Question: Read this and answer the question

The Late Bronze Age (from 1700 to 1200 BCE) Hittite and Hurrian Aplu was a god of plague, invoked during plague years. Here we have an apotropaic situation, where a god originally bringing the plague was invoked to end it. Aplu, meaning the son of, was a title given to the god Nergal, who was linked to the Babylonian god of the sun Shamash. Homer interprets Apollo as a terrible god (δεινὸς θεός) who brings death and disease with his arrows, but who can also heal, possessing a magic art that separates him from the other Greek gods. In Iliad, his priest prays to Apollo Smintheus, the mouse god who retains an older agricultural function as the protector from field rats. All these functions, including the function of the healer-god Paean, who seems to have Mycenean origin, are fused in the cult of Apollo.

What word means "the son of?"
Answer: Aplu


Problem: Modern standard Italian itself is heavily based on the Latin-derived Florentine Tuscan language. The Tuscan-based language that would eventually become modern standard Italian had been used in poetry and literature since at least the 12th century, and it first became widely known in Italy through the works of authors such as Dante Alighieri, Giovanni Boccaccio, Niccolò Machiavelli, and Petrarch. Dante's Florentine-Tuscan literary Italian thus became the language of the literate and upper class in Italy, and it spread throughout the peninsula as the lingua franca among the Italian educated class as well as Italian traveling merchants. The economic prowess and cultural and artistic importance of Tuscany in the Late Middle Ages and the Renaissance further encouraged the diffusion of the Florentine-Tuscan Italian throughout Italy and among the educated and powerful, though local and regional languages remained the main languages of the common people.
What socioeconomic class used the Florentine Tuscan language in Dante's time?
The answer is the following: upper class


Society in the Japanese "Tokugawa period" (Edo society), unlike the shogunates before it, was based on the strict class hierarchy originally established by Toyotomi Hideyoshi. The daimyo, or lords, were at the top, followed by the warrior-caste of samurai, with the farmers, artisans, and traders ranking below. In some parts of the country, particularly smaller regions, daimyo and samurai were more or less identical, since daimyo might be trained as samurai, and samurai might act as local lords. Otherwise, the largely inflexible nature of this social stratification system unleashed disruptive forces over time. Taxes on the peasantry were set at fixed amounts which did not account for inflation or other changes in monetary value. As a result, the tax revenues collected by the samurai landowners were worth less and less over time. This often led to numerous confrontations between noble but impoverished samurai and well-to-do peasants, ranging from simple local disturbances to much bigger rebellions. None, however, proved compelling enough to seriously challenge the established order until the arrival of foreign powers.
What was society based on during the Tukugawa period?
strict class hierarchy


Input: Red
Red clothing was a sign of status and wealth. It was worn not only by cardinals and princes, but also by merchants, artisans and townpeople, particularly on holidays or special occasions. Red dye for the clothing of ordinary people was made from the roots of the rubia tinctorum, the madder plant. This color leaned toward brick-red, and faded easily in the sun or during washing. The wealthy and aristocrats wore scarlet clothing dyed with kermes, or carmine, made from the carminic acid in tiny female scale insects, which lived on the leaves of oak trees in Eastern Europe and around the Mediterranean. The insects were gathered, dried, crushed, and boiled with different ingredients in a long and complicated process, which produced a brilliant scarlet.

What status did the wearing of red in medieval times represent?
Output: wealth


Input: Article: The heyday of mosaic making in Sicily was the age of the independent Norman kingdom in the 12th century. The Norman kings adopted the Byzantine tradition of mosaic decoration to enhance the somewhat dubious legality of their rule. Greek masters working in Sicily developed their own style, that shows the influence of Western European and Islamic artistic tendencies. Best examples of Sicilian mosaic art are the Cappella Palatina of Roger II, the Martorana church in Palermo and the cathedrals of Cefalù and Monreale.

Now answer this question: when was the height of mosaic art in sicily?

Output: the 12th century


Problem: Napoleon maintained strict, efficient work habits, prioritizing what needed to be done. He cheated at cards, but repaid the losses; he had to win at everything he attempted. He kept relays of staff and secretaries at work. Unlike many generals, Napoleon did not examine history to ask what Hannibal or Alexander or anyone else did in a similar situation. Critics said he won many battles simply because of luck; Napoleon responded, "Give me lucky generals," aware that "luck" comes to leaders who recognize opportunity, and seize it. Dwyer argues that Napoleon's victories at Austerlitz and Jena in 1805-06 heightened his sense of self-grandiosity, leaving him even more certain of his destiny and invincibility. By the Russian campaign in 1812, however, Napoleon seems to have lost his verve. With crisis after crisis at hand, he rarely rose to the occasion. Some historians have suggested a physical deterioration, but others note that an impaired Napoleon was still a brilliant general.
 In what year did the Russian campaign take place?
The answer is the following:
1812