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The stemmatic method's final step is emendatio, also sometimes referred to as "conjectural emendation." But in fact, the critic employs conjecture at every step of the process. Some of the method's rules that are designed to reduce the exercise of editorial judgment do not necessarily produce the correct result. For example, where there are more than two witnesses at the same level of the tree, normally the critic will select the dominant reading. However, it may be no more than fortuitous that more witnesses have survived that present a particular reading. A plausible reading that occurs less often may, nevertheless, be the correct one.
At what point can a critic using the stemmatic become less concerned with critical analysis?
A: the critic employs conjecture at every step of the process

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In the English language, the works of Shakespeare have been a particularly fertile ground for textual criticism—both because the texts, as transmitted, contain a considerable amount of variation, and because the effort and expense of producing superior editions of his works have always been widely viewed as worthwhile. The principles of textual criticism, although originally developed and refined for works of antiquity, the Bible, and Shakespeare, have been applied to many works, extending backwards from the present to the earliest known written documents, in Mesopotamia and Egypt—a period of about five millennia. However, the application of textual criticism to non-religious works does not antedate the invention of printing. While Christianity has been relatively receptive to textual criticism, application of it to the Jewish (Masoretic) Torah and the Qur'an is, to the devout, taboo.[citation needed]
Why is there opposition to textual criticism of Jewish and Muslim religious books?
A: is, to the devout, taboo.

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After the formal end of Reconstruction, the struggle over power in Southern society continued. Through violence and intimidation against freedmen and their allies, White Democrats regained political power in Tennessee and other states across the South in the late 1870s and 1880s. Over the next decade, the state legislature passed increasingly restrictive laws to control African Americans. In 1889 the General Assembly passed four laws described as electoral reform, with the cumulative effect of essentially disfranchising most African Americans in rural areas and small towns, as well as many poor Whites. Legislation included implementation of a poll tax, timing of registration, and recording requirements. Tens of thousands of taxpaying citizens were without representation for decades into the 20th century. Disfranchising legislation accompanied Jim Crow laws passed in the late 19th century, which imposed segregation in the state. In 1900, African Americans made up nearly 24% of the state's population, and numbered 480,430 citizens who lived mostly in the central and western parts of the state.
What is the name for laws dating from the late-19th century which promoted segregation?
A: Jim Crow laws

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At the very end of the 19th century, a new style, with a carved top and back construction inspired by violin family instruments began to supplant the European-style bowl-back instruments in the United States. This new style is credited to mandolins designed and built by Orville Gibson, a Kalamazoo, Michigan luthier who founded the "Gibson Mandolin-Guitar Manufacturing Co., Limited" in 1902. Gibson mandolins evolved into two basic styles: the Florentine or F-style, which has a decorative scroll near the neck, two points on the lower body and usually a scroll carved into the headstock; and the A-style, which is pear shaped, has no points and usually has a simpler headstock.
When was a new sytle of carved top and back construction mandolins created?
A:
end of the 19th century