QUES: The overcrowded conditions of the library was one of the reasons why the RIBA moved from 9 Conduit Street to larger premises at 66 Portland Place in 1934. The library remained open throughout World War Two and was able to shelter the archives of Modernist architect Adolf Loos during the war.

Where did RIBA move its library?
What is the answer?
ANS: 66 Portland Place
QUES: The traditional interpretation of "Cubism", formulated post facto as a means of understanding the works of Braque and Picasso, has affected our appreciation of other twentieth-century artists. It is difficult to apply to painters such as Jean Metzinger, Albert Gleizes, Robert Delaunay and Henri Le Fauconnier, whose fundamental differences from traditional Cubism compelled Kahnweiler to question their right to be called Cubists at all. According to Daniel Robbins, "To suggest that merely because these artists developed differently or varied from the traditional pattern they deserved to be relegated to a secondary or satellite role in Cubism is a profound mistake."

Understanding whose work was the tradition meaning of non-Cubism formed on?
What is the answer?
ANS: unanswerable
QUES: A shipbuilding boom in the early part of the 20th century became massive during World War I, making Seattle somewhat of a company town; the subsequent retrenchment led to the Seattle General Strike of 1919, the first general strike in the country. A 1912 city development plan by Virgil Bogue went largely unused. Seattle was mildly prosperous in the 1920s but was particularly hard hit in the Great Depression, experiencing some of the country's harshest labor strife in that era. Violence during the Maritime Strike of 1934 cost Seattle much of its maritime traffic, which was rerouted to the Port of Los Angeles.

What city profited by Seattle's Maritime Strike?
What is the answer?
ANS:
Port of Los Angeles.