For guidance in practical application of Jewish law, the majority of Orthodox Jews appeal to the Shulchan Aruch ("Code of Jewish Law" composed in the 16th century by Rabbi Joseph Caro) together with its surrounding commentaries. Thus, at a general level, there is a large degree of uniformity amongst all Orthodox Jews. Concerning the details, however, there is often variance: decisions may be based on various of the standardized codes of Jewish Law that have been developed over the centuries, as well as on the various responsa. These codes and responsa may differ from each other as regards detail (and reflecting the above philosophical differences, as regards the weight assigned to these). By and large, however, the differences result from the historic dispersal of the Jews and the consequent development of differences among regions in their practices (see minhag).
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who do the Orthodox Jews avoid for guidance in practical application of Jewish law?
Ah, so.. unanswerable

The first British Mont Blanc ascent was in 1788; the first female ascent in 1819. By the mid-1850s Swiss mountaineers had ascended most of the peaks and were eagerly sought as mountain guides. Edward Whymper reached the top of the Matterhorn in 1865 (after seven attempts), and in 1938 the last of the six great north faces of the Alps was climbed with the first ascent of the Eiger Nordwand (north face of the Eiger).
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): When was the first female ascent on Mont Blanc?
Ah, so.. 1819

In classical Greece, Anaxagoras asserted that a divine reason (mind) gave order to the seeds of the universe, and Plato extended the Greek belief of ideal forms to his metaphysical theory of forms (ideai, "ideas"). The forms on earth are imperfect duplicates of the intellectual celestial ideas. The Greek words oida (οἶδα, "(I) know") and eidos (εἶδος, "species") have the same root as the word idea (ἰδέα), indicating how the Greek mind moved from the gift of the senses, to the principles beyond the senses. The artists in Plato's time moved away from his theories and art tends to be a mixture of naturalism with stylization. The Greek sculptors considered the senses more important, and the proportions were used to unite the sensible with the intellectual.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is one Greek word that has the same root as the word idea?
Ah, so..
eidos