Question: The reemergence of Cubism coincided with the appearance from about 1917–24 of a coherent body of theoretical writing by Pierre Reverdy, Maurice Raynal and Daniel-Henry Kahnweiler and, among the artists, by Gris, Léger and Gleizes. The occasional return to classicism—figurative work either exclusively or alongside Cubist work—experienced by many artists during this period (called Neoclassicism) has been linked to the tendency to evade the realities of the war and also to the cultural dominance of a classical or Latin image of France during and immediately following the war. Cubism after 1918 can be seen as part of a wide ideological shift towards conservatism in both French society and culture. Yet, Cubism itself remained evolutionary both within the oeuvre of individual artists, such as Gris and Metzinger, and across the work of artists as different from each other as Braque, Léger and Gleizes. Cubism as a publicly debated movement became relatively unified and open to definition. Its theoretical purity made it a gauge against which such diverse tendencies as Realism or Naturalism, Dada, Surrealism and abstraction could be compared.
Is there an answer to this question: In 1919 which way did the French idealogies shift that effected Cubism?

Answer: unanswerable


Question: Hellenistic poets now sought patronage from kings, and wrote works in their honor. The scholars at the libraries in Alexandria and Pergamon focused on the collection, cataloging, and literary criticism of classical Athenian works and ancient Greek myths. The poet-critic Callimachus, a staunch elitist, wrote hymns equating Ptolemy II to Zeus and Apollo. He promoted short poetic forms such as the epigram, epyllion and the iambic and attacked epic as base and common ("big book, big evil" was his doctrine). He also wrote a massive catalog of the holdings of the library of Alexandria, the famous Pinakes. Callimachus was extremely influential in his time and also for the development of Augustan poetry. Another poet, Apollonius of Rhodes, attempted to revive the epic for the Hellenistic world with his Argonautica. He had been a student of Callimachus and later became chief librarian (prostates) of the library of Alexandria, Apollonius and Callimachus spent much of their careers feuding with each other. Pastoral poetry also thrived during the Hellenistic era, Theocritus was a major poet who popularized the genre.
Is there an answer to this question: Who said "Big book, big evil"?

Answer: Callimachus


Question: In the Church of England, the ecclesiastical courts that formerly decided many matters such as disputes relating to marriage, divorce, wills, and defamation, still have jurisdiction of certain church-related matters (e.g. discipline of clergy, alteration of church property, and issues related to churchyards). Their separate status dates back to the 12th century when the Normans split them off from the mixed secular/religious county and local courts used by the Saxons. In contrast to the other courts of England the law used in ecclesiastical matters is at least partially a civil law system, not common law, although heavily governed by parliamentary statutes. Since the Reformation, ecclesiastical courts in England have been royal courts. The teaching of canon law at the Universities of Oxford and Cambridge was abrogated by Henry VIII; thereafter practitioners in the ecclesiastical courts were trained in civil law, receiving a Doctor of Civil Law (D.C.L.) degree from Oxford, or a Doctor of Laws (LL.D.) degree from Cambridge. Such lawyers (called "doctors" and "civilians") were centered at "Doctors Commons", a few streets south of St Paul's Cathedral in London, where they monopolized probate, matrimonial, and admiralty cases until their jurisdiction was removed to the common law courts in the mid-19th century.
Is there an answer to this question: Who was responsible for banning canon law education from Oxford and Cambridge?

Answer: Henry VIII


Question: 1762 brought two new countries into the war. Britain declared war against Spain on 4 January 1762; Spain reacted by issuing their own declaration of war against Britain on 18 January. Portugal followed by joining the war on Britain's side. Spain, aided by the French, launched an invasion of Portugal and succeeded in capturing Almeida. The arrival of British reinforcements stalled a further Spanish advance, and the Battle of Valencia de Alcántara saw British-Portuguese forces overrun a major Spanish supply base. The invaders were stopped on the heights in front of Abrantes (called the pass to Lisbon) where the Anglo-Portuguese were entrenched. Eventually the Anglo-Portuguese army, aided by guerrillas and practicing a scorched earth strategy, chased the greatly reduced Franco-Spanish army back to Spain, recovering almost all the lost towns, among them the Spanish headquarters in Castelo Branco full of wounded and sick that had been left behind.
Is there an answer to this question: Was Portugal on the side of France or Britain?

Answer:
Portugal followed by joining the war on Britain's side