Input: Article: The Premier League has the highest revenue of any football league in the world, with total club revenues of €2.48 billion in 2009–10. In 2013–14, due to improved television revenues and cost controls, the Premier League had net profits in excess of £78 million, exceeding all other football leagues. In 2010 the Premier League was awarded the Queen's Award for Enterprise in the International Trade category for its outstanding contribution to international trade and the value it brings to English football and the United Kingdom's broadcasting industry.

Now answer this question: What were the net profits of the Premier League in 2013-14?

Output: £78 million

Input: Article: Thomas Davidson taught a philosophy called "apeirotheism", a "form of pluralistic idealism...coupled with a stern ethical rigorism" which he defined as "a theory of Gods infinite in number." The theory was indebted to Aristotle's pluralism and his concepts of Soul, the rational, living aspect of a living substance which cannot exist apart from the body because it is not a substance but an essence, and nous, rational thought, reflection and understanding. Although a perennial source of controversy, Aristotle arguably views the latter as both eternal and immaterial in nature, as exemplified in his theology of unmoved movers. Identifying Aristotle's God with rational thought, Davidson argued, contrary to Aristotle, that just as the soul cannot exist apart from the body, God cannot exist apart from the world.

Now answer this question: What type of idealism was Thomas Davidson's philosophy?

Output: pluralistic

Input: Article: Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic".

Now answer this question: How did post-punk artists once again approach the studio?

Output:
as an instrument