QUES: When Emperor Kammu moved the capital to Heian-kyō (Kyōto), which remained the imperial capital for the next 1,000 years, he did so not only to strengthen imperial authority but also to improve his seat of government geopolitically. Nara was abandoned after only 70 years in part due to the ascendancy of Dōkyō and the encroaching secular power of the Buddhist institutions there. Kyōto had good river access to the sea and could be reached by land routes from the eastern provinces. The early Heian period (784–967) continued Nara culture; the Heian capital was patterned on the Chinese Tang capital at Chang'an, as was Nara, but on a larger scale than Nara. Kammu endeavoured to improve the Tang-style administrative system which was in use. Known as the ritsuryō, this system attempted to recreate the Tang imperium in Japan, despite the "tremendous differences in the levels of development between the two countries". Despite the decline of the Taika-Taihō reforms, imperial government was vigorous during the early Heian period. Indeed, Kammu's avoidance of drastic reform decreased the intensity of political struggles, and he became recognized as one of Japan's most forceful emperors.
Kanmu modeled his government after what Chinese capital?

ANS: Tang

QUES: From earliest days, Virginia, and Richmond in particular, have welcomed live theatrical performances. From Lewis Hallam's early productions of Shakespeare in Williamsburg, the focus shifted to Richmond's antebellum prominence as a main colonial and early 19th century performance venue for such celebrated American and English actors as William Macready, Edwin Forrest, and the Booth family. In the 20th century, Richmonders' love of theater continued with many amateur troupes and regular touring professional productions. In the 1960s a small renaissance or golden age accompanied the growth of professional dinner theaters and the fostering of theater by the Virginia Museum, reaching a peak in the 1970s with the establishment of a resident Equity company at the Virginia Museum Theater (now the Leslie Cheek) and the birth of Theatre IV, a company that continues to this day.
During what decade did the Virginia Museum most significantly work to promote theater in Richmond?

ANS: 1970s

QUES: Many Latin American migrants have been mestizo, Amerindian, or other mixed race. Multiracial Latinos have limited media appearance; critics have accused the U.S. Hispanic media of overlooking the brown-skinned indigenous and multiracial Hispanic and black Hispanic populations by over-representation of blond and blue/green-eyed white Hispanic and Latino Americans (who resemble Scandinavians and other Northern Europeans rather than they look like white Hispanic and Latino Americans mostly of typical Southern European features), and also light-skinned mulatto and mestizo Hispanic and Latino Americans (often deemed as white persons in U.S. Hispanic and Latino populations if achieving the middle class or higher social status), especially some of the actors on the telenovelas.
Who has a large amount of media representation?

ANS: unanswerable

QUES: Corporations and legislatures take different types of preventative measures to deter copyright infringement, with much of the focus since the early 1990s being on preventing or reducing digital methods of infringement. Strategies include education, civil & criminal legislation, and international agreements, as well as publicizing anti-piracy litigation successes and imposing forms of digital media copy protection, such as controversial DRM technology and anti-circumvention laws, which limit the amount of control consumers have over the use of products and content they have purchased.
What doesn't DRM and anti-circumvention laws do?

ANS:
unanswerable