QUES: By 1885, a new summer retreat was contemplated. That summer, the Bells had a vacation on Cape Breton Island in Nova Scotia, spending time at the small village of Baddeck. Returning in 1886, Bell started building an estate on a point across from Baddeck, overlooking Bras d'Or Lake. By 1889, a large house, christened The Lodge was completed and two years later, a larger complex of buildings, including a new laboratory, were begun that the Bells would name Beinn Bhreagh (Gaelic: beautiful mountain) after Bell's ancestral Scottish highlands.[N 21] Bell also built the Bell Boatyard on the estate, employing up to 40 people building experimental craft as well as wartime lifeboats and workboats for the Royal Canadian Navy and pleasure craft for the Bell family. An enthusiastic boater, Bell and his family sailed or rowed a long series of vessels on Bras d'Or Lake, ordering additional vessels from the H.W. Embree and Sons boatyard in Port Hawkesbury, Nova Scotia. In his final, and some of his most productive years, Bell split his residency between Washington, D.C., where he and his family initially resided for most of the year, and at Beinn Bhreagh where they spent increasing amounts of time.
What did the Bells call the house completed in 1889?

ANS: The Lodge

QUES: Writing in 1998 Kurt Jonassohn and Karin Björnson stated that the CPPCG was a legal instrument resulting from a diplomatic compromise. As such the wording of the treaty is not intended to be a definition suitable as a research tool, and although it is used for this purpose, as it has an international legal credibility that others lack, other definitions have also been postulated. Jonassohn and Björnson go on to say that none of these alternative definitions have gained widespread support for various reasons.
Rather than a definition, the text of the treaty is considered as what type of tool?

ANS: a research tool

QUES: The polyphony of Christian a cappella music began to develop in Europe around the late 15th century, with compositions by Josquin des Prez. The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms. 16th century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Recent evidence has shown that some of the early pieces by Palestrina, such as what was written for the Sistine Chapel was intended to be accompanied by an organ "doubling" some or all of the voices. Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor. Other composers that utilized the a cappella style, if only for the occasional piece, were Claudio Monteverdi and his masterpiece, Lagrime d'amante al sepolcro dell'amata (A lover's tears at his beloved's grave), which was composed in 1610, and Andrea Gabrieli when upon his death it was discovered many choral pieces, one of which was in the unaccompanied style. Learning from the preceding two composeres, Heinrich Schütz utilized the a cappella style in numerous pieces, chief among these were the pieces in the oratorio style, which were traditionally performed during the Easter week and dealt with the religious subject matter of that week, such as Christ's suffering and the Passion. Five of Schutz's Historien were Easter pieces, and of these the latter three, which dealt with the passion from three different viewpoints, those of Matthew, Luke and John, were all done a cappella style. This was a near requirement for this type of piece, and the parts of the crowd were sung while the solo parts which were the quoted parts from either Christ or the authors were performed in a plainchant.
Bach was influenced by a popular A cappella composer heavily for what composition?

ANS: Mass in B Minor

QUES: In October 1919, Albert went up to Trinity College, Cambridge, where he studied history, economics and civics for a year. On 4 June 1920, he was created Duke of York, Earl of Inverness and Baron Killarney. He began to take on more royal duties. He represented his father, and toured coal mines, factories, and railyards. Through such visits he acquired the nickname of the "Industrial Prince". His stammer, and his embarrassment over it, together with his tendency to shyness, caused him to appear much less impressive than his older brother, Edward. However, he was physically active and enjoyed playing tennis. He played at Wimbledon in the Men's Doubles with Louis Greig in 1926, losing in the first round. He developed an interest in working conditions, and was President of the Industrial Welfare Society. His series of annual summer camps for boys between 1921 and 1939 brought together boys from different social backgrounds.
Which sport was Albert proficient at?

ANS:
tennis