Article: Antibiotics revolutionized medicine in the 20th century, and have together with vaccination led to the near eradication of diseases such as tuberculosis in the developed world. Their effectiveness and easy access led to overuse, especially in livestock raising, prompting bacteria to develop resistance. This has led to widespread problems with antimicrobial and antibiotic resistance, so much as to prompt the World Health Organization to classify antimicrobial resistance as a "serious threat [that] is no longer a prediction for the future, it is happening right now in every region of the world and has the potential to affect anyone, of any age, in any country".

Question: What other medicine worked along antibiotics to eradicate diseases like tuberculosis?
Ans: vaccination


Article: Public priests were appointed by the collegia. Once elected, a priest held permanent religious authority from the eternal divine, which offered him lifetime influence, privilege and immunity. Therefore, civil and religious law limited the number and kind of religious offices allowed an individual and his family. Religious law was collegial and traditional; it informed political decisions, could overturn them, and was difficult to exploit for personal gain. Priesthood was a costly honour: in traditional Roman practice, a priest drew no stipend. Cult donations were the property of the deity, whose priest must provide cult regardless of shortfalls in public funding – this could mean subsidy of acolytes and all other cult maintenance from personal funds. For those who had reached their goal in the Cursus honorum, permanent priesthood was best sought or granted after a lifetime's service in military or political life, or preferably both: it was a particularly honourable and active form of retirement which fulfilled an essential public duty. For a freedman or slave, promotion as one of the Compitalia seviri offered a high local profile, and opportunities in local politics; and therefore business. During the Imperial era, priesthood of the Imperial cult offered provincial elites full Roman citizenship and public prominence beyond their single year in religious office; in effect, it was the first step in a provincial cursus honorum. In Rome, the same Imperial cult role was performed by the Arval Brethren, once an obscure Republican priesthood dedicated to several deities, then co-opted by Augustus as part of his religious reforms. The Arvals offered prayer and sacrifice to Roman state gods at various temples for the continued welfare of the Imperial family on their birthdays, accession anniversaries and to mark extraordinary events such as the quashing of conspiracy or revolt. Every January 3 they consecrated the annual vows and rendered any sacrifice promised in the previous year, provided the gods had kept the Imperial family safe for the contracted time.

Question: What did a priesthood in the Imperial cult gain a provencial?
Ans: Roman citizenship


Article: The pronounced divergence between literary and colloquial pronunciations found in Hokkien dialects is attributed to the presence of several strata in the Min lexicon. The earliest, colloquial stratum is traced to the Han dynasty (206 BCE - 220 CE); the second colloquial one comes from the period of the Southern and Northern Dynasties (420 - 589 CE); the third stratum of pronunciations (typically literary ones) comes from the Tang Dynasty (618–907 CE) and is based on the prestige dialect of Chang'an (modern day Xi'an), its capital.

Question: When was the Han Dynasty?
Ans: 206 BCE - 220 CE


Article: Cubism began between 1907 and 1911. Pablo Picasso's 1907 painting Les Demoiselles d'Avignon has often been considered a proto-Cubist work. Georges Braque's 1908 Houses at L’Estaque (and related works) prompted the critic Louis Vauxcelles to refer to bizarreries cubiques (cubic oddities). Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebro, as the first Cubist paintings. The first organized group exhibition by Cubists took place at the Salon des Indépendants in Paris during the spring of 1911 in a room called 'Salle 41'; it included works by Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay and Henri Le Fauconnier, yet no works by Picasso or Braque were exhibited.

Question: In what city did the first exhibition of Cubists take place?
Ans:
Paris