Input: Read this: Since the early 1960s, theoretical linguists have moved away from the traditional concept of a phoneme, preferring to consider basic units at a more abstract level, as a component of morphemes; these units can be called morphophonemes, and analysis using this approach is called morphophonology.
Question: On what level do theoretical linguists consider basic units?

Output: abstract


Input: Read this: In mathematics, a group is an algebraic structure consisting of a set of elements equipped with an operation that combines any two elements to form a third element. The operation satisfies four conditions called the group axioms, namely closure, associativity, identity and invertibility. One of the most familiar examples of a group is the set of integers together with the addition operation, but the abstract formalization of the group axioms, detached as it is from the concrete nature of any particular group and its operation, applies much more widely. It allows entities with highly diverse mathematical origins in abstract algebra and beyond to be handled in a flexible way while retaining their essential structural aspects. The ubiquity of groups in numerous areas within and outside mathematics makes them a central organizing principle of contemporary mathematics.
Question: What are the two elements called?

Output: unanswerable


Input: Read this: The most innovative period of Cubism was before 1914. After World War I, with the support given by the dealer Léonce Rosenberg, Cubism returned as a central issue for artists, and continued as such until the mid-1920s when its avant-garde status was rendered questionable by the emergence of geometric abstraction and Surrealism in Paris. Many Cubists, including Picasso, Braque, Gris, Léger, Gleizes, and Metzinger, while developing other styles, returned periodically to Cubism, even well after 1925. Cubism reemerged during the 1920s and the 1930s in the work of the American Stuart Davis and the Englishman Ben Nicholson. In France, however, Cubism experienced a decline beginning in about 1925. Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler’s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini. In 1918 Rosenberg presented a series of Cubist exhibitions at his Galerie de l’Effort Moderne in Paris. Attempts were made by Louis Vauxcelles to claim that Cubism was dead, but these exhibitions, along with a well-organized Cubist show at the 1920 Salon des Indépendants and a revival of the Salon de la Section d’Or in the same year, demonstrated it was still alive.
Question: With the assistance of what dealer did Cubism return as  a central consideration for artists after World War I?

Output: Léonce Rosenberg


Input: Read this: In April 1758, the British concluded the Anglo-Prussian Convention with Frederick in which they committed to pay him an annual subsidy of £670,000. Britain also dispatched 9,000 troops to reinforce Ferdinand's Hanoverian army, the first British troop commitment on the continent and a reversal in the policy of Pitt. Ferdinand had succeeded in driving the French from Hanover and Westphalia and re-captured the port of Emden in March 1758 before crossing the Rhine with his own forces, which caused alarm in France. Despite Ferdinand's victory over the French at the Battle of Krefeld and the brief occupation of Düsseldorf, he was compelled by the successful manoeuvering of larger French forces to withdraw across the Rhine.
Question: What caused alarm in France?

Output:
re-captured the port of Emden in March 1758 before crossing the Rhine with his own forces