The modern pharmaceutical industry traces its roots to two sources. The first of these were local apothecaries that expanded from their traditional role distributing botanical drugs such as morphine and quinine to wholesale manufacture in the mid 1800s. Rational drug discovery from plants started particularly with the isolation of morphine, analgesic and sleep-inducing agent from opium, by the German apothecary assistant Friedrich Sertürner, who named the compound after the Greek god of dreams, Morpheus. Multinational corporations including Merck, Hoffman-La Roche, Burroughs-Wellcome (now part of Glaxo Smith Kline), Abbott Laboratories, Eli Lilly and Upjohn (now part of Pfizer) began as local apothecary shops in the mid-1800s. By the late 1880s, German dye manufacturers had perfected the purification of individual organic compounds from coal tar and other mineral sources and had also established rudimentary methods in organic chemical synthesis. The development of synthetic chemical methods allowed scientists to systematically vary the structure of chemical substances, and growth in the emerging science of pharmacology expanded their ability to evaluate the biological effects of these structural changes.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): When was Glaxo first available?
Ah, so.. unanswerable

In 2004, the two institutions created the Architecture Gallery (Room 128) at the V&A showing artefacts from the collections of both institutions, this was the first permanent gallery devoted to architecture in the UK. The adjacent Architecture Exhibition Space (Room 128a) is used for temporary displays related to architecture. Both spaces were designed by Gareth Hoskins Architects. At the same time the RIBA Library Drawing and Archives Collections moved from 21 Portman Place to new facilities in the Henry Cole Wing at the V&A. Under the Partnership new study rooms were opened where members of the public could view items from the RIBA and V&A architectural collections under the supervision of curatorial staff. These and the nearby education room were designed by Wright & Wright Architects.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who designed rooms 128 and 128a at the V&A Museum?
Ah, so.. Gareth Hoskins Architects

In ultra high vacuum systems, some very "odd" leakage paths and outgassing sources must be considered. The water absorption of aluminium and palladium becomes an unacceptable source of outgassing, and even the adsorptivity of hard metals such as stainless steel or titanium must be considered. Some oils and greases will boil off in extreme vacuums. The permeability of the metallic chamber walls may have to be considered, and the grain direction of the metallic flanges should be parallel to the flange face.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): How should palladium be placed when it has oil on it?
Ah, so..
unanswerable