Article: In most taxonomies, the flowering plants are treated as a coherent group. The most popular descriptive name has been Angiospermae (Angiosperms), with Anthophyta ("flowering plants") a second choice. These names are not linked to any rank. The Wettstein system and the Engler system use the name Angiospermae, at the assigned rank of subdivision. The Reveal system treated flowering plants as subdivision Magnoliophytina (Frohne & U. Jensen ex Reveal, Phytologia 79: 70 1996), but later split it to Magnoliopsida, Liliopsida, and Rosopsida. The Takhtajan system and Cronquist system treat this group at the rank of division, leading to the name Magnoliophyta (from the family name Magnoliaceae). The Dahlgren system and Thorne system (1992) treat this group at the rank of class, leading to the name Magnoliopsida. The APG system of 1998, and the later 2003 and 2009 revisions, treat the flowering plants as a clade called angiosperms without a formal botanical name. However, a formal classification was published alongside the 2009 revision in which the flowering plants form the Subclass Magnoliidae.

Question: What do the Wettstein and Engler systems use at the assigned rank of subdivision?
Ans: Angiospermae


Article: From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

Question: Who began the revolution of Greek influenced architecture in Britain?
Ans: James 'Athenian' Stuart


Article: In the 7th–9th centuries Rome fell under the influence of Byzantine art, noticeable on the mosaics of Santa Prassede, Santa Maria in Domnica, Sant'Agnese fuori le Mura, Santa Cecilia in Trastevere, Santi Nereo e Achilleo and the San Venanzio chapel of San Giovanni in Laterano. The great dining hall of Pope Leo III in the Lateran Palace was also decorated with mosaics. They were all destroyed later except for one example, the so-called Triclinio Leoniano of which a copy was made in the 18th century. Another great work of Pope Leo, the apse mosaic of Santa Susanna, depicted Christ with the Pope and Charlemagne on one side, and SS. Susanna and Felicity on the other. It was plastered over during a renovation in 1585. Pope Paschal I (817–824) embellished the church of Santo Stefano del Cacco with an apsidal mosaic which depicted the pope with a model of the church (destroyed in 1607).

Question: Which mosaic survived through the 9th century, and then had a copy made in the 18th?
Ans: Triclinio Leoniano


Article: Following his defeat in the civil war, Gaddafi's system of governance was dismantled and replaced under the interim government of the NTC, who legalised trade unions and freedom of the press. In July 2012, elections were held to form a new General National Congress (GNC), who officially took over governance from the NTC in August. The GNC proceeded to elect Mohammed Magariaf as president of the chamber, and then voted Mustafa A.G. Abushagur as Prime Minister; when Abushagar failed to gain congressional approval, the GNC instead elected Ali Zeidan to the position. In January 2013, the GNC officially renamed the Jamahiriyah as the "State of Libya".

Question: Who was elected president of the GNC?
Ans:
Mohammed Magariaf