Question: European comics studies began with Töpffer's theories of his own work in the 1840s, which emphasized panel transitions and the visual–verbal combination. No further progress was made until the 1970s. Pierre Fresnault-Deruelle then took a semiotics approach to the study of comics, analyzing text–image relations, page-level image relations, and image discontinuities, or what Scott McCloud later dubbed "closure". In 1987, Henri Vanlier introduced the term multicadre, or "multiframe", to refer to the comics a page as a semantic unit. By the 1990s, theorists such as Benoît Peeters and Thierry Groensteen turned attention to artists' poïetic creative choices. Thierry Smolderen and Harry Morgan have held relativistic views of the definition of comics, a medium that has taken various, equally valid forms over its history. Morgan sees comics as a subset of "les littératures dessinées" (or "drawn literatures"). French theory has come to give special attention to the page, in distinction from American theories such as McCloud's which focus on panel-to-panel transitions. Since the mid-2000s, Neil Cohn has begun analyzing how comics are understood using tools from cognitive science, extending beyond theory by using actual psychological and neuroscience experiments. This work has argued that sequential images and page layouts both use separate rule-bound "grammars" to be understood that extend beyond panel-to-panel transitions and categorical distinctions of types of layouts, and that the brain's comprehension of comics is similar to comprehending other domains, such as language and music.
Try to answer this question if possible: Who never used a semiotics method to study comics in the 1970s
Answer: unanswerable
Question: Memories of the Nazi occupation were still strong, and the rearmament of Germany was feared by France too. On 30 August 1954 French Parliament rejected the EDC, thus ensuring its failure and blocking a major objective of US policy towards Europe: to associate Germany militarily with the West. The US Department of State started to elaborate alternatives: Germany would be invited to join NATO or, in the case of French obstructionism, strategies to circumvent a French veto would be implemented in order to obtain a German rearmament outside NATO.
Try to answer this question if possible: Memories of what occupation were fading by 1954?
Answer: unanswerable
Question: Air defence in naval tactics, especially within a carrier group, is often built around a system of concentric layers with the aircraft carrier at the centre. The outer layer will usually be provided by the carrier's aircraft, specifically its AEW&C aircraft combined with the CAP. If an attacker is able to penetrate this layer, then the next layers would come from the surface-to-air missiles carried by the carrier's escorts; the area-defence missiles, such as the RIM-67 Standard, with a range of up to 100 nmi, and the point-defence missiles, like the RIM-162 ESSM, with a range of up to 30 nmi. Finally, virtually every modern warship will be fitted with small-calibre guns, including a CIWS, which is usually a radar-controlled Gatling gun of between 20mm and 30mm calibre capable of firing several thousand rounds per minute.
Try to answer this question if possible: The next layer's surface-to-air missiles are carried by what?
Answer: the carrier's escorts
Question: The major time divisions of classical music up to 1900 are the early music period, which includes Medieval (500–1400) and Renaissance (1400–1600) eras, and the Common practice period, which includes the Baroque (1600–1750), Classical (1750–1830) and Romantic (1804–1910) eras. Since 1900, classical periods have been reckoned more by calendar century than by particular stylistic movements that have become fragmented and difficult to define. The 20th century calendar period (1901–2000) includes most of the early modern musical era (1890–1930), the entire high modern (mid 20th-century), and the first 25 years of the contemporary or postmodern musical era (1975–current). The 21st century has so far been characterized by a continuation of the contemporary/postmodern musical era.
Try to answer this question if possible: What era has the 21st century has been characterized by?
Answer:
the contemporary/postmodern musical era