Here is a question about this article: When the Archbishop of Canterbury, Hubert Walter, died on 13 July 1205, John became involved in a dispute with Pope Innocent III that would lead to the king's excommunication. The Norman and Angevin kings had traditionally exercised a great deal of power over the church within their territories. From the 1040s onwards, however, successive popes had put forward a reforming message that emphasised the importance of the church being "governed more coherently and more hierarchically from the centre" and established "its own sphere of authority and jurisdiction, separate from and independent of that of the lay ruler", in the words of historian Richard Huscroft. After the 1140s, these principles had been largely accepted within the English church, albeit with an element of concern about centralising authority in Rome. These changes brought the customary rights of lay rulers such as John over ecclesiastical appointments into question. Pope Innocent was, according to historian Ralph Turner, an "ambitious and aggressive" religious leader, insistent on his rights and responsibilities within the church.
What is the answer to this question: What lead to the king's excommunication?
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So... a dispute with Pope Innocent III


Here is a question about this article: Although "Nibbāna" (Sanskrit: Nirvāna) is the common term for the desired goal of this practice, many other terms can be found throughout the Nikayas, which are not specified.[note 35]
What is the answer to this question: What is the Sanskrit form of Nibbana?
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So... Nirvāna


Here is a question about this article: Carolingian art was produced for a small group of figures around the court, and the monasteries and churches they supported. It was dominated by efforts to regain the dignity and classicism of imperial Roman and Byzantine art, but was also influenced by the Insular art of the British Isles. Insular art integrated the energy of Irish Celtic and Anglo-Saxon Germanic styles of ornament with Mediterranean forms such as the book, and established many characteristics of art for the rest of the medieval period. Surviving religious works from the Early Middle Ages are mostly illuminated manuscripts and carved ivories, originally made for metalwork that has since been melted down. Objects in precious metals were the most prestigious form of art, but almost all are lost except for a few crosses such as the Cross of Lothair, several reliquaries, and finds such as the Anglo-Saxon burial at Sutton Hoo and the hoards of Gourdon from Merovingian France, Guarrazar from Visigothic Spain and Nagyszentmiklós near Byzantine territory. There are survivals from the large brooches in fibula or penannular form that were a key piece of personal adornment for elites, including the Irish Tara Brooch. Highly decorated books were mostly Gospel Books and these have survived in larger numbers, including the Insular Book of Kells, the Book of Lindisfarne, and the imperial Codex Aureus of St. Emmeram, which is one of the few to retain its "treasure binding" of gold encrusted with jewels. Charlemagne's court seems to have been responsible for the acceptance of figurative monumental sculpture in Christian art, and by the end of the period near life-sized figures such as the Gero Cross were common in important churches.
What is the answer to this question: Where was a notable hoard found near the former lands of the Byzantine Empire?
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So...
Nagyszentmiklós