemed noise.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What was the receiver in the initial model?
Ah, so.. the part of the phone where one could hear the other person

The Hellenistic period saw the rise of New Comedy, the only few surviving representative texts being those of Menander (born 342/1 BCE). Only one play, Dyskolos, survives in its entirety. The plots of this new Hellenistic comedy of manners were more domestic and formulaic, stereotypical low born characters such as slaves became more important, the language was colloquial and major motifs included escapism, marriage, romance and luck (Tyche). Though no Hellenistic tragedy remains intact, they were still widely produced during the period, yet it seems that there was no major breakthrough in style, remaining within the classical model. The Supplementum Hellenisticum, a modern collection of extant fragments, contains the fragments of 150 authors.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Menander is one of the few remaining pieces of what time of liteary work?
Ah, so..
New Comedy