Input: ASCII
With the other special characters and control codes filled in, ASCII was published as ASA X3.4-1963, leaving 28 code positions without any assigned meaning, reserved for future standardization, and one unassigned control code.:66, 245 There was some debate at the time whether there should be more control characters rather than the lowercase alphabet.:435 The indecision did not last long: during May 1963 the CCITT Working Party on the New Telegraph Alphabet proposed to assign lowercase characters to columns 6 and 7, and International Organization for Standardization TC 97 SC 2 voted during October to incorporate the change into its draft standard. The X3.2.4 task group voted its approval for the change to ASCII at its May 1963 meeting. Locating the lowercase letters in columns 6 and 7 caused the characters to differ in bit pattern from the upper case by a single bit, which simplified case-insensitive character matching and the construction of keyboards and printers.

What was ASCII published as and when?
Output: ASA X3.4-1963

Input: Armenia
The exonym Armenia is attested in the Old Persian Behistun Inscription (515 BC) as Armina (    ). The ancient Greek terms Ἀρμενία (Armenía) and Ἀρμένιοι (Arménioi, "Armenians") are first mentioned by Hecataeus of Miletus (c. 550 BC – c. 476 BC). Xenophon, a Greek general serving in some of the Persian expeditions, describes many aspects of Armenian village life and hospitality in around 401 BC. He relates that the people spoke a language that to his ear sounded like the language of the Persians. According to the histories of both Moses of Chorene and Michael Chamchian, Armenia derives from the name of Aram, a lineal descendant of Hayk.

What name did Armenia gain it's name from?
Output: Aram

Input: Iran
The earliest examples of visual representations in Iranian history are traced back to the bas-reliefs of Persepolis, c. 500 BC. Persepolis was the ritual center of the ancient kingdom of Achaemenids, and the figures at Persepolis remain bound by the rules of grammar and syntax of visual language. The Iranian visual arts reached a pinnacle by the Sassanid Era. A bas-relief from this period in Taq Bostan depicts a complex hunting scene. Similar works from the period have been found to articulate movements and actions in a highly sophisticated manner. It is even possible to see a progenitor of the cinema close-up in one of these works of art, which shows a wounded wild pig escaping from the hunting ground.

What were the first known examples of Iranian visual art? 
Output: the bas-reliefs of Persepolis

Input: Religion in ancient Rome
In Rome, state cult to a living emperor acknowledged his rule as divinely approved and constitutional. As princeps (first citizen) he must respect traditional Republican mores; given virtually monarchic powers, he must restrain them. He was not a living divus but father of his country (pater patriae), its pontifex maximus (greatest priest) and at least notionally, its leading Republican. When he died, his ascent to heaven, or his descent to join the dii manes was decided by a vote in the Senate. As a divus, he could receive much the same honours as any other state deity – libations of wine, garlands, incense, hymns and sacrificial oxen at games and festivals. What he did in return for these favours is unknown, but literary hints and the later adoption of divus as a title for Christian Saints suggest him as a heavenly intercessor. In Rome, official cult to a living emperor was directed to his genius; a small number refused this honour and there is no evidence of any emperor receiving more than that. In the crises leading up to the Dominate, Imperial titles and honours multiplied, reaching a peak under Diocletian. Emperors before him had attempted to guarantee traditional cults as the core of Roman identity and well-being; refusal of cult undermined the state and was treasonous.

As a living divus, what was the emperor to Rome?
Output:
father of his country