Here is a question about this article: Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic".
What is the answer to this question: What does post-punk reject any of which are perceived as being traditionalist, hegemonic, or rockist?
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So... aesthetics


Here is a question about this article: In July 1855, the allied squadron tried to go past Taganrog to Rostov on Don, entering the Don River through the Mius River. On 12 July 1855 HMS Jasper grounded near Taganrog thanks to a fisherman who moved buoys into shallow water. The Cossacks captured the gunboat with all of its guns and blew it up. The third siege attempt was made 19–31 August 1855, but the city was already fortified and the squadron could not approach close enough for landing operations. The allied fleet left the Gulf of Taganrog on the 2nd September 1855, with minor military operations along the Azov Sea coast continuing until late autumn 1855.
What is the answer to this question: The allied fleet departed the Gulf of Taganrog on what date?
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So... 2nd September


Here is a question about this article: In the early 20th century came another turn toward nationalist politics with Solidaridad Gallega (1907–1912) modeled on Solidaritat Catalana in Catalonia. Solidaridad Gallega failed, but in 1916 Irmandades da Fala (Brotherhood of the Language) developed first as a cultural association but soon as a full-blown nationalist movement. Vicente Risco and Ramón Otero Pedrayo were outstanding cultural figures of this movement, and the magazine Nós ('Us'), founded 1920, its most notable cultural institution, Lois Peña Novo the outstanding political figure.
What is the answer to this question: Which other movement was it modeled after?
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So...
Solidaritat Catalana