Problem: Association football:

The primary law is that players other than goalkeepers may not deliberately handle the ball with their hands or arms during play, though they do use their hands during a throw-in restart. Although players usually use their feet to move the ball around, they may use any part of their body (notably, "heading" with the forehead) other than their hands or arms. Within normal play, all players are free to play the ball in any direction and move throughout the pitch, though the ball cannot be received in an offside position.

What type of position can a ball always be received in?
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A: unanswerable


Problem: Galicia is poetically known as the "country of the thousand rivers" ("o país dos mil ríos"). The largest and most important of these rivers is the Minho, known as O Pai Miño (Father Minho), 307.5 km (191.1 mi) long and discharging 419 m3 (548 cu yd) per second, with its affluent the Sil, which has created a spectacular canyon. Most of the rivers in the inland are tributaries of this fluvial system, which drains some 17,027 km2 (6,574 sq mi). Other rivers run directly into the Atlantic Ocean as Lérez or the Cantabrian Sea, most of them having short courses. Only the Navia, Ulla, Tambre, and Limia have courses longer than 100 km (62 mi).
What is Galicia is poetically known as?
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Answer: country of the thousand rivers


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
Coulton Waugh attempted the first comprehensive history of American comics with The Comics (1947). Will Eisner's Comics and Sequential Art (1985) and Scott McCloud's Understanding Comics (1993) were early attempts in English to formalize the study of comics. David Carrier's The Aesthetics of Comics (2000) was the first full-length treatment of comics from a philosophical perspective. Prominent American attempts at definitions of comics include Eisner's, McCloud's, and Harvey's. Eisner described what he called "sequential art" as "the arrangement of pictures or images and words to narrate a story or dramatize an idea"; Scott McCloud defined comics "juxtaposed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer", a strictly formal definition which detached comics from its historical and cultural trappings. R. C. Harvey defined comics as "pictorial narratives or expositions in which words (often lettered into the picture area within speech balloons) usually contribute to the meaning of the pictures and vice versa". Each definition has had its detractors. Harvey saw McCloud's definition as excluding single-panel cartoons, and objected to McCloud's de-emphasizing verbal elements, insisting "the essential characteristic of comics is the incorporation of verbal content". Aaron Meskin saw McCloud's theories as an artificial attempt to legitimize the place of comics in art history.
Who put together a history of American comics in 1974?
A: unanswerable


Context and question: It was not unusual for electric recordings to be played back on acoustic phonographs. The Victor Orthophonic phonograph was a prime example where such playback was expected. In the Orthophonic, which benefited from telephone research, the mechanical pickup head was redesigned with lower resonance than the traditional mica type. Also, a folded horn with an exponential taper was constructed inside the cabinet to provide better impedance matching to the air. As a result, playback of an Orthophonic record sounded like it was coming from a radio.
What adjustments were made to the orthophonic  to accommodate electric recordings?
Answer: mechanical pickup head was redesigned with lower resonance than the traditional mica type


Question: During the initial punk era, a variety of entrepreneurs interested in local punk-influenced music scenes began founding independent record labels, including Rough Trade (founded by record shop owner Geoff Travis) and Factory (founded by Manchester-based television personality Tony Wilson). By 1977, groups began pointedly pursuing methods of releasing music independently , an idea disseminated in particular by the Buzzcocks' release of their Spiral Scratch EP on their own label as well as the self-released 1977 singles of Desperate Bicycles. These DIY imperatives would help form the production and distribution infrastructure of post-punk and the indie music scene that later blossomed in the mid-1980s.
Is there an answer to this question: What music scene developed in the 70s as a result of the postpunk DIY imperative?

Answer: unanswerable


Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
The Westminster Confession is "The principal subordinate standard of the Church of Scotland" but "with due regard to liberty of opinion in points which do not enter into the substance of the Faith" (V). This formulation represents many years of struggle over the extent to which the confession reflects the Word of God and the struggle of conscience of those who came to believe it did not fully do so (e.g. William Robertson Smith). Some Presbyterian Churches, such as the Free Church of Scotland, have no such "conscience clause".
What is the subordinate standard doctrine to the Word of God?
A:
unanswerable