Following the hardliners' takeover, the September 30, 1990 elections (runoffs on October 14) were characterized by intimidation; several Popular Front candidates were jailed, two were murdered, and unabashed ballot stuffing took place even in the presence of Western observers. The election results reflected the threatening environment; out of the 350 members, 280 were Communists, with only 45 opposition candidates from the Popular Front and other non-communist groups, who together formed a Democratic Bloc ("Dembloc"). In May 1990 Mutalibov was elected Chairman of the Supreme Soviet unopposed.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): How many total members were there?
Ah, so.. 350

With filming completed in Rome, production moved to Mexico City in late March to shoot the film's opening sequence, with scenes to include the Day of the Dead festival filmed in and around the Zócalo and the Centro Histórico district. The planned scenes required the city square to be closed for filming a sequence involving a fight aboard a Messerschmitt-Bölkow-Blohm Bo 105 helicopter flown by stunt pilot Chuck Aaron, which called for modifications to be made to several buildings to prevent damage. This particular scene in Mexico required 1,500 extras, 10 giant skeletons and 250,000 paper flowers. Reports in the Mexican media added that the film's second unit would move to Palenque in the state of Chiapas, to film aerial manoeuvres considered too dangerous to shoot in an urban area.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Filming moved to which city in late May?
Ah, so.. unanswerable

The roots of hard rock can be traced back to the 1950s, particularly electric blues, which laid the foundations for key elements such as a rough declamatory vocal style, heavy guitar riffs, string-bending blues-scale guitar solos, strong beat, thick riff-laden texture, and posturing performances. Electric blues guitarists began experimenting with hard rock elements such as driving rhythms, distorted guitar solos and power chords in the 1950s, evident in the work of Memphis blues guitarists such as Joe Hill Louis, Willie Johnson, and particularly Pat Hare, who captured a "grittier, nastier, more ferocious electric guitar sound" on records such as James Cotton's "Cotton Crop Blues" (1954). Other antecedents include Link Wray's instrumental "Rumble" in 1958, and the surf rock instrumentals of Dick Dale, such as "Let's Go Trippin'" (1961) and "Misirlou" (1962).
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who recorded "Rumble"?
Ah, so..
Link Wray