Input: Read this: Some established acts continued to enjoy commercial success, such as Aerosmith, with their number one multi-platinum albums: Get a Grip (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 10 million copies), and Nine Lives (1997). In 1998, Aerosmith released the number one hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number one. AC/DC produced the double platinum Ballbreaker (1995). Bon Jovi appealed to their hard rock audience with songs such as "Keep the Faith" (1992), but also achieved success in adult contemporary radio, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Bon Jovi's 1995 album These Days was a bigger hit in Europe than it was in the United States, spawning four Top 10 singles on the UK Singles Chart. Metallica's Load (1996) and ReLoad (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable subgenres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.
Question: Who emulated the attitudes of punk bands?

Output: unanswerable


QUES: Materialism developed, possibly independently, in several geographically separated regions of Eurasia during what Karl Jaspers termed the Axial Age (approximately 800 to 200 BC).

Who coined the non-Axial Age?
What is the answer?
ANS: unanswerable


QUES: Artspace on Orange Street is one of several contemporary art galleries around the city, showcasing the work of local, national, and international artists. Others include City Gallery and A. Leaf Gallery in the downtown area. Westville galleries include Kehler Liddell, Jennifer Jane Gallery, and The Hungry Eye. The Erector Square complex in the Fair Haven neighborhood houses the Parachute Factory gallery along with numerous artist studios, and the complex serves as an active destination during City-Wide Open Studios held yearly in October.
The Erector Square complex is a gallery that is located where?

ANS: Fair Haven neighborhood houses


One major difference between Baroque music and the classical era that followed it is that the types of instruments used in ensembles were much less standardized. Whereas a classical era string quartet consists almost exclusively of two violins, a viola and a cello, a Baroque group accompanying a soloist or opera could include one of several different types of keyboard instruments (e.g., pipe organ, harpsichord, or clavichord), additional stringed chordal instruments (e.g., a lute) and an unspecified number of bass instruments performing the basso continuo bassline, including bowed strings, woodwinds and brass instruments (e.g., a cello, contrabass, viol, bassoon, serpent, etc.).
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What is an example of a stringed chordal instrument during the Baroque period?
Ah, so.. a lute


Question: In a 1992 New York Times article on Feynman and his legacy, James Gleick recounts the story of how Murray Gell-Mann described what has become known as "The Feynman Algorithm" or "The Feynman Problem-Solving Algorithm" to a student: "The student asks Gell-Mann about Feynman's notes. Gell-Mann says no, Dick's methods are not the same as the methods used here. The student asks, well, what are Feynman's methods? Gell-Mann leans coyly against the blackboard and says: Dick's method is this. You write down the problem. You think very hard. (He shuts his eyes and presses his knuckles parodically to his forehead.) Then you write down the answer."
Try to answer this question if possible: Who failed to describe what has become known as "The Feynman Algorithm"?
Answer: unanswerable


QUES: Similar to the problems of defining literature and film, no consensus has been reached on a definition of the comics medium, and attempted definitions and descriptions have fallen prey to numerous exceptions. Theorists such as Töpffer, R. C. Harvey, Will Eisner, David Carrier, Alain Rey, and Lawrence Grove emphasize the combination of text and images, though there are prominent examples of pantomime comics throughout its history. Other critics, such as Thierry Groensteen and Scott McCloud, have emphasized the primacy of sequences of images. Towards the close of the 20th century, different cultures' discoveries of each other's comics traditions, the rediscovery of forgotten early comics forms, and the rise of new forms made defining comics a more complicated task.
What century had forgotten comic forms rediscovered?

ANS:
20th