Iran is home to one of the world's oldest civilizations, beginning with the formation of the Proto-Elamite and Elamite kingdoms in 3200–2800 BC. The Iranian Medes unified the area into the first of many empires in 625 BC, after which it became the dominant cultural and political power in the region. Iran reached the pinnacle of its power during the Achaemenid Empire founded by Cyrus the Great in 550 BC, which at its greatest extent comprised major portions of the ancient world, stretching from parts of the Balkans (Thrace-Macedonia, Bulgaria-Paeonia) and Eastern Europe proper in the west, to the Indus Valley in the east, making it the largest empire the world had yet seen. The empire collapsed in 330 BC following the conquests of Alexander the Great. The Parthian Empire emerged from the ashes and was succeeded by the Sassanid Dynasty in 224 AD, under which Iran again became one of the leading powers in the world, along with the Roman-Byzantine Empire, for a period of more than four centuries.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who found the Archaemenid Empire in 550 BC?
Ah, so.. Cyrus the Great

The trends of Hellenization were therefore accompanied by Greeks adopting native ways over time, but this was widely varied by place and by social class. The farther away from the Mediterranean and the lower in social status, the more likely that a colonist was to adopt local ways, while the Greco-Macedonian elites and Royal families, usually remained thoroughly Greek and viewed most non-Greeks with disdain. It is only until Cleopatra VII, that a Ptolemaic ruler bothered to learn the Egyptian language of their subjects.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): A colonist far from the Mediterranean and low in social rank would be more likely to do what?
Ah, so.. adopt local ways

Monroe's style involved playing lead melodies in the style of a fiddler, and also a percussive chording sound referred to as "the chop" for the sound made by the quickly struck and muted strings. He also perfected a sparse, percussive blues style, especially up the neck in keys that had not been used much in country music, notably B and E. He emphasized a powerful, syncopated right hand at the expense of left-hand virtuosity. Monroe's most influential follower of the second generation is Frank Wakefield and nowadays Mike Compton of the Nashville Bluegrass Band and David Long, who often tour as a duet. Tiny Moore of the Texas Playboys developed an electric five-string mandolin and helped popularize the instrument in Western Swing music.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What chording feeling was Monroe popular for?
Ah, so..
unanswerable