In the United Kingdom, sociologists and other scholars influenced by Marxism, such as Stuart Hall (1932–2014) and Raymond Williams (1921–1988), developed cultural studies. Following nineteenth-century Romantics, they identified "culture" with consumption goods and leisure activities (such as art, music, film, food, sports, and clothing). Nevertheless, they saw patterns of consumption and leisure as determined by relations of production, which led them to focus on class relations and the organization of production.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What made up Leisure activities and goods as viewed by Marxist?
Ah, so.. art, music, film, food, sports, and clothing

A comprehensive school is a state school that does not select its intake on the basis of academic achievement or aptitude. This is in contrast to the selective school system, where admission is restricted on the basis of selection criteria. The term is commonly used in relation to England and Wales, where comprehensive schools were introduced on an experimental basis in the 1940s and became more widespread from 1965. About 90% of British secondary school pupils now attend comprehensive schools. They correspond broadly to the public high school in the United States and Canada and to the German Gesamtschule.[citation needed]
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What kind of school does not base its admissions on academic merit?
Ah, so.. comprehensive school

The production arm of the studio still struggled. While there were to be a few hits like The Killers (1946) and The Naked City (1948), Universal-International's new theatrical films often met with disappointing response at the box office. By the late 1940s, Goetz was out, and the studio returned to low-budget films. The inexpensive Francis (1950), the first film of a series about a talking mule and Ma and Pa Kettle (1949), part of a series, became mainstays of the company. Once again, the films of Abbott and Costello, including Abbott and Costello Meet Frankenstein (1948), were among the studio's top-grossing productions. But at this point Rank lost interest and sold his shares to the investor Milton Rackmil, whose Decca Records would take full control of Universal in 1952. Besides Abbott and Costello, the studio retained the Walter Lantz cartoon studio, whose product was released with Universal-International's films.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who bought Rank's share of Universal-International?
Ah, so..
Milton Rackmil