LaserDisc players can provide a great degree of control over the playback process. Unlike many DVD players, the transport mechanism always obeys commands from the user: pause, fast-forward, and fast-reverse commands are always accepted (barring, of course, malfunctions). There were no "User Prohibited Options" where content protection code instructs the player to refuse commands to skip a specific part (such as fast forwarding through copyright warnings). (Some DVD players, particularly higher-end units, do have the ability to ignore the blocking code and play the video without restrictions, but this feature is not common in the usual consumer market.)
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): How does LaserDisc operation vary from DVD?
Ah, so.. the transport mechanism always obeys commands from the user

European comics studies began with Töpffer's theories of his own work in the 1840s, which emphasized panel transitions and the visual–verbal combination. No further progress was made until the 1970s. Pierre Fresnault-Deruelle then took a semiotics approach to the study of comics, analyzing text–image relations, page-level image relations, and image discontinuities, or what Scott McCloud later dubbed "closure". In 1987, Henri Vanlier introduced the term multicadre, or "multiframe", to refer to the comics a page as a semantic unit. By the 1990s, theorists such as Benoît Peeters and Thierry Groensteen turned attention to artists' poïetic creative choices. Thierry Smolderen and Harry Morgan have held relativistic views of the definition of comics, a medium that has taken various, equally valid forms over its history. Morgan sees comics as a subset of "les littératures dessinées" (or "drawn literatures"). French theory has come to give special attention to the page, in distinction from American theories such as McCloud's which focus on panel-to-panel transitions. Since the mid-2000s, Neil Cohn has begun analyzing how comics are understood using tools from cognitive science, extending beyond theory by using actual psychological and neuroscience experiments. This work has argued that sequential images and page layouts both use separate rule-bound "grammars" to be understood that extend beyond panel-to-panel transitions and categorical distinctions of types of layouts, and that the brain's comprehension of comics is similar to comprehending other domains, such as language and music.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who introduced the term "multiframe"?
Ah, so.. Henri Vanlier

Iran received access to the Internet in 1993. According to 2014 census, around 40% of the population of Iran are Internet users. Iran ranks 24th among countries by number of Internet users. According to the statistics provided by the web information company of Alexa, Google Search and Yahoo! are the most used search engines in Iran. Over 80% of the users of Telegram, a cloud-based instant messaging service, are from Iran. Instagram is the most popular online social networking service in Iran. Direct access to Facebook has been blocked in Iran since the 2009 Iranian presidential election protests, due to organization of the opposition movements on the website; but however, Facebook has around 12 to 17 million users in Iran who are using virtual private networks and proxy servers to access the website. Around 90% of Iran's e-commerce takes place on the Iranian online store of Digikala, which has around 750,000 visitors per day and more than 2.3 million subscribers. Digikala is the most visited online store in the Middle East, and ranks 4th among the most visited websites in Iran.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): What percentage of Iran's population were internet users in 2014?
Ah, so..
around 40%