Context and question: Two rounds of Soviet purges directed by Moscow (1927–1934 and 1937–1938) resulted in the expulsion of nearly 10,000 people, from all levels of the Communist Party of Tajikistan. Ethnic Russians were sent in to replace those expelled and subsequently Russians dominated party positions at all levels, including the top position of first secretary. Between 1926 and 1959 the proportion of Russians among Tajikistan's population grew from less than 1% to 13%. Bobojon Ghafurov, Tajikistan's First Secretary of the Communist Party of Tajikistan from 1946–1956 was the only Tajikistani politician of significance outside of the country during the Soviet Era. He was followed in office by Tursun Uljabayev (1956–61), Jabbor Rasulov (1961–1982), and Rahmon Nabiyev (1982–1985, 1991–1992).
What did the population of Russians do between 1926-1959?
Answer: grew from less than 1% to 13%
Context and question: Since the mid-1990s, the term has been applied to some technically minded technical and further education (TAFE) institutes. A recent example is the Melbourne Polytechnic rebranding and repositioning in 2014 from Northern Melbourne Institute of TAFE. These primarily offer vocational education, although some like Melbourne Polytechnic are expanding into higher education offering vocationally oriented applied bachelor degress. This usage of the term is most prevalent historically in NSW and the ACT. The new terminology is apt given that this category of institution are becoming very much like the institutes of the 1970s–1990s period.
What is the new name of the Northern Melbourne Institute of TAFE?
Answer: Melbourne Polytechnic
Context and question: The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a very fine crimson, though it had a tendency to change color if not used carefully. It was used by almost all the great painters of the 15th and 16th centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velázquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner.
What did J.W.M Turner use?
Answer:
unanswerable