Input: Read this: In Sand Springs, an outdoor amphitheater called "Discoveryland!" is the official performance headquarters for the musical Oklahoma! Ridge Bond, native of McAlester, Oklahoma, starred in the Broadway and International touring productions of Oklahoma!, playing the role of "Curly McClain" in more than 2,600 performances. In 1953 he was featured along with the Oklahoma! cast on a CBS Omnibus television broadcast. Bond was instrumental in the title song becoming the Oklahoma state song and is also featured on the U.S. postage stamp commemorating the musical's 50th anniversary. Historically, the state has produced musical styles such as The Tulsa Sound and western swing, which was popularized at Cain's Ballroom in Tulsa. The building, known as the "Carnegie Hall of Western Swing", served as the performance headquarters of Bob Wills and the Texas Playboys during the 1930s. Stillwater is known as the epicenter of Red Dirt music, the best-known proponent of which is the late Bob Childers.
Question: How many performances of Oklahoma! was Ridge Bond in?

Output: more than 2,600


Input: Read this: In 1348 and 1349 Portugal, like the rest of Europe, was devastated by the Black Death. In 1373, Portugal made an alliance with England, which is the longest-standing alliance in the world. This alliance served both nations' interests throughout history and is regarded by many as the predecessor to NATO. Over time this went way beyond geo-political and military cooperation (protecting both nations' interests in Africa, the Americas and Asia against French, Spanish and Dutch rivals) and maintained strong trade and cultural ties between the two old European allies. Particularly in the Oporto region, there is visible English influence to this day.
Question: In which Portugese region is there still visible English influence?

Output: Oporto region


Input: Read this: Coulton Waugh attempted the first comprehensive history of American comics with The Comics (1947). Will Eisner's Comics and Sequential Art (1985) and Scott McCloud's Understanding Comics (1993) were early attempts in English to formalize the study of comics. David Carrier's The Aesthetics of Comics (2000) was the first full-length treatment of comics from a philosophical perspective. Prominent American attempts at definitions of comics include Eisner's, McCloud's, and Harvey's. Eisner described what he called "sequential art" as "the arrangement of pictures or images and words to narrate a story or dramatize an idea"; Scott McCloud defined comics "juxtaposed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer", a strictly formal definition which detached comics from its historical and cultural trappings. R. C. Harvey defined comics as "pictorial narratives or expositions in which words (often lettered into the picture area within speech balloons) usually contribute to the meaning of the pictures and vice versa". Each definition has had its detractors. Harvey saw McCloud's definition as excluding single-panel cartoons, and objected to McCloud's de-emphasizing verbal elements, insisting "the essential characteristic of comics is the incorporation of verbal content". Aaron Meskin saw McCloud's theories as an artificial attempt to legitimize the place of comics in art history.
Question: Who created a book about comics from a biographical point of view?

Output: unanswerable


Input: Read this: The word gymnastics derives from the common Greek adjective γυμνός (gymnos) meaning "naked", by way of the related verb γυμνάζω (gymnazo), whose meaning is to train naked", "train in gymnastic exercise", generally "to train, to exercise". The verb had this meaning, because athletes in ancient times exercised and competed without clothing. It came into use in the 1570s, from Latin gymnasticus, from Greek gymnastikos "fond of or skilled in bodily exercise," from gymnazein "to exercise or train" (see gymnasium).
Question: What language does gymnazein come from?

Output:
unanswerable