Problem: Protestantism:

Protestantism spread in Europe during the 16th century. Lutheranism spread from Germany into its surrounding areas,[c] Denmark,[d] Norway,[e] Sweden,[f] Finland,[g] Prussia,[h] Latvia,[i], Estonia,[j] and Iceland,[k] as well as other smaller territories. Reformed churches were founded primarily in Germany and its adjacent regions,[l] Hungary,[m] the Netherlands,[n] Scotland,[o] Switzerland,[p] and France[q] by such reformers as John Calvin, Huldrych Zwingli, and John Knox. Arminianism[r] gained supporters in the Netherlands and parts of Germany. In 1534, King Henry VIII put an end to all papal jurisdiction in England[s] after the Pope failed to annul his marriage to Catherine of Aragon; this opened the door to reformational ideas, notably during the following reign of Edward VI, through Thomas Cranmer, Richard Hooker, Matthew Parker and other theologians. There were also reformational efforts throughout continental Europe known as the Radical Reformation—a response to perceived corruption in both the Roman Catholic Church and the expanding Magisterial Reformation led by Luther and various other reformers—which gave rise to Anabaptist, Moravian, and other Pietistic movements. In later centuries, Protestants developed their own culture, which made major contributions in education, the humanities and sciences, the political and social order, the economy and the arts, and other fields.

Where did Arminianism take hold?
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A: the Netherlands and parts of Germany


Problem: The Red Book audio specification, except for a simple "anti-copy" statement in the subcode, does not include any copy protection mechanism. Known at least as early as 2001, attempts were made by record companies to market "copy-protected" non-standard compact discs, which cannot be ripped, or copied, to hard drives or easily converted to MP3s. One major drawback to these copy-protected discs is that most will not play on either computer CD-ROM drives or some standalone CD players that use CD-ROM mechanisms. Philips has stated that such discs are not permitted to bear the trademarked Compact Disc Digital Audio logo because they violate the Red Book specifications. Numerous copy-protection systems have been countered by readily available, often free, software.
When was the "anti-copy" subcode written in the Red Book?
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Answer: unanswerable


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
All of the executions which have taken place since the 1936 hanging of Bethea in Owensboro have been conducted within a wall or enclosure. For example, Fred Adams was legally hanged in Kennett, Missouri, on April 2, 1937, within a 10-foot (3 m) wooden stockade. Roscoe "Red" Jackson was hanged within a stockade in Galena, Missouri, on May 26, 1937. Two Kentucky hangings were conducted after Galena in which numerous persons were present within a wooden stockade, that of John "Peter" Montjoy in Covington, Kentucky on December 17, 1937, and that of Harold Van Venison in Covington on June 3, 1938. An estimated 400 witnesses were present for the hanging of Lee Simpson in Ryegate, Montana, on December 30, 1939. The execution of Timothy McVeigh on June 11, 2001 was witnessed by some 300 people, some by closed-circuit television.
 On what date was Fred Adams freed?
A: unanswerable


Context and question: She has received co-writing credits for most of the songs recorded with Destiny's Child and her solo efforts. Her early songs were personally driven and female-empowerment themed compositions like "Independent Women" and "Survivor", but after the start of her relationship with Jay Z she transitioned to more man-tending anthems such as "Cater 2 U". Beyoncé has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers.
What does she get credits for in her music?
Answer: co-producing credits


Question: Lancashire had a lively culture of choral and classical music, with very large numbers of local church choirs from the 17th century, leading to the foundation of local choral societies from the mid-18th century, often particularly focused on performances of the music of Handel and his contemporaries. It also played a major part in the development of brass bands which emerged in the county, particularly in the textile and coalfield areas, in the 19th century. The first open competition for brass bands was held at Manchester in 1853, and continued annually until the 1980s. The vibrant brass band culture of the area made an important contribution to the foundation and staffing of the Hallé Orchestra from 1857, the oldest extant professional orchestra in the United Kingdom. The same local musical tradition produced eminent figures such as Sir William Walton (1902–88), son of an Oldham choirmaster and music teacher, Sir Thomas Beecham (1879–1961), born in St. Helens, who began his career by conducting local orchestras and Alan Rawsthorne (1905–71) born in Haslingden. The conductor David Atherton, co-founder of the London Sinfonietta, was born in Blackpool in 1944. Lancashire also produced more populist figures, such as early musical theatre composer Leslie Stuart (1863–1928), born in Southport, who began his musical career as organist of Salford Cathedral.
Is there an answer to this question: Where is the Salford Cathedral?

Answer: unanswerable


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The inclusiveness of Weinreich's definition (above) directs attention to the totality of one's identity at a given phase in time, and assists in elucidating component aspects of one's total identity, such as one's gender identity, ethnic identity, occupational identity and so on. The definition readily applies to the young child, to the adolescent, to the young adult, and to the older adult in various phases of the life cycle. Depending on whether one is a young child or an adult at the height of one's powers, how one construes oneself as one was in the past will refer to very different salient experiential markers. Likewise, how one construes oneself as one aspires to be in the future will differ considerably according to one's age and accumulated experiences. (Weinreich & Saunderson, (eds) 2003, pp 26–34).
What makes how one construes oneself now and in the future similar?
A:
unanswerable