Problem: Germans:

By the Middle Ages, large numbers of Jews lived in the Holy Roman Empire and had assimilated into German culture, including many Jews who had previously assimilated into French culture and had spoken a mixed Judeo-French language. Upon assimilating into German culture, the Jewish German peoples incorporated major parts of the German language and elements of other European languages into a mixed language known as Yiddish. However tolerance and assimilation of Jews in German society suddenly ended during the Crusades with many Jews being forcefully expelled from Germany and Western Yiddish disappeared as a language in Germany over the centuries, with German Jewish people fully adopting the German language.

What cause the tolerance and mixing  into German Society to end for the Jews?
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A: Crusades


Problem: A German ethnicity emerged in the course of the Middle Ages, ultimately as a result of the formation of the kingdom of Germany within East Francia and later the Holy Roman Empire, beginning in the 9th century. The process was gradual and lacked any clear definition, and the use of exonyms designating "the Germans" develops only during the High Middle Ages. The title of rex teutonicum "King of the Germans" is first used in the late 11th century, by the chancery of Pope Gregory VII, to describe the future Holy Roman Emperor of the German Nation Henry IV. Natively, the term ein diutscher ("a German") is used for the people of Germany from the 12th century.
What period in history do we see the emergence of German culture?
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Answer: High Middle Ages


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The mosaic pavement of the Vrina Plain basilica of Butrint, Albania appear to pre-date that of the Baptistery by almost a generation, dating to the last quarter of the 5th or the first years of the 6th century. The mosaic displays a variety of motifs including sea-creatures, birds, terrestrial beasts, fruits, flowers, trees and abstracts – designed to depict a terrestrial paradise of God’s creation. Superimposed on this scheme are two large tablets, tabulae ansatae, carrying inscriptions. A variety of fish, a crab, a lobster, shrimps, mushrooms, flowers, a stag and two cruciform designs surround the smaller of the two inscriptions, which reads: In fulfilment of the vow (prayer) of those whose names God knows. This anonymous dedicatory inscription is a public demonstration of the benefactors’ humility and an acknowledgement of God’s omniscience.
The floor mosaic in Butrint is how much older than that of the Baptistry?
A: almost a generation


Context and question: Amensalism is an interaction where an organism inflicts harm to another organism without any costs or benefits received by the other. A clear case of amensalism is where sheep or cattle trample grass. Whilst the presence of the grass causes negligible detrimental effects to the animal's hoof, the grass suffers from being crushed. Amensalism is often used to describe strongly asymmetrical competitive interactions, such as has been observed between the Spanish ibex and weevils of the genus Timarcha which feed upon the same type of shrub. Whilst the presence of the weevil has almost no influence on food availability, the presence of ibex has an enormous detrimental effect on weevil numbers, as they consume significant quantities of plant matter and incidentally ingest the weevils upon it.
What happens when the grass causes damage to an animal's hoof?
Answer: unanswerable


Question: The term "classical music" has two meanings: the broader meaning includes all Western art music from the Medieval era to today, and the specific meaning refers to the music from the 1750s to the early 1830s—the era of Mozart and Haydn. This section is about the more specific meaning.
Is there an answer to this question: From the 1750's to the early 1830's is the era of Mozart and what other composer?

Answer: Haydn


Question: Egyptian music is a rich mixture of indigenous, Mediterranean, African and Western elements. It has been an integral part of Egyptian culture since antiquity. The ancient Egyptians credited one of their gods Hathor with the invention of music, which Osiris in turn used as part of his effort to civilise the world. Egyptians used music instruments since then. Contemporary Egyptian music traces its beginnings to the creative work of people such as Abdu El Hamouli, Almaz and Mahmoud Osman, who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab and Abdel Halim Hafez whose age is considered the golden age of music in Egypt and the whole Middle East and North-Africa. Prominent contemporary Egyptian pop singers include Amr Diab and Mohamed Mounir.
Is there an answer to this question: Who is credited with invention of music by ancient Egyptians?

Answer:
Hathor