Problem: Bird:

Since birds are highly visible and common animals, humans have had a relationship with them since the dawn of man. Sometimes, these relationships are mutualistic, like the cooperative honey-gathering among honeyguides and African peoples such as the Borana. Other times, they may be commensal, as when species such as the house sparrow have benefited from human activities. Several bird species have become commercially significant agricultural pests, and some pose an aviation hazard. Human activities can also be detrimental, and have threatened numerous bird species with extinction (hunting, avian lead poisoning, pesticides, roadkill, and predation by pet cats and dogs are common sources of death for birds).

What is it called when the house sparrow has benefited from human activity?
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A: commensal


Problem: Kanye West:

West's fifth album, My Beautiful Dark Twisted Fantasy, has been noted by writers for its maximalist aesthetic and its incorporation of elements from West's previous four albums. Entertainment Weekly's Simon Vozick-Levinson perceives that such elements "all recur at various points", namely "the luxurious soul of 2004's The College Dropout, the symphonic pomp of Late Registration, the gloss of 2007's Graduation, and the emotionally exhausted electro of 2008's 808s & Heartbreak". Sean Fennessey of The Village Voice writes that West "absorb[ed] the gifts of his handpicked collaborators, and occasionally elevat[ed] them" on previous studio albums, noting collaborators and elements as Jon Brion for Late Registration, DJ Toomp for Graduation, and Kid Cudi for 808s & Heartbreak.

Which album by Kanye West has been talked about by writers for having maximalist aesthetic?
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A: My Beautiful Dark Twisted Fantasy


Problem: Spectre (2015 film):

Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.”

Critics were entirely positive about the film in what country?
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A: unanswerable


Problem: Frédéric Chopin:

In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.

Where did Chopin head to during the Revolution of 1848?
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A:
London