Input: Read this: Wilhelm Erb's (1874) "intensive" theory, that a pain signal can be generated by intense enough stimulation of any sensory receptor, has been soundly disproved. Some sensory fibers do not differentiate between noxious and non-noxious stimuli, while others, nociceptors, respond only to noxious, high intensity stimuli. At the peripheral end of the nociceptor, noxious stimuli generate currents that, above a given threshold, begin to send signals along the nerve fiber to the spinal cord. The "specificity" (whether it responds to thermal, chemical or mechanical features of its environment) of a nociceptor is determined by which ion channels it expresses at its peripheral end. Dozens of different types of nociceptor ion channels have so far been identified, and their exact functions are still being determined.
Question: What happened to Erb Wilhelm's theory?

Output: unanswerable


QUES: The Cork accent, part of the Southwest dialect of Hiberno-English, displays various features which set it apart from other accents in Ireland. Patterns of tone and intonation often rise and fall, with the overall tone tending to be more high-pitched than other Irish accents. English spoken in Cork has a number of dialect words that are peculiar to the city and environs. Like standard Hiberno-English, some of these words originate from the Irish language, but others through other languages Cork's inhabitants encountered at home and abroad. The Cork accent displays varying degrees of rhoticity, usually depending on the social-class of the speaker.

What accent is part of the Southwest dialect of British English?
What is the answer?
ANS: unanswerable


QUES: Canadian bitumen does not differ substantially from oils such as Venezuelan extra-heavy and Mexican heavy oil in chemical composition, and the real difficulty is moving the extremely viscous bitumen through oil pipelines to the refinery. Many modern oil refineries are extremely sophisticated and can process non-upgraded bitumen directly into products such as gasoline, diesel fuel, and refined asphalt without any preprocessing. This is particularly common in areas such as the US Gulf coast, where refineries were designed to process Venezuelan and Mexican oil, and in areas such as the US Midwest where refineries were rebuilt to process heavy oil as domestic light oil production declined. Given the choice, such heavy oil refineries usually prefer to buy bitumen rather than synthetic oil because the cost is lower, and in some cases because they prefer to produce more diesel fuel and less gasoline. By 2015 Canadian production and exports of non-upgraded bitumen exceeded that of synthetic crude oil at over 1.3 million barrels (210×10^3 m3) per day, of which about 65% was exported to the United States.
In what areas is this uncommon?

ANS: unanswerable


The College's endowment is sub-divided into three distinct portfolios: (i) Unitised Scheme – a unit trust vehicle for College, Faculties and Departments to invest endowments and unfettered income to produce returns for the long term; (ii) Non-Core Property – a portfolio containing around 120 operational and developmental properties which College has determined are not core to the academic mission; and (iii) Strategic Asset Investments – containing College’s shareholding in Imperial Innovations and other restricted equity holdings. During the year 2014/15, the market value of the endowment increased by £78 million (18%) to £512.4 million on 31 July 2015.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): How many nonoperational and development properties were in the portfolio?
Ah, so.. unanswerable


Question: In 1981, The Times and The Sunday Times were bought from Thomson by Rupert Murdoch's News International. The acquisition followed three weeks of intensive bargaining with the unions by company negotiators, John Collier and Bill O'Neill.
Try to answer this question if possible: Who owned the major corporation that bought The Times in 1981?
Answer: Rupert Murdoch


Problem: "Junior" Laemmle persuaded his father to bring Universal up to date. He bought and built theaters, converted the studio to sound production, and made several forays into high-quality production. His early efforts included the critically mauled part-talkie version of Edna Ferber's novel Show Boat (1929), the lavish musical Broadway (1929) which included Technicolor sequences; and the first all-color musical feature (for Universal), King of Jazz (1930). The more serious All Quiet on the Western Front (1930), won its year's Best Picture Oscar.
What 1929 all-color musical feature did Universal produce?
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Answer:
unanswerable