The Bronx has been featured significantly in fiction literature. All of the characters in Herman Wouk's City Boy: The Adventures of Herbie Bookbinder (1948) live in the Bronx, and about half of the action is set there. Kate Simon's Bronx Primitive: Portraits of a Childhood is directly autobiographical, a warm account of a Polish-Jewish girl in an immigrant family growing up before World War II, and living near Arthur Avenue and Tremont Avenue. In Jacob M. Appel's short story, "The Grand Concourse" (2007), a woman who grew up in the iconic Lewis Morris Building returns to the Morrisania neighborhood with her adult daughter. Similarly, in Avery Corman's book The Old Neighborhood (1980), an upper-middle class white protagonist returns to his birth neighborhood (Fordham Road and the Grand Concourse), and learns that even though the folks are poor, Hispanic and African-American, they are good people.
Who wrote 'City Boy: The Adventures of Herbie Bookbinder'?
Herman Wouk

Pāśupatas divided the created world into the insentient and the sentient. The insentient was the unconscious and thus dependent on the sentient or conscious. The insentient was further divided into effects and causes. The effects were of ten kinds, the earth, four elements and their qualities, colour etc. The causes were of thirteen kinds, the five organs of cognition, the five organs of action, the three internal organs, intellect, the ego principle and the cognising principle. These insentient causes were held responsible for the illusive identification of Self with non-Self. Salvation in Pāśupata involved the union of the soul with God through the intellect.
In what staet was the insentient considered to be?
unconscious

Myanmar's first film was a documentary of the funeral of Tun Shein — a leading politician of the 1910s, who campaigned for Burmese independence in London. The first Burmese silent film Myitta Ne Thuya (Love and Liquor) in 1920 which proved a major success, despite its poor quality due to a fixed camera position and inadequate film accessories. During the 1920s and 1930s, many Burmese-owned film companies made and produced several films. The first Burmese sound film was produced in 1932 in Bombay, India with the title Ngwe Pay Lo Ma Ya (Money Can't Buy It). After World War II, Burmese cinema continued to address political themes. Many of the films produced in the early Cold War era had a strong propaganda element to them.
Why was this film relevant enough to be the first ?
Tun Shein — a leading politician of the 1910s, who campaigned for Burmese independence in London.